Premiered: Sunday, August 18, 1991
Episode Transcript [Closed Captioning][]
BARBEQUE
STORy
WRITTEN By
STEVE VIkSTEN
JOE ANSOLABEHERE
MUSIC By
MARk MOTHERSBAUGH
Oh…
Ah…
WOMAN:
Tommy!
Huh?
Don’t eat that.
You don’t know
where it’s been.
And then we’d walk
15 miles in the snow…
And then we’d walk
15 miles in the snow…
Dagnab it!
So then I took
the windfall profit
re-invested
in money markets, and…
Get it off me!
Get it off me!
Get it off!
(SCAT SINGING)
(SCAT SINGING)
(SCAT SINGING)
DIRECTED By
NORTON VIRGIEN
P
the
I love a good barbecue.
I love a good barbecue.
(SCAT SINGING)
(SCAT SINGING)
TiP
(SCATTING CONTINUES)
(SCATTING CONTINUES)
How are those
turkey patties coming?
They’ll be ready in no time.
What’s with Spike?
He just wants
one of these burgers
but, hey, you can’t have
everything you want in life
but, hey, you can’t have
everything you want in life
can you, big fella?
can you, big fella?
TiP
he Cook
Oh, I hate barbecues.
Oh, I hate barbecues.
There’s nothing
for us to do.
Let’s play with my new ball.
Wow, Tommy.
Where did you get it?
My grandpa gave it to me.
It’s my favorite toy
in the world, and it’s fun.
It’s my favorite toy
in the world, and it’s fun.
It’s my favorite toy
in the world, and it’s fun.
Here, Chuckie, catch.
Nice toy.
Nice toy.
Give me my ball, Angelica.
Ask me nice.
Give me my ball.
Give me my ball.
Say pretty-please.
Say pretty-please.
Give me my ball!
Say Angelica is the nicest,
prettiest, best person
in the world.
Give me my ball!
Well, if you can’t
be nicer than that
you’ll never see
your dumb old ball again.
(SQUAWKING)
I’m leaving.
You kids are no fun
to play with.
Don’t worry, Tommy.
It’s just
a dumb ball anyway.
(SCREAMING)
(SCREAMING)
(SCREAMING)
(SCREAMING)
(SCREAMING)
What’s wrong, Tommy?
What happened?
(TALKING BABY TALK)
(TALKING BABY TALK)
Oh, boo-boo.
What’s the matter, baby?
All better now.
All better now.
Why did you stop crying?
You could have got
anything you wanted.
I saw it.
Saw what?
My ball.
It’s over the fence.
It’s over the fence.
The fence?
Who knows
what’s on the other side.
She’s right, Tommy.
You better
forget about it.
You better
forget about it.
You better
forget about it.
I can’t forget about it.
It’s my ball.
Tommy,
it’s the next yard.
Tommy,
it’s the next yard.
You’re only a baby.
You’re only a baby.
A baby’s got to do
what a baby’s got to do.
Who’s with me?
Let’s go.
D SALT
VORY
WEED MEATLESS JUST SAY
MIRACLE NO
FOOLS THEM! SALT
EVERY SALT SUBSTiTUTE
TIMES NO TEARS!
DO NOT KEEP! iMiTATiON B.B.Q
NO PRESERVATiVE ONiON LiTE
MOli T URkEY BURGERS
YOU’LL GOBBLE ‘EM! TOFU
iT
(SCAT SINGING)
Stu Pickles, cordon bleu.
How are the burgers
coming, hon?
Can’t rush
these things
Can’t rush
these things
can you, boy?
I don’t think
this is such a good idea.
Ah, come on.
Ah, come on.
Don’t be a baby.
Where is it, Tommy?
I’m not sure,
but I know it’s here.
Let’s go back
before it’s too late.
before it’s too late.
No, let’s split up.
We’ll cover more ground
that way.
Hello!
Nope. Not in here.
(GRUNTING)
Uh-oh.
(GASPING)
Did you find it?
Nope.
Me neither.
Where’s Chuckie?
Help! Help!
TOMMY:
Chuckie!
Chuckie,
what happened?
(MUFFLED)
I was looking
for the ball.
What?
I was looking for the ball
I was looking for the ball
when I got stuck.
(GRUNTING)
(GRUNTING)
(GRUNTING)
(GRUNTING)
(GRUNTING)
Are you okay,
Chuckie?
Am I okay? Am I okay?
First you talk me
into breaking out
of the playpen
then you lead me here
to a place that scares me
then you get me
then you get me
stuck in the tree
and for what? Huh? Nothing.
I bet you never even saw
that dumb ball.
Where is it,
Tommy, huh?
Where? Where?
There.
I knew we’d find my ball.
Come on,
help me over.
(GRUNTING)
Me next.
No, me next.
No, me next.
Me!
No, me!
You guys stay here.
We’ll get the ball
and come back.
(GROWLING)
(GROWLING)
(GROWLING)
(GROWLING)
(GROWLING)
(GROWLING)
See, Chuckie,
this was easy.
(YELLING)
(YELLING)
(YELLING)
(YELLING)
Come on, Tommy.
Let’s get out of here.
Not without my ball.
Not without my ball.
Please don’t eat Tommy.
Please don’t eat Tommy.
Please
don’t eat Tommy.
(BARKING)
(BARKING)
(BARKING)
Chuckie, I got it.
Let’s go.
Jump now, Tommy!
Hurry!
Hurry!
I can’t do it by myself.
The fence
is too high!
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
Where’s Tommy?
Where’s Tommy?
Stu,
I can’t find Tommy.
Stu,
I can’t find Tommy.
TiP
the Cook
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
(BARKING)
Spike!
Spike!
Spike!
Spike!
Tommy, you there?
Tommy, you there?
Tommy, you there?
Tommy, you there?
Tommy, you there?
Stu, look!
Stu, look!
Stu, look!
Stu, look!
Stu, look!
Stu, look!
Stu, look!
STU:
Chuckie.
STU:
Chuckie.
STU:
Chuckie.
STU:
Chuckie.
Tommy, my baby. Oh…
Tommy, my baby. Oh…
You gave us quite a scare,
little man.
Good boy, Spike.
You saved the day.
Hey, what’s that?
STU:
My burgers!
Ooh.
(CHIRPING)
(CHIRPING)
Here you go…
Burnt to a crisp
just like you like them.
Episode Transcript [Closed Captioning][]
WAITER,
THERE’S A BABy
IN My SOUP
WRITTEN By
CRAIG BARTLETT
PAUL GERMAIN
(HUMMING)
WRITTEN By
CRAIG BARTLETT
PAUL GERMAIN
MUSIC By
MARk MOTHERSBAUGH
DIRECTED By
NORTON VIRGIEN
STU:
Didi, have you seen
my favorite tie?
No, Tommy!
Not the tie!
Oh, no.
Didi, Tommy did it again.
Didi, Tommy did it again.
Tie in the potty?
Well, I’m sorry, dear.
Well, I’m sorry, dear.
I can’t wear this tie
to dinner, Didi.
I’ve got to look
professional.
Mr. Mucklehoney will think
I’m a wacky inventor.
You look great, Stu.
You look great, Stu.
You look great, Stu.
Do I really look okay?
If he doesn’t
take me seriously
he won’t invest
in Pickles toys.
Oh, quit worrying, Stu.
I’ve got
the restaurant number,
I’ve got
the restaurant number,
Drew’s, the pediatrician’s,
in case of some real emergency
and the plumber’s
in case the pipes burst.
(HONKING)
(HONKING)
(HONKING)
That will be Louise.
Got a hot date
at the bowling alley.
Score a 300, tiger.
(PHONE RINGS)
Hello?
Oh, hi, Tiffany.
Where are you getting here?
What do you mean
you can’t make it tonight?
What do you mean
you can’t make it tonight?
We’re counting on you.
But that’s what
you said the last time.
Oh, your
other goldfish died.
Oh, okay.
Bye.
(TIRES SQUEALING)
(TIRES SQUEALING)
Oh, no.
DIDI:
I guess we’ll have
to take him with us.
Chez Ennui
Hi! You must be Pickles.
Hi! You must be Pickles.
Put her there.
(SCREAMS)
(LAUGHS)
Just kidding, Pickles.
And you must be
Mrs. Pickles.
Real pleasure, ma’am.
(LAUGHS)
Excuse me, Mrs. Pickles,
but I can’t resist a good joke
and folks like you
fall for every darn one.
Nice to meet you too.
Who’s the little fellow?
His name is Tommy.
I hope it’s okay…
I love kids.
Don’t think
another thing of it.
Want a lollipop,
sonny?
(LAUGHS)
(LAUGHS)
(LAUGHS)
(LAUGHS)
Oh, I love you Pickleses.
Even your kid’s a sucker.
You get it? Sucker?
(LAUGHS)
(LAUGHS)
Thank you for coming.
I know how valuable
your time is, sir.
Thank you for coming.
I know how valuable
your time is, sir.
Thank you for coming.
I know how valuable
your time is, sir.
Thank you for coming.
I know how valuable
your time is, sir.
Thank you for coming.
I know how valuable
your time is, sir.
I’ll show you
what I brought.
Hold on there, Pickles.
We’ll get around
to business later.
Hold on there, Pickles.
We’ll get around
to business later.
First let’s get some chow.
First let’s get some chow.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
I’m so hungry,
I could eat a hog headfirst.
Hey, waiter!
Hey, waiter!
Hey, waiter!
Hey, waiter!
Yes?
Yes?
Yes?
Yes?
You got prime rib here.
You got prime rib here.
You got prime rib here.
Get me
a pound-and-a-half slabs.
I’ll see what I can do.
I’ll see what I can do.
I’ll see what I can do.
I’ll see what I can do.
And bring me some
spaghetti and meatballs.
And bring me some
spaghetti and meatballs.
And bring me some
spaghetti and meatballs.
What about you,
Mrs. Pickles?
I’ll have the…
I’ll have the…
Mrs. Pickles, I believe
there’s a call for you.
Mrs. Pickles, I believe
there’s a call for you.
Mrs. Pickles, I believe
there’s a call for you.
Oh. Hello?
Oh. Hello?
Oh. Hello?
Oh. Hello?
Oh. Hello?
Didi, it’s me.
Didi, it’s me.
Grandpa?
Grandpa?
I got to get out of here.
I got to get out of here.
I got to get out of here.
I got to get out of here.
I got in an argument
with Louise over
a seven-ten split.
I got in an argument
with Louise over
a seven-ten split.
I got in an argument
with Louise over
a seven-ten split.
I got in an argument
with Louise over
a seven-ten split.
I need a ride home.
I need a ride home.
I need a ride home.
We’re in the middle
of dinner and, I…
We’re in the middle
of dinner and, I…
We’re in the middle
of dinner and, I…
We’re in the middle
of dinner and, I…
We’re in the middle
of dinner and, I…
I’ll be right there
I’ll be right there
I’ll be right there
and I’ll bring Tommy with me.
You must excuse me,
You must excuse me,
but I’ve got a little
family emergency.
I’ll take Tommy and…
Shucks. Leave
the little fellow here.
Shucks. Leave
the little fellow here.
Shucks. Leave
the little fellow here.
We boys can watch
the squirt, can’t we?
We boys can watch
the squirt, can’t we?
On the other hand…
Go on now.
Pickles, what do you got?
I call this guy
the helioptertron.
He starts as a robot,
but then you do this.
He starts as a robot,
but then you do this.
(GLASS BREAKING)
That’s pretty good.
Only Mucklehoney Industries
is releasing two toys
Only Mucklehoney Industries
is releasing two toys
like that next month
and those will go in reverse.
like that next month
and those will go in reverse.
Like that next month
and those will go in reverse.
like that next month
and those will go in reverse.
What else?
What else?
Well…
Well…
How about this?
How about this?
What the heck is it,
Pickles?
Here… Let me show you.
(CLICKING)
(CLICKING)
(CLICKING)
I guess I haven’t worked
all the bugs out of that one.
I guess I haven’t worked
all the bugs out of that one.
I guess I haven’t worked
all the bugs out of that one.
(MUCKLEHONEY LAUGHS)
(MUCKLEHONEY LAUGHS)
(MUCKLEHONEY LAUGHS)
(MUCKLEHONEY LAUGHS)
That’s a great gag,
Pickles.
What else you got?
What else you got?
STU: Well…
STU: Well…
What’s that thing do?
Well, here.
Let me show you.
MUCKLEHONEY:
Oh, one of those
wall-walker things.
MUCKLEHONEY:
Oh, one of those
wall-walker things.
MUCKLEHONEY:
Oh, one of those
wall-walker things.
That’s not bad, Pickles.
Not bad.
But what’s it do
after that?
Huh?
Huh?
Huh?
Huh?
Huh?
Huh?
Huh?
After it walks
up the wall.
After it walks
up the wall.
After it walks
up the wall.
After it walks
up the wall.
After it walks
up the wall.
After it walks
up the wall.
After it walks
up the wall.
After it walks
up the wall.
After it walks
up the wall.
No offense, Pickles.
That one seems
dead on the vine
No offense, Pickles.
That one seems
dead on the vine
if you catch my drift.
if you catch my drift.
if you catch my drift.
Don’t worry.
Don’t worry.
Don’t worry.
I got a million ideas.
That’s good, Pickles.
That’s good, Pickles.
That’s good, Pickles.
That’s good, Pickles.
That’s good, Pickles.
You just keep digging
them out of that bag.
You just keep digging
them out of that bag.
You just keep digging
them out of that bag.
You just keep digging
them out of that bag.
You just keep digging
them out of that bag.
You just keep digging
them out of that bag.
You just keep digging
them out of that bag.
You just keep digging
them out of that bag.
(MUCKLEHONEY CHUCKLES)
(MUCKLEHONEY CHUCKLES)
Oh, appetizers at last.
Oh, appetizers at last.
Don’t mind me if I chow down
while you talk, Pickles.
Ooh.
Ooh.
(MUCKLEHONEY SLURPING
AND CHEWING NOISILY)
(MUCKLEHONEY SLURPING
AND CHEWING NOISILY)
(MUCKLEHONEY SLURPING
AND CHEWING NOISILY)
(MUCKLEHONEY SLURPING
AND CHEWING NOISILY)
(MUCKLEHONEY SLURPING
AND CHEWING NOISILY)
(COOING)
(COOING)
(COOING)
Whoa!
Whoa!
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLING)
(YELLS)
(YELLS)
(YELLS)
Hmm…
Pierre’s getting
a little sloppy.
Pierre’s getting
a little sloppy.
Pierre’s getting
a little sloppy.
Ooh.
Ooh.
Ooh.
Ooh.
Ooh.
(GAGGING)
(GAGGING)
Whoa!
Whoa!
What about these?
What about these?
What about these?
I call them wacko specs.
I call them wacko specs.
I call them wacko specs.
I call them wacko specs.
I call them wacko specs.
(MUCKLEHONEY LAUGHING)
(MUCKLEHONEY LAUGHING)
(MUCKLEHONEY LAUGHING)
Oh, Pickles, you kill me!
Oh, Pickles, you kill me!
Oh, Pickles, you kill me!
Oh, Pickles, you kill me!
Oh, Pickles, you kill me!
Oh, Pickles, you kill me!
I wish I could pay you
I wish I could pay you
I wish I could pay you
I wish I could pay you
I wish I could pay you
I wish I could pay you
I wish I could pay you
just to hang around
and make me laugh.
just to hang around
and make me laugh.
(LAUGHS)
(LAUGHS)
(LAUGHS)
(LAUGHS)
(GAGGING)
(GAGGING)
(GAGGING)
(GAGGING)
(GAGGING)
(GAGGING)
(GAGGING)
Mr. Mucklehoney,
are you all right?
Mr. Mucklehoney,
are you all right?
Mr. Mucklehoney,
are you all right?
Mr. Mucklehoney,
are you all right?
Mr. Mucklehoney,
are you all right?
Mr. Mucklehoney,
are you all right?
Mr. Mucklehoney,
are you all right?
Wa-wa-wa-wa…
Where’s Tommy?
Where’s Tommy?
Tommy!
Tommy!
Tommy!
Tommy!
Tommy!
Tommy!
(GURGLING)
(GURGLING)
(GURGLING)
(GURGLING)
(GURGLING)
(WHISPERS) Tommy?
(WHISPERS) Tommy?
(WHISPERS) Tommy?
Water.
Water.
(GROANING)
(GROANING)
(GROANING)
Is this yours?
Is this yours?
Is this yours?
Is this yours?
Is this yours?
Is this yours?
Is this yours?
Is this yours?
Hiya, champ.
Looks like you’re having
a bad night too.
Looks like you’re having
a bad night too.
Looks like you’re having
a bad night too.
(LAUGHING)
(LAUGHING)
(LAUGHING)
(LAUGHING)
(LAUGHING)
(LAUGHING)
Oh, Pickles, you slay me!
Oh, Pickles, you slay me!
You must have gone to
a lot of trouble
to set this thing up:
You must have gone to
a lot of trouble
to set this thing up:
You must have gone to
a lot of trouble
to set this thing up:
You must have gone to
a lot of trouble
to set this thing up:
the tabasco soup
the tabasco soup
the flying table.
the flying table.
the flying table.
the flying table.
the flying table.
Heck, you even got
your kid into the act.
Heck, you even got
your kid into the act.
Heck, you even got
your kid into the act.
Heck, you even got
your kid into the act.
What did you do…
Call the restaurant
in advance?
What did you do…
Call the restaurant
in advance?
(NERVOUS LAUGHTER)
Yeah.
(NERVOUS LAUGHTER)
Yeah.
(NERVOUS LAUGHTER)
Yeah.
(NERVOUS LAUGHTER)
Yeah.
(NERVOUS LAUGHTER)
Yeah.
Shucks. I’ll take care
of that little thing.
Shucks. I’ll take care
of that little thing.
Pickles, we could use
a twisted mind like yours
at Mucklehoney Industries.
Pickles, we could use
a twisted mind like yours
at Mucklehoney Industries.
Pickles, we could use
a twisted mind like yours
at Mucklehoney Industries.
Pickles, we could use
a twisted mind like yours
at Mucklehoney Industries.
Pickles, we could use
a twisted mind like yours
at Mucklehoney Industries.
You could?
You could?
You could?
You could?
Come down to
headquarters tomorrow.
Come down to
headquarters tomorrow.
Come down to
headquarters tomorrow.
Come down to
headquarters tomorrow.
I got just the project
for you, Pickles:
a doll that grows
edible hair.
a doll that grows
edible hair.
a doll that grows
edible hair.
a doll that grows
edible hair.
a doll that grows
edible hair.
We can call her
Alice Alfalfa Sprout.
We can call her
Alice Alfalfa Sprout.
We can call her
Alice Alfalfa Sprout.
That’s a good one, Pickles…
Alice Alfalfa Sprout.
I like that.
I like that.
I like that.
I like that.
I like that.
(TOMMY GIGGLES)
(TOMMY GIGGLES)
Ending Credits-Barbeque Story[]
BARBEQUE
STORy
STARRING
E.G. DAILy ………………… Tommy Pickles (character)
MELANIE CHARTOFF ……… Didi Pickles (character),
Minka Kropotkin (cameo)
DAVID DOyLE …………. Grandpa Lou Pickles (character)
MICHAEL BELL …. Drew Pickles (character), Chas Finster (character),
Boris Kropotkin
PHILIP PROCTOR ……………………………... Howard Deville (character)
JACk RILEy ……………….. Stu Pickles (character)
DEE BRADLEy BAkER ………………………….. Spike (1991), Bull Dog
kATH SOUCIE ……….. Betty DeVille (character), Phil DeVille (character),
Lillian DeVille (character)
CHRISTINE CAVANAUGH … Chuckie Finster (character)
CHERyL CHASE ……… Angelica Pickles (character)
EXECUTIVE PRODUCERS
GABOR CSUPO
ARLENE kLASky
EXECUTIVE PRODUCER
FOR NICkELODEON
VANESSA COFFEy
CREATIVE PRODUCER
PAUL GERMAIN
SUPERVISING PRODUCER
SHERRy GUNTHER
PRODUCER
DAVID BLUM
CO-PRODUCER
BEE BECkMAN
STORy EDITOR
CRAIG BARTLETT
CREATIVE CONSULTANT
CHUCk SWENSON
PRODUCTION CONSULTANT
GERALDINE CLARkE
CHARACTERS DESIGNED By
GABOR CSUPO
ARLENE kLASky
PETER CHUNG
JOHN HOLMQUIST
JOHN RICE
PRODUCTION MANAGER
TAMI SLOAN TSARk
PRODUCTION ACCOUNTANT
LIZ MESROBIAN
PRODUCTION ASSISTANT
ANDy HOUTS
GRANT LEAVINS
SAMUEL WILLIAMS
STORyBOARD
NORTON VIRGIEN
STORyBOARD CLEAN UP
JULI MURPHy
AUDU PADEN
CHARACTER LAyOUT
MARTIN ARCHER
ANTHONy BELL
SUSIE DIETTER
MARk ERVIN
PERRy kIEFER
DEXTER REED
BILLy BOB TUCkER
ARPAD SZABO
ROSS DE LA VEGA
DAVE GONZALES
MEL PADOLINA
JUN AOANAN III
REy BOHOL
kINJO ESTLOkO
DULCE ERRAZO
ALEX ACAyEN
MOISES MACASINAG
BACkGROUND DESIGN SUPERVISOR
MAIJA APERANS
BACkGROUND DESIGN
DAVID ALLEN
BACkGROUND LAyOUT
kUI YOUNG kIM
PETE MICHELS
MATTHEW NASTUk
LANCE WILDER
COLOR CONCEPT
GyORGyI PELUCE
COLOR SUPERVISOR
LI RENE HARMON
COLOR ASSISTANT
BERT kING
PAINTER
SyD kATO
SUPERVISING CHECkER
MERLE WELTON
ASSISTANT CHECkER
SUSAN ZSUZSA LAMy
ASSISTANT DIRECTOR
ALAN SMART
ANIMATION TIMERS
RICk BUGENTAL
JEFF McGRATH
HOWARD PARkINS
DOMINIC POLCINO
STEVE SOCkI
EDITOR
kARL GARABEDIAN
ASSISTANT EDITORS
DAVID ECCLES
RICk ARBUCkLE
LEE HARTING
RECORDING ENGINEER
SCOTT WEBER
SOUND EFFECTS & MIX
kURT VANZO
MUSIC PRODUCTION ENGINEER
ROBERT CASALE
MUSIC PRODUCTION ASSISTANT
DENIS HANNIGAN
ASSISTANT TO MR. MOTHERSBAUGH
RyAN S. MOORE
TRACk READING
BROUGHTON WINICKI
LIP ASSIGNMENTS
kENT HOLADAy
CAMERA
JIM kEEFER
kAREN SHAFFER
WES SMITH
OVERSEAS ANIMATION FACILITy
WANG FILM PRODUCTIONS
OVERSEAS SUPERVISING
DIRECTOR
FERENC VARSANyI
MAIN TITLE ANIMATION
PETER CHUNG
MAIN TITLE
ASSISTANT ANIMATION
JULI MURPHy
LOUIS TATE
LETTERING
TAMARA VARGA
JAMy HUANG
FOR NICkELODEON
SUPERVISING PRODUCER
MARy E. HARRINGTON
STORy EDITOR
MITCHELL kRIEGMAN
NEGATIVE CUTTER
D&A NEGATIVE CUTTING
TELECINE
SCOTT OSTROWSkI
VIDEOTAPE EDITOR
TOM HAIGH
COMPACT VIDEO
SERVICES, INC.
SPECIAL THANkS TO
LINDA SIMENSky
KLaSKY
CSUPO I N C.
NICKELODEON
© 1991 MTV Networks
“RUGRATS” AND ALL RELATED LOGOS, TITLES AND
CHARACTERS ARE TRADEMARKS OF VIACOM INTERNATIONAL INC.
©1991 VIACOM INTERNATIONAL INC. ALL RIGHTS RESERVED.
KLaSKY
CSUPO
nickelodeon
PRODUCTIONS
Ending Credits-Waiter, There’s A Baby In My Soup[]
WAITER,
THERE’S A BABy
IN My SOUP
STARRING
E.G. DAILy ………………… Tommy Pickles (character)
JACk RILEy ……………….. Stu Pickles (character),
Drew Pickles (character) (mentioned)
MELANIE CHARTOFF ……… Didi Pickles (character)
DAVID DOyLE …………. Grandpa Lou Pickles (character)
MICHAEL BELL …. Mr. Mucklehoney
EXECUTIVE PRODUCERS
GABOR CSUPO
ARLENE kLASky
EXECUTIVE PRODUCER
FOR NICkELODEON
VANESSA COFFEy
CREATIVE PRODUCER
PAUL GERMAIN
SUPERVISING PRODUCER
SHERRy GUNTHER
PRODUCER
DAVID BLUM
CO-PRODUCER
BEE BECkMAN
STORy EDITOR
CRAIG BARTLETT
CREATIVE CONSULTANT
CHUCk SWENSON
PRODUCTION CONSULTANT
GERALDINE CLARkE
CHARACTERS DESIGNED By
GABOR CSUPO
ARLENE kLASky
PETER CHUNG
JOHN HOLMQUIST
JOHN RICE
PRODUCTION MANAGER
TAMI SLOAN TSARk
PRODUCTION ACCOUNTANT
LIZ MESROBIAN
PRODUCTION ASSISTANT
ANDy HOUTS
GRANT LEAVINS
SAMUEL WILLIAMS
STORyBOARD
NORTON VIRGIEN
STORyBOARD CLEAN UP
JULI MURPHy
AUDU PADEN
CHARACTER LAyOUT
MARTIN ARCHER
ANTHONy BELL
SUSIE DIETTER
MARk ERVIN
PERRy kIEFER
DEXTER REED
BILLy BOB TUCkER
ARPAD SZABO
ROSS DE LA VEGA
DAVE GONZALES
MEL PADOLINA
JUN AOANAN III
REy BOHOL
kINJO ESTLOkO
DULCE ERRAZO
ALEX ACAyEN
MOISES MACASINAG
BACkGROUND DESIGN SUPERVISOR
MAIJA APERANS
BACkGROUND DESIGN
DAVID ALLEN
BACkGROUND LAyOUT
kUI yOUNG kIM
PETE MICHELS
MATTHEW NASTUk
LANCE WILDER
COLOR CONCEPT
GyORGyI PELUCE
COLOR SUPERVISOR
LI RENE HARMON
COLOR ASSISTANT
BERT kING
PAINTER
SyD kATO
SUPERVISING CHECkER
MERLE WELTON
ASSISTANT CHECkER
SUSAN ZSUZSA LAMy
ASSISTANT DIRECTOR
ALAN SMART
ANIMATION TIMERS
RICk BUGENTAL
JEFF McGRATH
HOWARD PARkINS
DOMINIC POLCINO
STEVE SOCkI
EDITOR
kARL GARABEDIAN
ASSISTANT EDITORS
DAVID ECCLES
RICk ARBUCkLE
LEE HARTING
RECORDING ENGINEER
SCOTT WEBER
SOUND EFFECTS & MIX
kURT VANZO
MUSIC PRODUCTION ENGINEER
ROBERT CASALE
MUSIC PRODUCTION ASSISTANT
DENIS HANNIGAN
ASSISTANT TO MR. MOTHERSBAUGH
RyAN S. MOORE
TRACk READING
BROUGHTON WINICkI
LIP ASSIGNMENTS
kENT HOLADAy
CAMERA
JIM kEEFER
kAREN SHAFFER
WES SMITH
OVERSEAS ANIMATION FACILITy
WANG FILM PRODUCTIONS
OVERSEAS SUPERVISING
DIRECTOR
FERENC VARSANyI
MAIN TITLE ANIMATION
PETER CHUNG
MAIN TITLE
ASSISTANT ANIMATION
JULI MURPHy
LOUIS TATE
LETTERING
TAMARA VARGA
JAMy HUANG
FOR NICkELODEON
SUPERVISING PRODUCER
MARy E. HARRINGTON
STORy EDITOR
MITCHELL kRIEGMAN
NEGATIVE CUTTER
D&A NEGATIVE CUTTING
TELECINE
SCOTT OSTROWSkI
VIDEOTAPE EDITOR
TOM HAIGH
COMPACT VIDEO
SERVICES, INC.
SPECIAL THANkS TO
LINDA SIMENSky
KLaSKY
CSUPO I N C.
NICKELODEON
© 1991 MTV Networks
“RUGRATS” AND ALL RELATED LOGOS, TITLES AND
CHARACTERS ARE TRADEMARKS OF VIACOM INTERNATIONAL INC.
©1991 VIACOM INTERNATIONAL INC. ALL RIGHTS RESERVED.
KLaSKY
CSUPO
nickelodeon
PRODUCTIONS
- Home Video Releases
Rugrats: Outdoor Shenanigans! DVD (July 8th, 2014)
Rugrats: Season 1 DVD (Disc 1) (May 2nd, 2017)
Rugrats: The Complete Series DVD (Disc 1) (May 18th, 2021)