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VHS Release Date: Tuesday, January 15, 2002 - 2001

SpongeBob

SQuarePaNtS

Visit Nickelodeon Online™ on America Online; Keyword: Nick and on the Web at nick.com

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S T E R E O

DOLBY B NR

Dolby and the double-D symbol

are trademarks of

Dolby Laboratories

Licensing Corporation.

ISBN 0-7921-7970-6

0 9736-86016-3 5

N  A  u  T  I  C  A  L   N   O   N   S   E   N   S   E

Join SpongeBob, Patrick, SQuidward, Mr. Krabs and Sandy  for

over-the-top  adventures  from down in the deep  blue sea.

SpongeBob SquarePants: Ripped Pants (7/17/1999)

SpongeBob  tries  to  impress  Sandy  Cheeks  at  Mussel

Beach,  and   accidentally   rips  his pants!    He’s  embar-

rassed  until   he realizes   the  beach  crowd  thought it

was a   great joke  he did  on   purpose!  SpongeBob’s

ripped  pants are  a  hit,  but   the joke gets  old,  fast.

SpongeBob SquarePants: SB-129 (12/31/1999)

Squidward  flees to   the  Krusty Krab  in  search  of  quiet  and

winds   up  frozen  in   the  freezer.   When  he   finally   thaws,

he  finds   himself  far    into   the future  and wondering   how  to

go  back!

SpongeBob SquarePants: Texas (3/22/2000)

Sandy  Cheeks  comes  down  with  a  case  of  the  blues.

Seems  she’s  homesick   for   ‘good ol’  Texas’   and  plans to

go back   home.  SpongeBob    is determined   to cheer  her  up

by   bringing  a bit  of  Texas   right to  Bikini  Bottom.

SpongeBob SquarePants: The Graveyard Shift (9/6/2002)

Mr. Krabs  is  keeping  the Krusty Krab  open  24  hours  a

day. On their   first  all night  shift,  Squidward tries    to scare

SpongeBob  with tales of  the  “hash-slinging   slasher.” And

as things   begin to go bump in  the night,   Squidward starts

believing   his own twisted tale!

SpongeBob SquarePants: Something Smells (10/20/2000)

SpongeBob’s  got  terrible  sea  onion  ice  cream  breath,

yet he  can’t  understand  why  he’s  being   avoided. Patrick

thinks  it’s  a  beauty issue,  so  the  two devise  ways to hide

SpongeBob’s   hideous face.   When  Patrick eats  sea onion

bon bons  and  people avoid   him  too, he’s convinced  he

caught “the   ugly”  from   SpongeBob.

Stephen Hillenburg

For  distributor

and    retailer

promotional

use    only.

Not for duplication or sale.

© 2002 Viacom International Inc. All Rights Reserved. NICKELODEON, SPONGEBOB SQUAREPANTS, and all related titles, logos and characters

are trademarks of Viacom International Inc.  Created by Stephen Hillenburg.

WARNING: Unauthorized duplication is a violation of applicable laws. This videotape includes promotional information about other Nickelodeon videos.

Paramount

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www.paramount.com/homevideo

5555 Melrose Avenue, Hollywood, California 90038.

Licensed for Sale Only in U.S. and Canada.

™, ® & Copyright © 2001 by Paramount Pictures. All Rights Reserved.

NICKELODEON

SpongeBob

SQuarePaNtS

N  A  u  T  I  C  A  L   N   O   N   S   E   N   S   E

CC

860163

Paramount

/\ VI/\CO/\/\ CO/\/\P/\NY

NICKELODEON

SpongeBob

SQuarePaNtS

N  A  u  T  I  C  A  L

N   O   N   S   E   N   S   E

FOR   DISTRIBUTOR

PROMOTIONAL  USE  ONLY.

NOT FOR SALE,  RENTAL,

DUPLICATION  OR

PUBLIC  PERFORMANCE

5  SEA -WORTHY   STORiES

SpongeBob

SQuarePaNtS             N  A  u  T  I  C  A  L

N   O   N   S   E   N   S   E

Paramount

/\ VI/\CO/\/\ CO/\/\P/\NY

860163

2002/COLOR/62 MIN./ANIMATED/STEREO/  CC

THE  ORIGINAL  ANIMATED  PROGRAM

Spongebob      Squarepants™

Nautical      Nonsense

RUNNING TIME:  62  min.   NOT RATED

FOR DISTRIBUTOR PROMOTIONAL USE ONLY.

NOT FOR SALE, RENTAL, DUPLICATION

OR PUBLIC PERFORMANCE.

© 2002 Viacom International Inc. All Rights Reserved.

NICKELODEON, SPONGEBOB SQUAREPANTS and all related titles,

logos and characters are trademarks of Viacom International Inc.

Created by Stephen Hillenburg.

VHS Supplements[]

Paramount Home Video Website Promo[]

www.paramount.com/homevideo

5555 Melrose Avenue, Hollywood, California 90038.

Licensed for Sale Only in U.S. and Canada.

Paramount Feature Presentation[]

Paramount

/\ VI/\CO/\/\ CO/\/\P/\NY

FEATURE

PRESENTATION

Promotional Warning Screen[]

FOR DISTRIBUTOR PROMOTIONAL USE ONLY.

NOT FOR SALE, RENTAL, DUPLICATION

OR PUBLIC PERFORMANCE.

FOR   DISTRIBUTOR

PROMOTIONAL  USE  ONLY.

NOT FOR SALE,  RENTAL,

DUPLICATION  OR

PUBLIC  PERFORMANCE

For  distributor

and    retailer

promotional

use    only.

Not for duplication or sale.

WARNING: Unauthorized duplication is a violation of applicable laws. This videotape includes promotional information about other Nickelodeon videos.

[]

Hi-Fi Stereo playback

requires Stereo Hi-Fi VCR.

VHS hi-fi

S T E R E O

[]

DOLBY B NR

Dolby and the double-D symbol

are trademarks of

Dolby Laboratories

Licensing Corporation.

[]

CC

Not Rated Screen[]

NOT RATED

Paramount Logo (1995-2003)[]

Paramount

/\ VI/\CO/\/\ CO/\/\P/\NY

Nickelodeon Maze Logo [Closed Captioning][]

( birds chirping,

kids laughing )

[ Captioning sponsored by

PARAMOUNT PICTURES

HOME ENTERTAINMENT ]

NICKELODEON

SpongeBob SquarePants Intro [Closed Captioning][]

ARE YOU READY, KIDS?

Kids:

AYE, AYE, CAPTAIN!

I CAN’T HEAR YOU.

( louder ):

AYE, AYE, CAPTAIN!

♪ OH… ♪

♪ WHO LIVES IN A PINEAPPLE

UNDER THE SEA? ♪

♪ SPONGEBOB SQUAREPANTS! ♪

♪ ABSORBENT AND YELLOW

AND POROUS IS HE ♪

♪ SPONGEBOB SQUAREPANTS! ♪

♪ IF NAUTICAL NONSENSE

BE SOMETHING YOU WISH ♪

♪ SPONGEBOB SQUARE PANTS! ♪

♪ THEN DROP ON THE DECK

AND FLOP LIKE A FISH ♪

♪ SPONGEBOB SQUAREPANTS! ♪

♪ READY?

SPONGEBOB SQUAREPANTS! ♪

♪ SPONGEBOB SQUAREPANTS! ♪

♪ SPONGEBOB SQUAREPANTS! ♪

♪ SPONGEBOB SQUAREPANTS! ♪

( laughs heartily )

NICKELODEON

SpongeBob

SQuarePaNtS

( plays airy tune )

created by

Stephen Hillenburg

SpongeBob SquarePants: Ripped Pants (7/17/1999) [Closed Captioning][]

SpongeBob  tries  to  impress  Sandy  Cheeks  at  Mussel

Beach,  and   accidentally   rips  his pants!    He’s  embar-

rassed  until   he realizes   the  beach  crowd  thought it

was a   great joke  he did  on   purpose!  SpongeBob’s

ripped  pants are  a  hit,  but   the joke gets  old,  fast.

RipPeD

PanTs

storyboard director

Paul Tibibitt

storyboard artist

Mark O’hare

written by

Paul Tibbitt

Peter Burns

animation director

Edgar Larrazabal

creative director

Derek Drymon

Narrator ( with French accent ):

AHH… GOO LAGOON--

W   e   l    c    o   m   e

T  o

G   O   O

L    A      G  O   O     N

A STINKY MUD PUDDLE

TO YOU AND ME

BUT TO THE INHABITANTS

OF BIKINI BOTTOM

A WONDERFUL, STINKY MUD PUDDLE.

( sighs )

WHAT A GREAT DAY!

HEY, SANDY, LOOK!

I’M SANDY!

( chuckles )

( in deep voice ):

HEY, SANDY, WHO AM I?

( laughing )

( phone rings )

HELLO, SPONGEBOB.

COULD YOU KEEP IT DOWN?

I’M TRYING TO BE BORING.

( laughing )

SPONGEBOB.

( laughing )

( doorbell rings )

DID ANYONE ORDER 20

PEPPERONI AND SAND PIZZAS?

( both laughing )

Deep voice:

HEY, SANDY.

HEY, SPONGEBOB.

HEY, LARRY.

YOU GUYS WANT TO GO

LIFT SOME WEIGHTS?

SURE.

WELL, COME ON,

SPONGEBOB.

COMING.

( grunting and groaning )

GIVE IT A TRY, SANDY.

( grunts )

( groaning )

EE-YAH!

( applause )

WHOA!

GOOD JOB, SANDY.

THAT’S ABOUT ENOUGH FOR TODAY.

Larry:

HOW ABOUT

A LITTLE MORE WEIGHT?

OBSERVE.

YAH!

( cheering and whooping )

ALL RIGHT, STAND BACK, EVERYONE.

Y’ALL WATCH THIS.

EE-YAH!

( cheering )

( creaking )

( crash )

( groaning )

( groaning )

WAY TO GO, LARRY!

( crowd cheering )

COULD I BORROW

A COUPLE OF THESE?

MM-HMM.

SpongeBob:

AND NOW, WITH

THE ADDITION

OF TWO-- COUNT’ EM,  TWO--

MARSHMALLOWS.

( cracking )

( whirring )

( whirring )

( squeaking )

( creaks )

( exhales loudly )

( exhales loudly )

( straining squeal )

( snoring )

( groaning )

( cowbell clanging )

( grunting )

( cloth ripping )

( all gasp )

( gasp )

( all laughing )

( all laughing )

( all laughing )

THAT WAS TOO FUNNY.

YOU ARE HILARIOUS!

AIN’T HE

THE FUNNIEST

LITTLE SPONGE

YOU EVER SAW?

ANYBODY UP FOR SOME VOLLEYBALL?

L A R R Y!

( crowd cheering )

I GOT IT!

( crowd groans, cowbell clangs )

INCOMING.

( crowd booing )

( pants rip )

OOPS!

I GUESS I RIPPED MY PANTS AGAIN.

( crowd laughing )

ONCE AGAIN, DUDE,

YOU HAVE SPLIT MY SIDES.

( laughing )

HEY, SANDY!

HOW ABOUT THROWING IT TO ME?

OKAY, HERE IT COMES.

( Frisbee whirring )

( cuckoo sings )

I COULD USE A HAND HERE.

( giggles )

YOU OKAY, SPONGEBOB?

I GUESS SO…

EXCEPT I RIPPED MY PANTS!

( all laughing )

YOU STILL

CAUGHT IT, DUDE.

( footsteps squeaking )

I C E

C R E A M

MAY I HELP YOU?

I’LL TAKE A BANANA SPLIT.

I    C    E

C    R    E    A    M

UH… WE DON’T

HAVE THAT.

THAT’S OKAY.

I    C    E

C    R    E    A    M

I ALREADY… SPLIT MY PANTS,

GET IT?

I    C    E

C    R    E    A    M

( giggling )

( bored ):

TEE-HEE.

ANYTHING ELSE?

HOW ABOUT…

RIPPLE?

I    C    E

C    R    E    A    M

( giggling )

NO, THANKS,

ALREADY GOT ONE.

( laughing )

I    C    E

C    R    E    A    M

( footsteps sproinging )

S    N  A  C  K

B   A  R

IS THAT A BURGER

YOU’RE EATING?

WHY, YES, IT IS.

YOU KNOW WHAT WOULD

GO GOOD WITH THAT?

NO, WHAT?

RIPPED… PANTS.

( rip )

( yelling )

RIPPED PANTS A LA MODE.

( rip )

SpongeBob:

DELIVERY!

DID YOU ORDER

20 CASES OF RIPPED PANTS?

( laughing )

( groans disgustedly )

Announcer:

SURF’S UP IN THE GOO LAGOON.

AND HERE COMES LARRY,

DOING HIS TRADEMARK LAY-BACK.

THERE GOES SANDY, HANGING TEN…

FINGERS, THAT IS.

THERE GOES SPONGEBOB…

( rip )

RIPPING HIS PANTS AGAIN.

( rumbling )

LiFEgUaRD

HEY, LOOK!

A CARDBOARD BOX WASHED UP

ON THE BEACH.

L   i   F   E   g   U   a   R   D

HOLY FISH PASTE!

L   i   F   E   g   U   a   R   D

IT’S A GUY!

WHY?!

( sobbing ):

WHY?!

( shrieking ):

WHY?!

SPONGEBOB!

COME CLOSER.

I NEED…

I NEED…

( gasping )

WHAT DO YOU NEED?

A TAILOR.

BECAUSE I RIPPED MY PANTS.

( laughing )

( all grumbling )

Spectator:

THAT KIND OF STUFF

IS UNCALLED FOR.

WHAT IS THAT?

THAT WASN’T

FUNNY, SPONGEBOB.

Y’ALL HAD ME

WORRIED SICK.

DUDE.

( rip )

SpongeBob:

COME ON, SPONGEBOB,

YOU’RE LOSING THEM!

THINK! YOUR PUBLIC’S WAITING.

LET’S SEE…

L  I  F  T  i  N  G

W  E  I  G  T  H  S —           B  i  G

                                         L  A  U  G  H

FR  I  S  B  E  E

I  N

F  A  C  E      —               k  I  L  L  S

S  U  R  F  i  N  G —       K  N  O  C  k  S

                                    E  M  ’  D  E  A  D

“LIFTING WEIGHTS-- BIG LAUGH.

“FRISBEE IN FACE-- KILLS.

“SURFING-- KNOCKS ‘EM DEAD.

“PRETENDING TO DROWN…

NO.”

FR  I  S  B  E  E

I  N

F  A  C  E      —               k  I  L  L  S

S  U  R  F  i  N  G —       K  N  O  C  k  S

                                    E  M  ’  D  E  A  D

P  R  E  T  E  N  D  i  N  G

T  O     D  R  o  W  N     —          N  O

COME ON, THINK!

I GOT IT!

HEY, EVERYBODY.

NOT RIPPED PANTS…

PANTS RIPPED OFF.

HUH?

SOMEONE CALL THE POLICE.

THERE’S A PANTS THIEF

ON THE LOOSE.

( wind howling )

( voices in distance )

( party music playing )

OH, NO!

EVERYBODY’S GONE, EVEN SANDY.

SHE’D RATHER HANG OUT

WITH LARRY.

OH, NO.

NO, NO, NO, NO, NO, NO, NO.

WE BLEW IT, PANTS.

WHAT DO YOU MEAN, “WE”?

OH, I DIDN’T HAVE TO BE A FOOL

TO GET SANDY’S ATTENTION.

AM I THE BIGGEST LOSER

ON THE BEACH?

NO, I AM.

I FORGOT TO PUT ON SUNSCREEN.

( electronic buzzing )

OUCH.

NO, I AM.

I GOT SAND

IN MY BUNS.

I GOT SAND

IN MY BUNS.

( thunderous rumbling )

NO, I’M THE BIGGEST LOSER

ON THE BEACH.

THEY BURIED ME IN THE SAND

AND FORGOT ME.

All:

WHAT HAPPENED TO YOU?

I LOST MY BEST FRIEND.

HOW?

♪ WHEN I RIPPED… ♪

( rip )

♪ MY PANTS… ♪

♪ I THOUGHT THAT I HAD

EVERYBODY ON MY SIDE ♪

♪ BUT I WENT

AND BLEW IT ALL SKY-HIGH ♪

♪ AND NOW SHE WON’T EVEN SPARE

A PASSING GLANCE ♪

♪ ALL JUST BECAUSE I… ♪

( rip )

♪ RIPPED MY PANTS. ♪

♪ WHEN BIG LARRY CAME ROUND ♪

♪ JUST TO PUT HIM DOWN ♪

♪ SPONGEBOB TURNED

INTO A CLOWN ♪

♪ AND NO GIRL

EVER WANTS TO DANCE ♪

♪ WITH A FOOL WHO WENT AND… ♪

( rip )

♪ RIPPED HIS PANTS. ♪

♪ I KNOW I SHOULDN’T

MOPE AROUND ♪

♪ I SHOULDN’T CURSE ♪

♪ BUT THE PAIN FEELS

SO MUCH WORSE ♪

♪ ‘CAUSE WINDIN’ UP WITH NO ONE

IS A LOT LESS FUN ♪

♪ THAN A BURN FROM THE SUN ♪

♪ OR SAND IN YOUR BUNS. ♪

( scratching )

( thump )

( clicking )

♪ NOW I LEARNED A LESSON

I WON’T SOON FORGET ♪

♪ SO LISTEN

AND YOU WON’T REGRET ♪

♪ BE TRUE TO YOURSELF ♪

♪ DON’T MISS YOUR CHANCE ♪

♪ AND YOU WON’T END UP ♪

♪ LIKE THE FOOL

WHO RIPPED HIS PANTS. ♪

( loud rip )

( audience cheering )

( audience cheering )

( audience cheering )

( audience cheering )

S P O N G

               E  B O B

Sandy:

SPONGEBOB!

SANDY!

YOUR SONG IS TRUE.

IF Y’ALL WANT

TO BE MY FRIEND

JUST BE YOURSELF.

SPONGEBOB, THAT WAS

SO RIGHTEOUS.

WOULD YOU

SIGN MY PANTS?

ABSOLUTELY, BUDDY.

( rips )

( somebody whistles )

SpongeBob SquarePants: SB-129 (12/31/1999) [Closed Captioning][]

Squidward  flees to   the  Krusty Krab  in  search  of  quiet  and

winds   up  frozen  in   the  freezer.   When  he   finally   thaws,

he  finds   himself  far    into   the future  and wondering   how  to

go  back!

SB - 129

storyboard director

Aaron Springer

storyboard artist

Erik Wiese

written by

Aaron Springer

Erik Wiese

Mr. Lawrence

animation director

Tom Yasumi

creative director

Derek Drymon

( with French accent ):

AH, IT IS SUNDAY MORNING

IN BIKINI BOTTOM

AND IT IS ABOUT TIME

FOR SQUIDWARD TO PRACTICE

HIS CLARINET.

SO, GET YOUR EARPLUGS READY.

MMM…

( smacks loudly )

I THINK I’LL TREAT BIKINI BOTTOM

TO SOME REAL MUSIC.

( snoring )

( Gary meows )

( blasting )

OW!

( horn continues blowing )

GOOD MORNING,

SQUIDWARD!

WANT TO GO

JELLYFISHING?

( squeaking )

HOORAY!

WE’LL BE

RIGHT OVER.

( squeaking )

( grumbling )

( knock at door )

I WONDER WHO THAT COULD BE.

READY TO GO?

NO, I’M NOT

READY TO GO!

HE DOESN’T WANT

TO PLAY WITH US.

NO, PATRICK,

HE’S JUST NOT READY.

( knock at door )

READY NOW?

NO!

( knock at door )

( grumbling )

HOW ABOUT NOW?

NO!

( knock ) HUH?

NOW?

NO!

( knock )

NOW? NO!

HOW ABOUT NOW?

NO!

NOW? NO!

NOW? NO!

NOW? NO!

NO!

WHAT?!

READY YET?

NO, I’M NOT READY!

I’LL NEVER BE READY.

DON’T YOU GET IT?

SURE, WE DO.

WHAT?

( mumbling )

READY?

( smack )

OUT! JEESH!

SHOULDN’T YOU BE

AT WORK TODAY,

SPONGEBOB?

I’D LOVE TO BE AT WORK TODAY.

BUT IT’S SUNDAY.

THE KRUSTY KRAB IS CLOSED.

HOLD ON A SECOND.

I’LL BE RIGHT OUT.

T   H   E

K   R   u   S   T   y

K   R   a   B

ENTER

HELLO?

( silence )

AH! ALONE AT LAST!

( inhales deeply )

SpongeBob and Patrick:

SQUIDWARD!

SQUIDWARD!

SQUIDWARD!

( wind howling )

SQUIDWARD!

OH, SQUIDWARD!

SQUIDWARD?!

WELL, HE'S NOT HERE.

I'LL BET THAT

EAGER BEAVER'S

ALREADY DOWN

AT JELLYFISH FIELDS.

AHA! THEY'RE FINALLY GONE.

WHAT THE...?

LOCKED?

OH, NO!

OH, WELL,

SOMEONE WILL REALIZE I'M GONE

AND COME LOOKING FOR ME.

I'LL BE OUT OF HERE IN NO TIME.

2      0      0      0         Y   E   A   R   S

L   A   T   E   R

( computer beeping )

HOLY KRABBY PATTIES!

A FROZEN CEPHALOPOD.

( zapping )

( screaming )

( trancelike ):

I'LL BE OUT OF HERE IN NO TIME.

GREETINGS, PRIMITIVE.

SP... SPONGEBOB?

IS THAT YOU?

SPONGEBOB?

NO!

Mechanized voice:

I am SpongeTron.

WELCOME

TO THE FUTURE.

WHAT?

WELCOME TO THE FUTURE.

UH... THE FUTURE?

HUH?

( electronic pulsing )

OKAY, WHAT'S GOING ON HERE?

WHY IS EVERYTHING CHROME?

EVERYTHING IS CHROME

IN THE FUTURE.

WHA... UH... UH...

OH, MY!

IMPOSSIBLE!

HE’S LYING!

( squeaking )

( tires squeal )

HE’S RIGHT!

SpongeTron:

OF COURSE I’M

RIGHT, SQUIDWARD.

JUST ASK MY CLONES--

SPONGETRONS X, Y AND Z.

MARCH

6

4 0 77

A.D

ARE THE... OTHER LETTERS

OF THE ALPHABET INVOLVED HERE?

SURE-- ALL 486 OF THEM.

MARCH

6

4 0 7 7

A . D.

FUTURE!

FUTURE!

FUTURE!

FUTURE!

THANKS.

NOW, LISTEN.

ALL OF YOU!

I DON'T BELONG HERE.

THIS IS ALL

A HORRIBLE MISTAKE.

MARCH

6

4 0 77

A.D

PLEASE, WE'VE GOT

TO DO SOMETHING!

All:

JELLYFISHING!

( loud static )

DID SOMEBODY SAY "JELLYFISHING"?

HI, PAT-TRON!

M A R  C H

6

4 0 7   7

A .D .

J-JUST LISTEN TO ME.

I'M NOT SUPPOSED TO BE HERE.

I'VE GOT TO GET HOME

TO MY OWN TIME PERIOD.

I GOT TO GO!

WHY DIDN'T YOU JUST ASK?

THE TIME MACHINE IS

DOWN THE HALL, TO THE LEFT.

( laughing gleefully )

( machine humming loudly )

SpongeTron:

OOPS!

OH, YEAH,

THAT’S ONE THE CAN OPENER.

BUT TRY THE ONE

ON THE RIGHT.

WELL, I WOULDN’T HAVE CHOSEN

THIS INTERIOR.

F U T U R E

P A S T

OH, WHAT’S THIS?

WELL, IF SPONGEBOB

EXISTS IN THE FUTURE

F   U   T   U   R   E

P   A   S   T

I’D BETTER GO TO THE PAST.

F   U   T   U   R   E

P   A   S   T

( siren beeping )

WOW!

PRIMITIVE.

HAS SORT OF AN OLD-WORLD CHARM.

WHOA!

I GUESS THIS IS BEFORE

MANNERS WERE INVENTED!

WELL, AT LEAST THERE’S

NO SIGN OF SPONGEBRAT.

MAYBE NOW I CAN FINALLY

BE ALONE WITH MY CLARINET.

( rustling nearby )

( bang )

( whoosh )

HUH?

WHAT?

HUH?

( screams )

( chomping )

SPONGEBOB?

( yells )

STAY BACK!

( sniffing )

UH, NO THANKS.

( heavy breathing

nearby )

UH... HI THERE.

WELL, I BETTER BE GOING NOW.

( hooting like monkey )

YES, THAT'S MY ARM.

OH, THAT'S SWEET.

( bellowing )

WHAT, IS IT TIME

FOR YOUR FLEA BATH NOW?

( bones rattling )

OH, IT'S JUST

A LITTLE JELLYFISH.

( yelling frantically )

( hooting in alarm )

WELL, I'M GOING AWAY NOW.

AH!

HERE'S A NICE, SHADY SPOT,

AWAY FROM THOSE FOOLS.

( inhales deeply )

( SpongeBob

hooting )

( Patrick

bellowing )

( SpongeBob

screaming )

( zap )

( howling )

( zap )

( yelling )

WHAT ARE YOU

SIMPLETONS DOING?!

YOU'RE SUPPOSED

TO CATCH THESE THINGS--

NOT TORTURE YOURSELF

WITH THEM.

GIVE ME

THOSE LOINCLOTHS!

I CAN'T BELIEVE IT.

( mumbling )

THIS OUGHT

TO MAKE THINGS GO

A LITTLE SMOOTHER.

( whimpering )

GIVE ME THOSE THINGS!

YOU'RE SUPPOSED

TO CATCH THEM-- LIKE THIS.

YOU'RE SUPPOSED

TO CATCH THEM-- LIKE THIS.

IT'S CALLED JELLYFISHING.

( both grunting

stupidly )

AH, FINALLY!

( inhales deeply )

( playing squeaky tune )

( playing squeaky tune )

( yelling angrily )

( screams )

GET ME OUT OF HERE.

PAS T

FUTURE

UH-OH.

Machine voice:

Loser.

🍋               🍋         B  A  R

( bellowing wildly )

( electronic whirring )

( alarm beeping )

HOOOO

6

⟌13

👁️

A   S   P   A   R   A   G   U   S

9                 ÷                                  6

( electronic zap )

( voice echoing eerily )

( squeaking )

HE'S NOT HERE.

NO MORE SPONGEBOB.

NO MORE!

I MAY FINALLY HAVE FOUND

A PLACE WHERE I CAN BE ALL...

ALONE!

A            L                O                    N            E         !

Various voices:

ALONE... ALONE... ALONE...

E      N      O      L      A                                                 A   L   O   N   E

a      l      o      n      e                a      L      O      n      e

A            L                O                    N            E         !  A   l   o   n   e

A            L                O                    N            E

a       l       o       n       e

A   L   O   N   E                               a     l     o     n     e

                                                                                A         L         O         N         E

A           L                   O                   N                       E          A        L        o

                                                                                              N                 E

                                                                          A         L         O         N         E

( voices echoing )

I GOT TO GET OUT OF HERE!

( panting )

( voices echoing eerily )

WHERE’S THE TIME MACHINE?!

WHERE’S ANYTHING?

WHERE, WHERE, WHERE, WHERE…!

I WANT TO GO HOME.

I WANT TO GO HOME.

I WANT TO GO HOME.

I WANT TO GO HOME.

I MISS BIKINI BOTTOM.

I MISS MY EASTER ISLAND HEAD.

I EVEN MISS SPONGEBOB.

SPONGEBOB! PATRICK!

Both:

HI, SQUIDWARD.

OH, I’M BACK!

I CAN’T BELIEVE THIS.

I-I-I WAS IN SPACE

AND I WENT TO THE FUTURE

AND THEN I WENT TO THE PAST,

AND THEN I WAS NOWHERE

BUT NOW I’M BACK

AND YOU DON’T KNOW

HOW HAPPY I AM

TO SEE YOU GUYS.

DOES THIS MEAN

YOU WANT TO GO…

Both:

JELLYFISHING?!

NO!

D’OH!

WHO’S THE BARNACLEHEAD

WHO INVENTED

THAT GAME, ANYWAY?

Both:

YOU ARE, SQUIDWARD.

( Patrick and SpongeBob

laughing )

Squidward:

I’M GOING BACK.

SpongeBob SquarePants: Texas (3/22/2000) [Closed Captioning][]

Sandy  Cheeks  comes  down  with  a  case  of  the  blues.

Seems  she’s  homesick   for   ‘good ol’  Texas’   and  plans to

go back   home.  SpongeBob    is determined   to cheer  her  up

by   bringing  a bit  of  Texas   right to  Bikini  Bottom.

⭐              T              E              X              A              S

storyboard director

Sherm Cohen

storyboard artist

Vincent Waller

written by

Sherm Cohen

Vincent Waller

David Fain

animation director

Sean Dempsey

creative director

Derek Drymon

special musical

appearance by

Junior Brown

SpongeBob:

GOOD MORNING, BIKINI BOTTOM.

AH, WHAT A BEAUTIFUL DAY.

♪ DOO-DOO-DOO-DOO, DOO-DOO-DOO ♪

I WONDER IF PATRICK’S AT HOME.

HIYA, SPONGEBOB.

WHAT ARE YOU DOING?

GOING OVER TO

SANDY’S PLACE.

HEY, WHAT’S THIS?

THIS DOESN’T LOOK

LIKE SANDY’S PLACE.

DON’T LOSE YOUR

BARNACLES, BOYS.

( karate yell )

THERE IT IS.

WHAT IS IT?

CAN’T YOU SEE?

IT’S TEXAS.

SpongeBob:

“TEXAS”?

WHAT’S A TEXAS?

OH, IT’S NOTHING

BUT A MEMORY NOW.

ALL RIGHT, THEN.

UH, LET’S MAKE ONE

OF YOUR TREE DOME.

Y-YOU KNOW,

ALL OF A SUDDEN

I DON’T FEEL MUCH LIKE

SANDCASTLES, SPONGEBOB.

I’LL SEE Y’ALL LATER.

HMM?

SANDY…

( karate yell )

AW, SPONGEBOB

I’M JUST NOT FEELING

UP TO KARATE RIGHT NOW.

( laughing )

I GET IT.

“NOT FEELING UP TO KARATE,” HUH?

WHATEVER YOU SAY, SANDY.

BOY, I HOPE

SANDY DOESN’T ATTACK ME

FROM BEHIND.

( karate yell )

( growling )

( grunting and groaning )

UH… SANDY?

SURF’S UP, SANDY.

NO THANKS.

( jellyfish buzzing )

BOY, THERE’S NOTHING

LIKE GOING JELLYFISHING.

( giddy laughter )

WHOA!

( giddy laughter )

LOOK, SANDY,

WE CAUGHT ONE!

LISTEN, SPONGEBOB

RIGHT NOW, I DON’T WANT

TO BUILD SANDCASTLES

PLAY KARATE OR EAT JELLYFISH.

( laughing )

WE DON’T EAT ‘EM!

WE LET ‘EM GO!

FLY AWAY,

LITTLE CRITTER!

GO ON, GO BACK HOME

WHERE YOU BELONG.

RUN ALONG, BACK TO YOUR FAMILY

AND FRIENDS.

I KNOW THEY MISS YOU

AS MUCH AS YOU MISS THEM.

HURRY, BEFORE THEY FORGET YOU

AND LEAVE YOU BEHIND!

REMEMBER--

♪ THERE’S NO PLACE

LIKE HOME ♪

( sobbing )

( gurgling sobs )

( flushing )

( gasping )

SANDY, WHAT THE HECK

ARE YOU CRYING ABOUT?

I AIN’T CRYIN’,

MY HELMET JUST SPRUNG A LEAK.

SANDY…

OH, I GUESS I’M JUST FEELING

A LITTLE HOMESICK.

HOMESICK, HUH?

MM-MMM.

SpongeBob:

ALMOST THERE!

DAD-GUM IT, SPONGEBOB,

WHAT IS IT?

♪ DA, TA-DAH! ♪

SpongeBob and Patrick:

WELCOME HOME, SANDY!

( sobbing )

SANDY?

GO AWAY.

I DON’T GET IT, PATRICK.

WHAT’S WRONG WITH SANDY?

MAYBE IT’S JUST

A SQUIRREL THING.

( tuning )

♪ WISH I WAS BACK IN TEXAS ♪

♪ THE OCEAN’S NO PLACE

FOR A SQUIRREL ♪

♪ WISH I WAS IN TEXAS ♪

♪ PRETTIEST PLACE

IN THE WORLD ♪

♪ OH, NO ♪

♪ I GUESS A-DEEP IN MY HEART ♪

♪                  🎵

♪ I’LL ALWAYS BE

A TEXAS GIRL ♪

♪    🎵       ♪   ♬   ♪  🎵

♪ I WANT TO GO HO-O-O-O-OME ♪

♪ HO-OME ♪

( clams howling )

🎵            ♪          ♪         ♩    ♩                          ♪     ♪        ♩

( Sandy yodeling )

HEY, PATRICK--

LISTEN TO THAT!

♬                                                                                                              ♩                         ♪

GET 'EM OFF ME!

GET 'EM OFF ME!

♩    🎵

♭         ♪     ♪       ♪

♪                   

🎵      ♪    ♩  ♩ ♪     🎵         ♪         ♩

♪   ♪     ♪♩  ♩ ♪       ♪   ♩          ♪   ♩

PATRICK!

LISTEN…

HEAR THAT?

IT’S SANDY.

♪ I WANT TO WAKE UP IN TEXAS ♪

♪ I MISS THOSE WIDE-OPEN SKIES ♪

( chittering )

♪ I MISS MY 20 ACRES ♪

♪ BARBECUES AND PECAN PIES ♪

♪ OH, WHY ♪

♪ WHEN I’M SO FAR FROM YOU,

TEXAS ♪

♪ ALL I CAN DO IS CRY ♪

( sobbing )

( music continues )

THE

KRuSTy

KRaB

ENTER

( sniffing )

$

$

$

$

$

( sobbing )

( Sandy yodels )

( Sandy yodels )

( sobbing )

( blowing )

♪ I WANT TO GO HO-O-O-OME ♪

( deep voice ):

♪ I WANT TO GO HO-OME. ♪

( sobbing loudly )

DO YOU THINK SHE KNOWS

THE MUFFIN MAN SONG?

PATRICK, SHE SANG THAT

SONG FROM HER HEART!

SHE REALLY MISSES TEXAS.

WELL, LET’S GO GET SOME TEXAS

AND BRING IT DOWN HERE.

PATRICK,

YOU CAN’T…

THAT’S IT!

PATRICK, YOUR

GENIUS IS SHOWING.

WHERE?!

EVERYTHING

LOOKS PERFECT.

T H E

K R u S T y

K R a B

ENTER

WE’RE GOING TO GO

GET SANDY NOW.

Mr. Krabs:

WELL, HURRY IT UP, LADS!

CAN’T SQUAT LIKE THIS FOREVER!

SpongeBob and Patrick:

KRUSTY KRAB! KRUSTY KRAB!

SANDY’S SURPRISE

IS AT THE KRUSTY KRAB!

WAIT TILL SHE SEES THE…

SHH!

DON’T SPOIL

THE SURPRISE.

( giggling )

HEY, SANDY! HEY, SANDY!

YOU WANT TO

COME WITH US

TO THE KRUSTY KRAB?

HEY, SPONGEBOB.

HEY, PATRICK.

WHAT ARE YOU DOING

WITH THOSE BAGS?

I’M GOIN’ BACK HOME TO TEXAS.

WHAT?! NOW?!

YOU CAN’T! I MEAN, WE…

IT’S TIME FOR

THIS TUMBLEWEED

TO TUMBLE ON HOME.

W-WAIT, SANDY.

YOU CAN’T, UH…

‘CAUSE WE WERE GONNA…

AT THE KRUSTY KRAB

IS… THAT IS NOT

THE RIGHT DIRECTION…

THE

KRuSTy

KRaB

WAIT! IF YOU DON’T…

IF I CAN’T…

( sputtering )

SANDY, WAIT A SECOND!

YOU DON’T WANT TO

LEAVE WITHOUT HAVING

ONE LAST CODDY-BATTY

DOWN AT THE KRUSTY KRAB!

I'M TIRED OF FISH

FOOD, SPONGEBOB.

B-BUT SANDY,

DON'T YOU WANT

TO SAY GOOD-BYE

TO ALL YOUR FRIENDS

DOWN AT THE KRUSTY KRAB?

I JUST CAN'T DO

THAT, SPONGEBOB.

IT'D BE TOO SAD.

N-NO, NO, WAIT!

SANDY!

I CAN'T BELIEVE

SHE'S GONE.

YEAH. WHAT'S SO GREAT

ABOUT DUMB, OLD TEXAS?

WHAT DID YOU SAY?

TEXAS IS DUMB?

DON'T YOU DARE

TAKE THE NAME OF TEXAS IN VAIN!

YOU MEAN WE CAN'T

SAY ANYTHING BAD

ABOUT DUMB, OLD TEXAS?

NO, YOU CAN'T!

OH, THEN, CAN WE

SAY PEOPLE FROM

TEXAS ARE DUMB?

NO! YOU CAN'T SAY NOTHIN'

ABOUT TEXAS!

OH!

SO WE SHOULDN'T SAY ANYTHING BAD

ABOUT TEX-AS!

I'M WARNING YOU, SPONGEBOB!

LOOK, PATRICK--

I'M TEXAS!

DUH, HOWDY, Y'ALL!

I'M TEXAS, TOO.

GET A DOG, LITTLE LONGIE.

HOWDY, Y'ALL!

HOWDY, Y'ALL!

GET A DOG,

LITTLE LONGIE!

GET A DOG...

Y'ALL BEST CUT IT OUT!

♪ THE STARS AT NIGHT

ARE DULL AND DIM ♪

♪ WHENEVER

THEY HAVE TO BE ♪

♪ OVER DUMB, OLD

STUPID TEXAS! ♪

HEY, PATRICK, WHAT AM I NOW?

UH... STUPID?

NO, I'M TEXAS!

WHAT'S THE DIFFERENCE!

( guffawing )

YOU ALL BEST APOLOGIZE

OR I'M GOING TO BE ON YOU

LIKE UGLY ON AN APE!

YOU'LL HAVE

TO CATCH US FIRST!

( taunting laughter )

( both panting )

WE DID IT.

WE GOT HER.

KRUSTY KRAB,

HERE WE COME!

CAN WE SAY THAT PLANTS

FROM TEXAS ARE DUMB?

( guffaws )

CAN WE SAY THAT SHOES

FROM TEXAS ARE DUMB?

UH, OKAY, PATRICK,

THAT'S ENOUGH.

WHY? DO YOU THINK

THAT OLD SLOWPOKE,

TEXAS, IS GONNA...

( screaming )

X          X

RUN FASTER,

PATRICK!

( both screaming )

( screams )

SPONGEBOB!

( screaming )

( gasping )

( teeth chattering )

( Sandy kiaiing )

( gasping )

YOU'RE GOING

TO TAKE BACK WHAT YOU SAID!

( sputtering and gasping )

NO!

ALMOST THERE.

( grunting )

🧽

( screaming )

SPONGEBOB!

YOU BEEN MESSIN' WITH THE BULL!

R

NOW HERE COME THE HORNS!

NO, SANDY!

NO!

Ha PP  y  T E X a S

ENTER

All:

HOWDY, Y'ALL!

WHA... WHAT'S THIS?

IT'S A PARTY.

FOR YOU!

FOR ME?!

IT'S YOUR OWN LITTLE

SLICE OF TEXAS.

CHECK IT OUT, SANDY.

WE GOT SQUARE DANCIN'...

GIANT BARBY-Q's...

Q

OW, OW, OW, OW, OW.

HOMEMADE PEAS-

IN-A-CAN PIES

PEAS

P

P  E  A  S

AND WE GOT OUR VERY OWN

TEN-GALLON HATS.

SO, WHAT DO YOU THINK?

YOU GONNA STAY?

Q

PEAS

P

Q

PEAS

P

( laughing )

( gurgling laughter )

Q

DON'T CRY ANYMORE,

SANDY.

I'LL GO GET

YOUR BAGS.

( gurgling continues )

( flushing )

I'M NOT CRYIN'.

I'M LAUGHIN'.

I APPRECIATE WHAT

Y'ALL ARE TRYING

TO DO, SPONGEBOB

BUT HOME ISN'T ABOUT

BARBECUES AND PECAN PIES.

ENTER

HOME IS WHERE

YOU'RE SURROUNDED

BY OTHER CRITTERS

THAT CARE ABOUT YOU.

ENTER

HUH?

DUH, WHAT AM I DOIN'?

I BEEN HOME ALL ALONG

AND I TOOK ME TILL

JUST NOW TO REALIZE IT.

DOES THAT MEAN,

YOU'LL STAY?

I'M STAYIN'!

ENTER

( all cheering )

WHOO-HOO!

SHE'S STAYIN'!

WHOO! THAT MAKES ME FEEL

ALL WIGGLY!

ENTER

YEAH, WHO NEEDS

DUMB, OLD TEXAS?

Sandy:

WHAT DID YOU JUST SAY?

Patrick:

SHOULD I START RUNNING NOW?

SpongeBob SquarePants: The Graveyard Shift (9/6/2002) [Closed Captioning][]

Mr. Krabs  is  keeping  the Krusty Krab  open  24  hours  a

day. On their   first  all night  shift,  Squidward tries    to scare

SpongeBob  with tales of  the  “hash-slinging   slasher.” And

as things   begin to go bump in  the night,   Squidward starts

believing   his own twisted tale!

G         R         A         V         E         Y         A         R         D

                        S         H         I         F         T

storyboard directors

Jay Lender

Dan Povenmire

written by

Mr. Lawrence

Jay Lender

Dan Povenmire

animation director

Sean Dempsey

creative director

Derek Drymon

           Squidward:

AH, THE KRUSTY KRAB

      T  H  E

K   R   u   S   T   y

   K   R   a   B                                                                    HELP

                                                                                          WANTED

                                                                                       ENTER

BIKINI BOTTOM’S PREMIERE

            DAYTIME EATERY

WHERE IT’LL BE CLOSING TIME

           RIGHT… ABOUT…

O         P         E         N            GALLEY   GRuB

NOW!

C     L     o     S     E     D   GALLEY   GRuB           ORDER

                                                                                HERE

8:00.

( kissing noise )

CLOSED              GALLY GRUB           OR

                                                               HE

SO LONG, SUCKERS!

I’VE GOT A HOT DATE

WITH A LITTLE LADY

AND HER NAME IS CLARINET.

CLOSED              GALLY GRUB           OR

                                                               HE

( knocking )

WHAT?

CLOSED              GALLY GRUB           OR

                                                               HE

ARE YOU OPEN?

READ THE SIGN.

I’LL HAVE

A KRABBY PATTY DELUXE

AND A DOUBLE

CHILI KELP FRIES.

NO, YOU WON’T.

I CAN’T HANG OUT HERE ALL NIGHT.

                       I’VE GOT A LIFE.

GALLEY  GR

WELL, FINE, IF YOU

DON’T WANT MY MONEY.

O  P  E  N

Mr. Krabs:

           MONEY?

O  P  E  N

YOU MEAN, IF WE

STAYED OPEN LATER

YOU’D GIVE US

YOUR MONEY?

OPEN

SURE.

$

$ $

$ $

                                                   $

                                                   $

                       MR. SQUIDWARD,

WELCOME TO THE NIGHT SHIFT.

C       L       O       O       S       E       D

FROM NOW ON, THE KRUSTY KRAB

           IS OPEN 24 HOURS A DAY.

C L O                         O S E D

WHAT?

WHAT?

WOW!

NOW WE NEVER HAVE

TO STOP WORKING.

MR. KRABS…

SEE YOU IN

THE MORNING, BOYS.

I CAN’T HANG OUT HERE

ALL NIGHT, I GOT A LIFE.

MR. KRABS…

ISN’T THIS GREAT,

SQUIDWARD?

JUST YOU AND ME TOGETHER FOR

HOURS AND HOURS AND HOURS?

AND THEN THE

SUN’LL COME UP?

AND IT’LL BE TOMORROW, AND

WE’LL STILL BE WORKING.

( gasping ):

IT’LL BE JUST LIKE

A SLEEP-OVER!

ONLY WE’LL BE SWEATY

AND COVERED WITH GREASE!

ARE YOU READY TO ROCK,

           SQUIDWARD?!

GALLAY   GRuB

NO.

GOOD, ‘CAUSE WE’VE

GOT CUSTOMERS!

O       R

HERE; PLEASE HIT ME

AS HARD AS YOU CAN.

ORDER

PSST. SQUIDWARD.

ORDER

  HERE

I’M WORKING IN THE KITCHEN…

( giggles ):

AT NIGHT.

DON’T HOLD BACK.

O R D E R

  H E R E

HEY, SQUIDWARD, GUESS WHAT?

I’M CHOPPING LETTUCE…

            AT NIGHT.

LOOK AT ME, I’M SWABBING

           THE BATHROOM…

AT NIGHT.

OW! I BURNED MY HAND!

AT NIGHT.

NIGHT, NIGHT, NIGHT

NIGHT

NIGHT, NIGHT, NIGHT, NIGHT

NIGHT, NIGHT,

NIGHT, NIGHT

N-N-N-IGHT!

NIGHT!

WILL YOU, PLEASE?!

HERE, GIVE ME A MOMENT’S PEACE

AND TAKE OUT THE TRASH.

ALL RIGHT.

TAKING OUT THE TRASH.

DER

RE

TAKING OUT THE TRASH, AT N…

( brakes squeal )

H              E

( scary music )

     THE

K R u s t y

  K R A B

YOU MEAN, OUTSIDE?

            THAT’S WHERE

THE DUMPSTER IS, YES.

E R

RE

            I DON’T KNOW, SQUIDWARD,

IT’S KIND OF DARK OUT THERE.

BUT I THOUGHT YOU

   LIKED THE NIGHT SHIFT.

YOU’RE RIGHT.

FOR THE THE KRUSTY KRAB!

( screaming )

( screaming continues )

( gasping )

( snaps fingers )

           PIECE OF CAKE.

SO, YOU’RE NOT AFRAID?

PFFT! NAH.

GRuB                 ORDER

                             HERE

WELL, I AM, ESPECIALLY AFTER…

( gulp )

WELL, YOU KNOW.

WHAT? WHAT DO I KNOW?

           YOU DON’T REMEMBER?

IT WAS ALL OVER THE NEWS.

TELL ME. TELL ME.

NO, NO, I PROBABLY SHOULDN’T.

           IT WOULD RUIN

THE NIGHT SHIFT FOR YOU.

           WHAT HAPPENED?

WHAT HAPPENED? WHAT?

           YOU MEAN YOU’VE NEVER

HEARD THE STORY OF THE…

“HASH-SLINGING SLASHER”?

THE SLASH-BRINGING HASHER?

THE HASH-SLINGING SLASHER.

THE SASH-WRINGING…

THE TRASH-SINGING…

           MASH-FLINGING…

THE FLASH-SPRINGING…

WRINGING…

THE-THE CRASH

DINGING… UH….

YES, THE HASH-SLINGING SLASHER.

BUT…

MOST PEOPLE JUST

CALL HIM THE HA… ( gasps )

BECAUSE THAT’S ALL

THEY HAVE TIME TO SAY

BEFORE HE…

GETS THEM!

( gasps )

TELL ME THE STORY!

           YEARS AGO,

AT THIS VERY RESTAURANT

THE HASH-SLINGING SLASHER

           USED TO BE A FRY COOK

JUST… LIKE…

YOU.

ONLY CLUMSIER.

AND THEN ONE NIGHT

WHEN HE WAS

   CUTTING THE PATTIES

IT HAPPENED.

                            HE FORGOT THE

                            SECRET SAUCE?

NO.

                            HE DIDN’T WASH

                            HIS HANDS?

NO.

                                         IRREGULAR

                                         PORTIONS?

NO!

           HE CUT OFF

HIS OWN HAND BY MISTAKE.

YOU MEAN LIKE THIS?

OR LIKE THIS? OR THIS?

OR THIS?

BUT WHAT ABOUT THIS?

OR THIS? OR THIS?

OR THIS?! OR…

EXCEPT HE WASN’T A SPONGE.

SO?

SO IT DIDN’T GROW BACK!

( screaming )

AND HE REPLACED HIS HAND

WITH A RUSTY SPATULA.

AND THEN

HE GOT HIT BY A BUS!

AND AT HIS FUNERAL

THEY FIRED HIM!

SO NOW, EVERY…

WHAT DAY IS IT?

TUESDAY.

…TUESDAY NIGHT, HIS GHOST

RETURNS TO THE KRUSTY KRAB

TO WREAK HIS HORRIBLE VENGEANCE.

                       ( gasps )

BUT TONIGHT’S TUESDAY NIGHT.

THEN HE’LL BE COMING.

HOW WILL HE KNOW?

THERE ARE THREE SIGNS

THAT SIGNAL THE APPROACH

OF THE HASH-SLINGING SLASHER.

FIRST, THE LIGHTS

WILL FLICKER ON AND OFF…

ALLEY    GRUB                      O R D E R

                                                  H E R E

NEXT…

DUDE, CAN I HAVE

SOME KETCHUP?

OH. HERE YOU GO.

NEXT…

GALLEY    GRUB                      O R D E R

                                                     H E R E

           THE PHONE WILL RING, AND

THERE WILL BE NOBODY THERE.

AND FINALLY,

THE HASH-SLINGING SLASHER

ARRIVES IN THE GHOST OF THE BUS

           THAT RAN HIM OVER!

THEN, HE EXITS THE BUS

AND CROSSES THE STREET

WITHOUT

LOOKING BOTH WAYS

BECAUSE HE’S ALREADY DEAD.

THEN, HE TAPS

ON THE WINDOW

WITH HIS GRIZZLY SPATULA HAND.

                                                    NO!

HE OPENS THE DOOR…

( imitates squeaking )

( imitates squeaking )

HE SLOWLY

APPROACHES THE…

( echoing ):

COUNTER!

AND YOU KNOW WHAT HE DOES NEXT?

WHAT?

YOU REALLY WANT TO KNOW?

WHAT?

ARE YOU SURE YOU WANT TO KNOW?

WHAT, WHAT, WHAT DOES HE DO?!

HE GETS YOU!

( screams )

( screams )

( laughs )

R

( screaming continues )

( screaming continues )

( laughs )

( laughs )

HE GET…

HE GET…

WHOO, HOO…

( laughing ):

OH, MY…

( SCREAMING CONTINUES )

GALLEy GRUB               ORDER

                                          HERE

( SCREAMING CONTINUES )

D ER

ERE

SPONGEBOB, I…

( screams )

SPONGEBOB, I WAS…

( screams )

I WAS JUST…

( screams )

I WAS JUST…

( screaming continues )

( screaming continues )

( screaming continues )

SPONGEBOB, I WAS JOKING!

WHAT?

IT’S NOT TRUE,

NONE OF IT’S TRUE.

IT’S NOT?

OF COURSE NOT.

NOBODY HAS A SPATULA

FOR A HAND.

D ER

ERE

IT WAS ALL A JOKE.

OH.

( laughs )

D ER

ERE

( laughs )

( laughing continues )

GALLEy GRUB               ORDER

                                          HERE

( laughing continues )

( owls hooting )

( electrical buzzing )

( electrical buzzing )

        T H E

K   R   u   S   T   y

    K   R   a   B

                                                O      P      E      N

                                     F      O      R      E      V      E      R

                                                                     ENTER

GALLEY  GRUB        ORDER

                                    HERE

( water dripping )

( scratching )

( water dripping )

( scratching )

( water dripping )

( scratching )

( water dripping )

( water dripping )

( water dripping )

GALLEY GRUB            ORDER

                                       HERE

( water dripping )

( suction sound )

                                   ISN’T THIS GREAT,

                                   SQUIDWARD?

( screams )

THERE’S NEVER TIME TO WASH

THE CEILING DURING THE DAY.

           ( growling ):

OPEN 24 HOURS A DAY.

           ( growling ):

OPEN 24 HOURS A DAY.

WHAT A STUPID IDEA.

WHO WANTS A CRABBY PATTY

AT 3:00 IN THE MORNING?

( alarm rings )

OH, BOY, 3:00 A.M.!

OH, BOY, 3:00 A.M.!

( munching )

JUST LOOK AT THIS PLACE.

GALLEY   GRUB                      ORDER

                                                    HERE

IT’S LIKE A GHOST TOWN IN HERE.

( flickering )

VERY FUNNY, SPONGEBOB.

WHAT?

“AND THE LIGHTS WILL FLICKER

                      ON AND OFF…”

JUST LIKE THE STORY, I GET IT.

HEY, SQUIDWARD

           HOW ARE YOU DOING THAT

WITHOUT MOVING THE SWITCH?

I’M NOT DOING IT.

IT MUST BE THE STUPID

FAULTY WIRING IN HERE.

THIS PLACE ISN’T BUILT TO RUN

                      24 HOURS A DAY.

( phone rings )

WHAT, WHAT? HELLO?

HELLO?

HELLO?

NICE TRY, SQUIDWARD.

ORDER

  HERE

NICE TRY, WHAT?

“THE PHONE WILL RING AND

THERE WILL BE NO ONE THERE!”

OH, YOU CRACK ME UP.

SPONGEBOB, I’M NOT DOING THIS.

OH, CALM DOWN, CALM DOWN.

ALL RIGHT, WHAT WAS IT?

THERE WAS… THE LIGHTS

AND THE PHONE.

( phone rings )

           AND THE WALLS

WILL OOZE GREEN SLIME!

OH, WAIT.

THEY ALWAYS DO THAT.

BUT WHAT WAS THAT THIRD THING?

( brakes squeak )

( door squeaking )

I DIDN’T KNOW THE

BUSES RAN THIS LATE.

I DIDN’T KNOW THE

BUSES RAN THIS LATE.

OR D E R

  H E  R  E

THEY DON’T.

WELL, THEY’RE DROPPING

SOMEONE OFF.

( screams )

THE SASH-WRINGING…

THE-THE FLASH-SINGING…

THE FASH… P-PINGING…

THE HASH-SLINGING SLASHER!

( crying ):

OH…

AT LAST, YOU UNDERSTAND;

WE’RE DOOMED.

NO, THAT’S NOT IT.

I AM JUST SO TOUCHED

THAT YOU WOULD

GO TO THE TROUBLE

TO DRESS UP AS A

GHOSTLY FRY COOK

AND STAND ON THE OTHER

SIDE OF THE STREET

JUST TO ENTERTAIN ME.

( sobbing ):

YOU MUST REALLY LIKE ME!

SPONGEBOB

THERE ARE TWO PROBLEMS

WITH YOUR THEORY.

K   R   a   B

ONE: I HATE YOU.

AND TWO:

HOW CAN THAT BE ME, WHEN I’M

STANDING RIGHT HERE?!

( tapping )

( screaming )

                                  Both:

THE HASH-SLINGING SLASHER!

( babbling hysterically )

AAH!

         HE’S GOING

         TO FLIP ME!

GALLEY                GRUB                       O R D E R

                                                                 H E R E

GET AWAY, GET AWAY!

GET AWAY, GET AWAY!

SPONGEBOB, NO MATTER

WHAT I’VE SAID

I’VE ALWAYS SORT

OF LIKED YOU!

SQUIDWARD, I USED

YOUR CLARINET TO

UNCLOG MY TOILET!

HUH?

GET AWAY, GET AWAY!

GET AWAY, GET AWAY!

GALLEY    GRUB               O RDER

                                             HERE

YOU’RE NOT

WELCOME HERE!

CAN I HAVE A JOB APPLICATION?

I BROUGHT MY OWN SPATULA.

I CALLED EARLIER, BUT I HUNG UP

           ‘CAUSE I WAS NERVOUS.

DO YOU HAVE

REFERENCES?

            WAIT, IF THAT WAS YOU ON

THE PHONE AND YOU ON THE BUS

GALLEY   GRUB                 ORDER

                                               HEAR

           THEN WHO WAS

FLICKERING THE LIGHTS?

GALLEY   GRUB                 ORDER

                                               HEAR

NOSFERATU!

GALLEY   GRUB                 ORDER

                                               HEAR

( buzzing )

SpongeBob SquarePants: Something Smells (10/20/2000) [Closed Captioning][]

SpongeBob’s  got  terrible  sea  onion  ice  cream  breath,

yet he  can’t  understand  why  he’s  being   avoided. Patrick

thinks  it’s  a  beauty issue,  so  the  two devise  ways to hide

SpongeBob’s   hideous face.   When  Patrick eats  sea onion

bon bons  and  people avoid   him  too, he’s convinced  he

caught “the   ugly”  from   SpongeBob.

S       O       M       E       T       H       i       N       G

              S       M       E       L       L       S

storyboard directed by

Aaron Springer

storyboard artist

C.H. Greenblatt

written by

Aaron Springer

C.H. Greenblatt

Merriwether Williams

animation director

Edgar Larrazabla

creative director

Derek Drymon

( Gary meowing softly )

( honking loudly )

G  A  R  y

( honking )

C  A  L  E  N  D  A  R

WOW, IT’S SUNDAY, GARY!

A     Y                           S     U     N     D     A     Y                           M     O

       1       9                                                     2       0

A     Y                           S     U     N     D     A     Y                           M     O

GUESS WHAT’S FOR BREAKFAST?

( meows )

G A R y

THAT’S RIGHT!

A SUNDAE!

WHOOPS. LOOKS LIKE

WE’RE OUT OF ICE CREAM.

GUESS I’LL HAVE TO USE

           SOMETHING ELSE.

KETCHUP!

KATSUP

( grunting )

ATSUP

HMM… BANANAS… CHERRIES…

BORING!

AH, HERE WE GO!

ONIONS!

READY, GARY?

( meows )

O  N  I  O  N                  O  N  I  O  N

( meows )

( plays

   sad tune )

( sniffling )

( crying loudly )

O    N    I    O    N

JUST ONE MORE THING!

PEA…

NUTS.

GARY, OUR PEANUTS JAR

IS TOTALLY EMPTY!

( burps )

HMM…

WAIT, I KNOW ONE OTHER PLACE

           WE CAN FIND PEANUTS.

           GOOD THING I STILL HAVE

THESE PEANUT PLANTS GROWING

           GOOD THING I STILL HAVE

THESE PEANUT PLANTS GROWING

IN THE WINDOWSILL.

A LITTLE TEXTURE NEVER HURT.

THERE WE GO!

           THIS SUNDAE’S

GOING TO TASTE GREAT!

AREN’T YOU GOING TO

           HELP ME, GARY?

AREN’T YOU GOING TO

           HELP ME, GARY?

GARY?

OH, WELL.

MORE FOR ME!

( gulping )

( gulping )

( gulping )

MMM… AH!

MMM.

YOU KNOW WHAT

THEY SAY, GARY.

I’M EASY LIKE

SUNDAY MORNING…

M       O       R       N       I       N       G

OKAY, LET’S SEE MY TO-DO LIST.

“GO TO WORK, GO TO WORK,

           GO TO WORK…”

G   O     T   O     W   O   R   K

     G   O     T   O     W   O   R   K

          G   O   T   O     W   O   R   K

          G   O   T   O     W   O   R   K

            G   O   T   O     W   O   R   K

              G   O   T   O     W   O   R   K

           G   O   T   O     W   O   R   K

              G   O   T   O     W   O   R   K

              G   O   T   O     W   O   R   K

               G   O   T   O     W   O   R   K

              G   O   T   O     W   O   R   K

                G   O   T   O     W   O   R   K

                  G   O   T   O     W   O   R   K

                  G   O   T   O     W   O   R   K

                     G   O   T   O     W   O   R   K

            G   O   T   O     W   O   R   K

NO, THAT’S NOT RIGHT.

I NEED THE ONE FOR SUNDAY.

AH, HERE WE GO.

“SAY HI TO EVERYONE

IN BIKINI BOTTOM.”

( panting )

HELLO.

( gagging and

groaning )

SOME PEOPLE ARE EVEN LATE

                       ON SUNDAY.

MAIL

HI, MAILFISH.

( sniffs )

( whistle blows )

HI, MRS. CROSSING GUARD.

( sniffs )

MOTHER OF MERCY!

( horn blows, kids scream )

( crash )

           OH!

( blowing horns,

   crashing cymbals )

WOW, A PARADE!

HI, PARADE.

HI, TUBA PLAYER,

HI, DRUMMER.

HI, GUY WITH THE CYMBALS,

HI, TRUMPETER.

HI, TAMBOURINE GIRL.

HI, TIMBALE MAN,

HI, DIDJERIDU PLAYER.

( playing )

HI, TRIANGLE PLAYER

HI, GUY WITH

THE KETTLE DRUM.

HI, PIANIST,

HI, GUY WITH THE FLUTE.

AND HELLO, DOLLY!

( yelling and groaning )

( doors slam )

ARAA

SHELL

( wind blowing )

WAS IT SOMETHING I SAID?

           SOMETHING WEIRD

IS GOING ON TODAY?

SHELL    ARAA

EVERYONE’S RUNNING AWAY FROM ME.

                      AND NOW…

GIANT PILES OF BUBBLE GUM?

B   U   S

OH, WHAT NEXT?!

HI, SPONGEBOB.

B   U   S

OH, HI, PATRICK.

I’M CONFUSED.

YES, I AM.

PATRICK, EVERYONE IS

RUNNING AWAY FROM ME.

B   U   S

WATCH.

HI, BUILDING.

( rumbling )

I JUST DON’T GET IT.

I DON’T, EITHER.

MAYBE IT’S THE WAY

YOU’RE DRESSED.

Both:

NAH.

MAYBE IT’S YOUR VOICE.

( cackling laugh )

( cackling laugh echoing )

GOOD ONE, PATRICK.

WELL, MAYBE IT’S JUST

BECAUSE YOU’RE UGLY.

UGLY?!

YOU GOT TO BE KIDDING ME.

BETTER TRY

THE REFLECTION TEST.

B   U   S

HI.

( sniffs )

UGLY…

( sniffling )

OH, NO…!

I CAN’T BE UGLY!

I CAN’T BE!

I CAN’T BE UGLY!

AM I UGLY?

( crying )

AM I UGLY?

MY EYES, MY EYES!

( tires squealing )

OOH!

( crying ):

I’M UGLY!

( thunder crashing )

SPONGEBOB, CAN I BORROW

           SOME BATH BEADS?

( organ playing )

( organ playing )

( organ playing )

( plays harsh chord )

SPONGEBOB?

GO…

RUN AWAY LIKE

ALL THE OTHERS.

                       ( crying ):

NO ONE WOULD WANT A FRIEND

                       AS UGLY AS I AM.

SURE THEY WOULD!

IT MAKES THEM FEEL BETTER

ABOUT THE WAY THEY LOOK.

MAYBE A STORY

WILL CHEER YOU UP.

IT’S CALLED “THE UGLY BARNACLE.”

ONCE THERE WAS AN UGLY BARNACLE.

           HE WAS SO UGLY

THAT EVERYONE DIED.

THE END.

THAT DIDN’T HELP AT ALL.

( crying )

HOW LONG?

HOW LONG HAVE I BEEN

            UGLY, PATRICK?

AS LONG AS I CAN REMEMBER,

YOU POOR UGLY THING, YOU.

HELP ME!

I’M SO ASHAMED!

I’M SPIRALING!

I’M SPIRALING!

THANKS, PATRICK.

THAT’S OKAY, PATRICK.

SPIRALING OVER.

JUST DO WHAT I DO

WHEN I HAVE PROBLEMS.

SCREAM!

COME ON, BUDDY,

I’LL HELP YOU.

OKAY, NOW… SAY IT.

SAY IT.

SAY IT.

I CAN’T.

SPONGEBOB, YOU’RE NEVER

GOING TO FEEL BETTER

TILL YOU GET THIS THING

           OFF YOUR CHEST.

I KNOW, PATRICK.

SAY IT.

SAY IT…

I’M UGLY.

YOU’RE UGLY AND WHAT?

SQUARE?

NO, PROUD.

I’M UGLY AND I’M PROUD.

GOOD!

SAY IT LOUDER.

I’M UGLY

AND I’M PROUD.

LOUDER.

I’M UGLY

AND I’M PROUD!

LOUDER!

I’M UGLY

AND I’M PROUD!

I’M UGLY AND

I’M PROUD!

I’M UGLY

AND I’M PROUD!

IS THAT WHAT HE CALLS IT?

( panting )

THAT FELT GREAT!

I FEEL EMPOWERED!

SO WHAT DO YOU WANT

TO DO NOW?

I DON’T KNOW.

HOW ABOUT A MOVIE?

T

h

E

   R

   E

   E

   F

NOW SHOWING    NOW SHOWING

L.A.  ENHANCE  SHOVE     L.A.  ENHANCE  SHOVE

PARDON ME, UGLY SPONGE

COMING THROUGH.

807

PARDON ME, UGLY SPONGE

COMING THROUGH.

PEOPLE RESPECT

SELF-ESTEEM.

HI, I’M VERY UGLY

BUT YOU SHOULD

ENJOY THE MOVIE ANYWAY.

EXCUSE ME, SIR.

I HOPE MY

HORRIBLE UGLINESS

WON’T BE

A DISTRACTION

TO YOU.

NOT AT ALL, BOY.

( sniffs )

( screaming )

( screaming )

DON’T WORRY ABOUT HIM,

SPONGEBOB.

HE’S JUST A…

( crying )

SPONGEBOB…

SPONGEBOB,

WHAT’S WRONG?

( sniffling )

I CAN’T DO THIS, PATRICK.

           I’VE TRIED

AND I’VE TRIED, BUT…

           I’M NOT ALWAYS

AS CONFIDENT AS I LOOK.

MAYBE I’D BETTER JUST

GO BACK AND HIDE.

WHAT IS WRONG

WITH YOU PEOPLE?!

AFRAID TO LOOK UGLINESS

IN THE FACE?

WELL, HERE!

LOOK AT IT!

IT’S UGLY, ISN’T IT?

YOU LOOK AT IT!

SpongeBob:

           HELLO.

YOU LOOK AT IT!

HI…

LOOK AT IT!

LOOK AT IT!

LOOK AT IT!

LOOK AT IT!

LOOK AT IT!

LOOK AT IT!

I WANT ALL OF YOU

TO LOOK AT IT!

( crowd screaming )

T

h

e

R

E

E

F

NOW SHOWING

L.A.  ENHANCE  SHOVE

( crowd screaming )

THEY ALL RAN AWAY,

PATRICK.

I BET THERE’S NO LINE

AT THE SNACK BAR.

HELLO?

S  N  A  C  K  S   ►

P O P     K E L P

HELLO?

THEY MUST BE

ON BREAK!

P O P       K E L P

OH, WAIT, PATRICK,

I JUST REMEMBERED.

I’VE GOT SOME OF MY

PEANUT/ONION SUNDAE

WE CAN SHARE.

P O P       K E L P

( sizzling )

THAT LOOKS GREAT!

( gulps, slurps )

P O P       K E L P

AH…

( ratcheting and banging )

( ratcheting and banging )

OH… I GOT TO GO

TO THE RESTROOM!

P O P       K E L P

I’M OUT OF SOAP,

CAN I BORROW…

STAY BACK!

I JUST WANT SOME…

HERE,

HERE’S MY MONEY!

$    $

$       $

      $

      $       $

TAKE IT! TAKE IT

AND GO AWAY!

MY HANDS AREN’T

THAT DIRTY.

( chuckling ):

HEY, DO YOU GUYS WANT

TO HEAR A BATHROOM JOKE?

( all gagging )

YOU TRYING

TO KILL US?

( all mutter

angrily )

OH…! OH…!

I… CAUGHT THE UGLY!

PATRICK, IS EVERYTHING

           OKAY IN HERE?

( sobbing )

WHAT ARE YOU DOING IN THERE?

WOULDN’T YOU LIKE TO KNOW?

AND WHY IS THAT BAG

           ON YOUR HEAD?

WHY?

OH, NO REASON, EXCEPT

YOU GAVE ME THE UGLY!

( screams )

WHAT AM I GOING TO DO?

I CAN’T GO OUT

LOOKING LIKE THIS.

           JUST REMEMBER

WHAT WE TALKED ABOUT.

THERE’S POWER IN PRIDE.

THAT MAY BE FINE FOR YOU

           BUT I WAS ONE OF

THE BEAUTIFUL PEOPLE.

NOW LOOK AT ME!

I’M ALMOST AS

UGLY AS YOU!

( sniffs )

( retches )

I ALWAYS THOUGHT

“IF I WAS

AS UGLY AS THAT GUY

I DON’T KNOW

WHAT I WOULD DO.”

PATRICK…

WHAT’S MY MOM

GOING TO SAY?

PATRICK…

OH, MY GOSH! IF

MY SISTER FINDS OUT--

OH, WAIT, I DON’T

HAVE A SISTER.

IF THE BANK…

I MEAN

IT’S ONE THING IF

YOU HAVE BAD SHOES

OR EVEN BAD HAIR,

BUT…

PATRICK!

YOU’RE NOT UGLY,

YOUR BREATH STINKS.

REALLY BAD.

OH…

WHAT A RELIEF.

OH, BARNACLE!

PATRICK, WHAT DID YOU EAT?

OH, SOME ROAST BEEF,

A CHICKEN, A PIZZA.

NO, IT MEANT JUST THIS MORNING.

           SOME ROAST BEEF,

SOME CHICKEN, A PIZZA…

WHAT ELSE?

WELL, I HAD SOME

OF YOUR SUNDAE.

SUNDAE!

PATRICK, MY SUNDAE

GAVE US RANCID BREATH!

WHAT DO YOU MEAN?

( retches )

I MEAN, WE’RE NOT UGLY…

WE JUST STINK!

STINK?

           Both:

WHOO-HOO!

WE STINK! WE STINK!

WE STINK!

WE STINK!

WE STINK! WE STINK!

T

h

E

R

E

E

F

NOW SHOWING

L.A.  ENHANCE  SHOVE

WE STINK!

WE STINK!

WE STINK! WE STINK!

OH, GUESS WHAT,

SQUIDWARD!

W       i       G       S

              &

H A i R P i E C E s

           Both:

WE STINK!

( both laughing )

W       i

              &

H A i R P

           SpongeBob:

OH, YEAH! YEAH, I STINK!

Patrick:

I REEK!

Nickelodeon Website Promo[]

Visit Nickelodeon Online™ on America Online; Keyword: Nick and on the Web at nick.com

Ripped Pants End Credits[]

“RiPPED PANTS”

EXECUTiVE PRODUCER

Stephen Hillenburg

LiNE PRODUCER

Donna Castricone

ART DiRECTOR

Nicholas R. Jennings

SUPERViSiNG DiRECTOR

Alan Smart

STORY EDiTOR

Peter Burns

WRiTERS

Peter Burns

Mr. Lawrence

Tim Hill

Derek Drymon

Stephen Hillenburg

SCRiPT COORDiNATOR

Alex Gordon

Tom Kenny                                                                                             ………………………. French Narrator (character),

                                                                                                                                  SpongeBob SquarePants (character),

                                                                                                      Squidward Tentacles (character) (indirectly mentioned),

                                                                                          Incidental 3 (character) (John), Incidental 37B (debut) (Martin),

                                                                                                      Fish at snack bar (Incidental 41) (debut) (Nat Peterson)

Carolyn Lawrence                                         …………………… Sandy Cheeks (character), Incidental 15 (debut) (Mevis),

                          Incidental 8 (debut) (Tina Fran), Incidental 29 (character) (debut) (Molly), Incidental 14 (debut) (Evelyn),

                                            Incidental 22 (debut) (Loser 1), Incidental 45 (debut) (Shubie), Incidental 47 (debut) (Sadie),

                                                                                                                                   Incidental 49 (debut) (Norma Rechid)

Mr. Lawrence                                                                                …………………… Larry the Lobster (character) (debut),

                                                   Incidental 24 (debut) (Frank (Goldfish)), Fred (character), Incidental 16 (debut) (Buddy),

                                                                   Incidental 20 (debut) (Sheldon (Fish)), Incidental 39 (debut) (Ice Cream Fish),

Fish eating burger (debut) (Customer), Announcer fish (debut) (Announcer), Incidental 21 (character) (debut) (Halbert),

                                                                                                                                          Incidental 9 (debut) (Henry-Bart)

Rodger Bumpass ………………………………………………………………………………….. Incidental 24A (debut) (Guy),

        Incidental 23 (debut) (Charlie), Incidental 19 (debut) (Unnamed Black Haired Fish), Chef (debut) (Snack Bar Chef),

                                                                                                                                                                    Fred (character)

Sirena irwin             ………….. Incidental 7 (debut) (Nancy Suzy Fish (character)), Incidental 22 (debut) (Jennifer Millie),

                                                                       Incidental 13 (debut) (Medley Fishbowl), Incidental 46 (debut) (Nazz-Mimi),

                                                                                                                                    Incidental 48 (debut) (Abigail Marge)

Carlos AlazraQui                                     …………… Incidental 3 (character) (Harry (Fish)), Incidental 17 (debut) (Perry),

                                                                             Incidental 4 (debut) (Francis), Incidental 36 (debut) (Harold (Red Fish)),

               Incidental 36 (debut) (Marshmellow Fish), Scooter (debut), Scooter (Castle Fish), Incidental 37A (debut) (Gus),

                                                                                                                  Loser 3 (debut) (Frank (Whale)), Loser 3 (debut)

Dee Bradley Baker                                                  ….. Incidental 32 (debut) (Don the Whale), Incidental 6 (debut) (Tom),

             Incidental 27 (debut) (Jimmy Gus), Incidental 18 (debut) (Horace), Incidental 40 (debut) (Harold “Bill” Reginald),

            Incidental 155 (debut) (Frank (Lifeguard)), Incidental 155 (Lifeguard), SpongeBob’s swim trunks (debut) (Pants),

                                                                                                                                         Dexter Blubbuns, Loser 2 (debut)

Peter Straus                                        ………………………….. Incidental 2 (debut) (Archie), Incidental 31 (debut) (Clay),

                                                                                                                                  Incidental 10 (debut) (Franco), Singer

Jay Lender          …………………………………………………………………………………. Chef (debut) (Snack Bar Chef)

CASTiNG DiRECTOR

Donna Grillo Gonzales

CASTiNG COORDiNATOR

Alex Gordon

EXECUTiVE ASSiSTANT

Jennie Monica

RECORDiNG ENGiNEER

Al Johnson

2ND RECORDiNG ENGiNEER

Jim Leber

PRODUCTiON DiALOGUE SUPERViSOR

Tony Ostyn

ANiMATiC EDiTOR

Brian Robitaille

ANiMATiC SCANNER

Jon Delaurie

ASSiSTANT STORYBOARD ARTiSTS

C.H. Greenblatt

Bruce B. Heller

William Reiss

ORiGiNAL CHARACTER DESiGN

Stephen Hillenburg

CHARACTER DESiGNER

Todd White

PROP DESiGNER

Thaddeus Paul Couldron

CLEAN-UP ARTiST

Soonjin Mooney

ARTiST iNTERN

Cynthia Tello

LAYOUT SUPERViSOR

Dave Gordon

BG LAYOUT DESiGN

Kenny Pittenger

John Seymore

BACKGROUND PAiNTERS

Andy “Spike” Clark

Calvin G. Liang

DiGiTAL BG SUPERViSER

Andrew Brandou

DiGiTAL BG COORDiNATOR

Walter Hong

BG SCANNiNG DEPARTMENT

Stephen Christian

David Wigforss

COLOR KEY SUPERViSOR

Teale Reon Wang

COLOR STYLiSTS

Dene Ann Heming

Jennifer Powell

ASSiSTANT COLOR KEY

Meg Hanna

PRODUCTiON COORDiNATORS

Megan Brown

June Tedesco

PRODUCTiON ASSiSTANTS

Marcy Lynn Dewey

Derek iversen

SHEET TiMERS

Robert Hughes

Andrew Overtoom

FiNAL CHECKER

Karen Shaffer

POST PRODUCTiON DiRECTOR

Heather Adams

POST PRODUCTiON SUPERViSOR

Wendi McNeese

ADDiTiONAL POST PRODUCTiON SERViCES

Jeff Adams

Matt Brown

Michael Petak

Mishelle Smith

Sean Trask

PiCTURE EDiTOR

Lynn Hobson

POST PRODUCTiON SOUND

SUPERViSOR AND MiXER

Timothy J. BorQuez

SOUND FX DESiGNER AND EDiTOR

Jeffrey Hutchins

DiALOGUE ADR EDiTOR

Jason Freeman

RE-RECORDiNG MiXERS

Timothy J. BorQuez

Timothy J. Garrity

FOLEY

Brad Brock

Diane Greco

MUSiC EDiTOR

Nicolas Carr

MUSiC COMPOSED BY

The Blue Hawaiians

Sage Guyton & Jeremy Wakefield

Steven Belfer

Brad Carow

MUSiC CONTRiBUTiONS

Lovecat Music

Los Mel-tones

“Ripped Pants”

LYRiCS BY

Paul Tibbitt and Peter Straus

COMPOSED AND PERFORMED BY

Peter Straus

SPONGEBOB SQUAREPANTS

THEME SONG

LYRiCS BY

Stephen Hillenburg

Derek Drymon

COMPOSED BY

Hank Smith Music

PERFORMED BY

Pat Pinney

ON-LiNE EDiTORS

Dan Aguilar

Barry Cohen

Kip Gibson

DAViNCi COLORiST

Dexter P.

POST PRODUCTiON SERViCES

Anderson Video

Encore Video

Hollywood Digital

ANiMATiON SERViCES

Rough Draft Studios, Korea

OVERSEAS SUPERViSOR

Doug Williams

LiVE ACTiON iSLAND FOOTAGE BY

Bad Clams Productions, inc.

Sample Corporation

TiTLE STiLL PHOTOGRAPHY BY

David Frapwell

DEVELOPED BY

Derek Drymon

Tim Hill

Nicholas R. Jennings

PRODUCTiON EXECUTiVE

Eric Coleman

EXECUTiVE iN CHARGE

OF PRODUCTiON

Brian A. Miller

SB-129 End Credits[]

“SB-129”

EXECUTiVE PRODUCER

Stephen Hillenburg

LiNE PRODUCER

Donna Castricone

ART DiRECTOR

Nicholas R. Jennings

SUPERViSiNG DiRECTOR

Alan Smart

STORY EDiTOR

Merriwether Williams

WRiTERS

David Fain

Alex Gordon

Mr. Lawrence

Merriwether Williams

Derek Drymon

Stephen Hillenburg

SCRiPT COORDiNATOR

Alex Gordon

Tom Kenny                                   ……….. French Narrator (character), SpongeBob SquarePants (character),

Gary the Snail (character), SpongeTron (debut), 486 SpongeTron clones (debut) (SpongeTrons X, Y and Z),

                                                                                            Primitive Sponge (debut), Primitive jellyfish (debut)

Rodger Bumpass                                                                     ………………. Squidward Tentacles (character),

                Incidental 119 (debut) (Chrome Spray Painter), Pigs (debut) (debut) (cameo in Time-Space Vortex)

Bill Fagerbakke                                                                               ……………………. Patrick Star (character),

                                                                                 PatTron (debut), Ammonite (debut), Primitive Star (debut)

Clancy Brown                               ……………………. Trilobites (debut), (Echo) (Eugene H. Krabs (character))

Jay Lender ………………………………………………………………………………………. “Loser” voice (debut)

Dee Bradley Baker         …………………….. Giant worm (debut) (Primitive Tapeworm), “Loser” voice (debut),

                                                  Eyes (debut) (cameo in Time-Space Vortex), The Alone Group (debut) (Echo)

Sirena irwin                                                             …………………………….. The Alone Group (debut) (Echo)

CASTiNG DiRECTOR

Donna Grillo Gonzales

CASTiNG COORDiNATOR

Alex Gordon

EXECUTiVE ASSiSTANT

Jennie Monica

SUPERViSiNG RECORDiNG ENGiNEER

Krandal Crews

2ND RECORDiNG ENGiNEER

Jim Leber

ASSiSTANT ENGiNEER

Justin Brinsfield

PRODUCTiON DiALOGUE SUPERViSOR

Tony Ostyn

ANiMATiC SUPERViSOR

Paul Finn

ANiMATiC EDiTOR

Brian Robitaille

ANiMATiC SCANNER

Kevin Zelch

ASSiSTANT STORYBOARD ARTiSTS

C.H. Greenblatt

Bruce B. Heller

William Reiss

ORiGiNAL CHARACTER DESiGN

Stephen Hillenburg

CHARACTER DESiGNER

Todd White

PROP DESiGNER

Thaddeus Paul Couldron

CLEAN-UP ARTiSTS

Soonjin Mooney

Heath Cecere

LAYOUT SUPERViSOR

Kenny Pittenger

BG LAYOUT DESiGN

John Seymore

Paula Spence

BACKGROUND PAiNTERS

Peter Bennett

Michael Chen

Andy “Spike” Clark

Calvin G. Liang

DiGiTAL BG SUPERViSOR

Andrew Brandou

DiGiTAL BG COORDiNATOR

David Wigforss

BG SCANNiNG DEPARTMENT

Stephen Christian

Steven Kellams

COLOR KEY SUPERViSOR

Teale Reon Wang

COLOR STYLiSTS

Dene Ann Heming

Jennifer Powell

PRODUCTiON COORDiNATORS

Megan Brown

June Tedesco

PRODUCTiON ASSiSTANTS

Marcy Lynn Dewey

Derek iversen

FiNAL CHECKER

Gary Hall

POST PRODUCTiON DiRECTOR

Heather Adams

POST PRODUCTiON SUPERViSOR

Wendi McNeese

ADDiTiONAL POST PRODUCTiON SERViCES

Jeff Adams

Matt Brown

Michael Petak

Mishelle Smith

Sean Trask

PiCTURE EDiTOR

Lynn Hobson

POST PRODUCTiON SOUND

SUPERViSOR AND MiXER

Timothy J. BorQuez

SOUND FX DESiGNER AND EDiTOR

Jeffrey Hutchins

SOUND EDiTORS

Eric Freeman

Gabriel Rosas

RE-RECORDiNG MiXERS

Timothy J. BorQuez

Timothy J. Garrity

FOLEY

Brad Brock

Monette Holderer

MUSiC EDiTOR

Nicolas Carr

MUSiC COMPOSED BY

The Blue Hawaiians

Sage Guyton & Jeremy Wakefield

Steven Belfer

Brad Carow

Nicolas Carr

MUSiC CONTRiBUTiONS

Lovecat Music

SPONGEBOB SQUAREPANTS

THEME SONG

LYRiCS BY

Stephen Hillenburg

Derek Drymon

COMPOSED BY

Hank Smith Music

PERFORMED BY

Pat Pinney

ON-LiNE EDiTORS

Dan Aguilar

Kip Gibson

DAViNCi COLORiST

Dexter P.

POST PRODUCTiON SERViCES

Todd AO - Hollywood Digital

The Post Group

Encore Video

ANiMATiON SERViCES

Rough Draft Studios, Korea

OVERSEAS SUPERViSOR

Doug Williams

LiVE ACTiON iSLAND FOOTAGE BY

Bad Clams Productions, inc.

TiTLE STiLL PHOTOGRAPHY BY

David Frapwell

DEVELOPED BY

Derek Drymon

Tim Hill

Nicholas R. Jennings

PRODUCTiON EXECUTiVE

Eric Coleman

EXECUTiVES iN CHARGE

OF PRODUCTiON

Brian A. Miller

Texas End Credits[]

“TEXAS”

EXECUTiVE PRODUCER

Stephen Hillenburg

LiNE PRODUCER

Donna Castricone

ART DiRECTOR

Nicholas R. Jennings

SUPERViSiNG DiRECTOR

Alan Smart

STORY EDiTOR

Merriwether Williams

WRiTERS

David Fain

Mr. Lawrence

Merriwether Williams

Derek Drymon

Stephen Hillenburg

SCRiPT COORDiNATOR

Alex Gordon

Tom Kenny                          ………….. SpongeBob SquarePants (character), Jellyfish (character),

                        Incidental 23 (Fish #1), Incidental 42 (Fish #3), Incidental 23 (Fish #2),

                                                                                                  Incidental 30 (Anchovy)

Bill Fagerbakke         ……………………. Patrick Star (character), Dave (Incidental 42)

Carolyn Lawrence                                   …………………… Sandy Cheeks (character)

Dee Bradley Baker …….. Incidental 32 (Don the Whale), Scallops and clams (Clams)

Junior Brown ………………………………… Singer (Self), Bulls (debut), Horse (debut)

Clancy Brown                                                 …………………… Mr. Krabs (character),

                                                                                                          Incidental 5 (John)

Rodger Bumpass …………. Squidward Tentacles (character), Incidental 42 (Fish #3),

                                                                                                    Incidental 18 (Horace)

Mary Jo Catlett ………………………………………………………. Mrs. Puff (character)

Thomas F. Wilson ………….. Flats the Flounder (character), Incidental 31 (Fish Guy),

                                                                                                      Incidental 16 (Buddy)

Lori Alan ……….. Pearl Krabs (character), Incidental 22 (Fish #2), Incidental 11 (Fish)

Mr. Lawrence ……………………………………………….. Larry the Lobster (character)

Sirena irwin ………………………. Incidental 22 (Jennifer Millie), Incidental 11 (Sheila),

                                                                                          Incidental 12 (Vera Fishbowl)

Carlos AlazraQui ……………………………………….... Incidental 23 (Charlie), Scooter

CASTiNG DiRECTOR

Donna Grillo Gonzales

CASTiNG COORDiNATOR

Alex Gordon

EXECUTiVE ASSiSTANT

Jennie Monica

SUPERViSiNG RECORDiNG ENGiNEER

Krandal Crews

2ND RECORDiNG ENGiNEER

Jim Leber

ASSiSTANT ENGiNEER

Justin Brinsfield

PRODUCTiON DiALOGUE SUPERViSOR

Tony Ostyn

ANiMATiC SUPERViSOR

Paul Finn

ANiMATiC EDiTOR

Brian Robitaille

ANiMATiC SCANNER

Kevin Zelch

ASSiSTANT STORYBOARD ARTiSTS

C.H. Greenblatt

Bruce B. Heller

William Reiss

Octavio Rodriguez

ORiGiNAL CHARACTER DESiGN

Stephen Hillenburg

CHARACTER DESiGNER

Todd White

PROP DESiGNER

Thaddeus Paul Couldron

CLEAN-UP ARTiSTS

Soonjin Mooney

Heath Cecere

LAYOUT SUPERViSOR

Kenny Pittenger

BG LAYOUT DESiGN

John Seymore

Paula Spence

BACKGROUND PAiNTERS

Peter Bennett

Michael Chen

Andy “Spike” Clark

Calvin G. Liang

DiGiTAL BG SUPERViSOR

Andrew Brandou

DiGiTAL BG COORDiNATOR

David Wigforss

BG SCANNiNG DEPARTMENT

Stephen Christian

Steven Kellams

COLOR KEY SUPERViSOR

Teale Reon Wang

COLOR STYLiST

Dene Ann Heming

PRODUCTiON COORDiNATORS

Megan Brown

June Tedesco

PRODUCTiON ASSiSTANTS

Marcy Lynn Dewey

Derek iversen

SHEET TiMER

Andrew Overtoom

FiNAL CHECKER

Karen Shaffer

KEY ANiMATiON FOR WAVES

Kathleen Quaife

POST PRODUCTiON DiRECTOR

Heather Adams

POST PRODUCTiON SUPERViSOR

Wendi McNeese

ADDiTiONAL POST PRODUCTiON SERViCES

Jeff Adams

Matt Brown

Michael Petak

Mishelle Smith

Sean Trask

PiCTURE EDiTOR

Lynn Hobson

POST PRODUCTiON SOUND

SUPERViSOR AND MiXER

Timothy J. BorQuez

SOUND FX DESiGNER AND EDiTOR

Jeffrey Hutchins

DiALOGUE EDiTOR

Gabriel Rosas

RE-RECORDiNG MiXERS

Timothy J. BorQuez

Eric Freeman

FOLEY

Monette Holderer

MUSiC EDiTOR

Nicolas Carr

MUSiC COMPOSED BY

The Blue Hawaiians

Sage Guyton & Jeremy Wakefield

Steven Belfer

Brad Carow

MUSiC CONTRiBUTiONS

Lovecat Music

The Langhorns

“i Wanna Go Home”

LYRiCS BY

Sherm Cohen

Vincent Waller

COMPOSED AND PERFORMED BY

Junior Brown

SPONGEBOB SQUAREPANTS

THEME SONG

LYRiCS BY

Stephen Hillenburg

Derek Drymon

COMPOSED BY

Hank Smith Music

PERFORMED BY

Pat Pinney

ON-LiNE EDiTORS

Dan Aguilar

Barry Cohen

DAViNCi COLORiST

Dexter P.

POST PRODUCTiON SERViCES

Todd AO - Hollywood Digital

Hacienda Post

The Post Group

Encore Video

ANiMATiON SERViCES

Rough Draft Studios, Korea

OVERSEAS SUPERViSOR

Doug Williams

LiVE ACTiON iSLAND FOOTAGE BY

Bad Clams Productions, inc.

TiTLE STiLL PHOTOGRAPHY BY

David Frapwell

LiVE ACTiON SQUiRREL PROViDED BY

Bischoff’s Expert

Taxidermists

DEVELOPED BY

Derek Drymon

Tim Hill

Nicholas R. Jennings

PRODUCTiON EXECUTiVE

Eric Coleman

EXECUTiVE iN CHARGE

OF PRODUCTiON

Brian A. Miller

The Graveyard Shift End Credits[]

“THE GRAVEYARD SHiFT”

EXECUTiVE PRODUCER

Stephen Hillenburg

LiNE PRODUCERS

Donna Castricone

Helen Kalafatic

Anne Michaud

ART DiRECTOR

Nicholas R. Jennings

SUPERViSiNG DiRECTOR

Alan Smart

STORYBOARD SUPERViSOR

Sherm Cohen

STORY EDiTOR

Merriwether Williams

WRiTERS

Jay Lender

Dan Povenmire

Mr. Lawrence

Mark O’Hare

Merriwether Williams

Derek Drymon

Stephen Hillenburg

Tom Kenny          ……….. French Narrator (character), Incidental 30 (Anchovy),

                                  SpongeBob SquarePants (character), SpongeBob’s arms,

                                     Incidental 40 (Harold “Bill” Reginald), SpongeBob’s eyes

Rodger Bumpass                        ……………… Squidward Tentacles (character),

            Incidental 60 (Nathiel Waters), Hash-slinging slasher (debut; mentioned)

Dee Bradley Baker                                           ……………….. Incidental 6 (Tom),

                Incidental 6 (Customer #6), Incidental 17 (Perry), Sandals (character),

                    Incidental 40 (Harold “Bill” Reginald), Incidental 40 (Customer #40),

                                                                             Incidental 189 (debut) (Richard)

Clancy Brown                            ……………………. Eugene H. Krabs (character),

                                                                                  Incidental 107 (Frankie Billy)

Lori Alan         …………………………………… Incidental 49 (Female Customer)

Mr. Lawrence         ………………… Incidental 85 (Lonnie), Incidental 118 (Cop),

                                        Incidental 105 (Frank (Red Shirt)), Incidental 39 (Lou),

                       Incidental 67 (character) (Harv), Sheldon J. Plankton (character),

                                                             Hash-slinging slasher (debut; mentioned)

Sirena irwin         …………. Incidental 49 (Norma Rechid), Incidental 22 (Carol),

                                                                            Incidental 69 (character) (Cara)

Bill Fagerbakke                                  ……………………. Incidental 23 (Charlie),

  Incidental 15 (Mevis), Incidental 82 (Mable), Incidental 36 (Harold (Red Fish)),

                                                                           Patrick Star (character) (cameo)

Jill Talley ………………………………………... Incidental 82 (Female Customer)

Carlos AlazraQui ……………………… Hash-slinging slasher (debut; mentioned)

Max Schreck ……………………………………………………… Nosferatu (debut)

CASTiNG DiRECTOR

Donna Grillo Gonzales

CASTiNG AND MUSiC COORDiNATOR

Jennie Monica

EXECUTiVE ASSiSTANT

Elise McCollum

SUPERViSiNG RECORDiNG ENGiNEER

Krandal Crews

2ND RECORDiNG ENGiNEER

Justin Brinsfield

PRODUCTiON DiALOGUE SUPERViSOR

Tony Ostyn

ANiMATiC SUPERViSOR

Paul Finn

ANiMATiC EDiTOR

Brian Robitaille

ASSiSTANT STORYBOARD ARTiSTS

Zeus Cervas

Heather Martinez

Caleb Meurer

ORiGiNAL CHARACTER DESiGN

Stephen Hillenburg

CHARACTER DESiGNER

Todd White

PROP DESiGNER

Thaddeus Paul Couldron

CHARACTER CLEAN-UP

Eduardo Acosta

LAYOUT SUPERViSOR

Kenny Pittenger

BG LAYOUT DESiGN

John Seymore

Paula Spence

BACKGROUND PAiNTERS

Peter Bennett

Michael Chen

Andy “Spike” Clark

Calvin G. Liang

BG SCANNiNG DEPARTMENT

Stephen Christian

Steven Kellams

Eric Stanton

COLOR KEY SUPERViSOR

Teale Reon Wang

COLOR STYLiST

Dene Ann Heming

PRODUCTiON MANAGER

June Bliss

PRODUCTiON COORDiNATORS

Michelle Bryan

Marcy Lynn Dewey

PRODUCTiON ASSiSTANTS

JacQueline Buscarino

Derek iversen

SHEET TiMER

Juli Murphy Hashiguchi

FiNAL CHECKER

Karen Shaffer

SENiOR DiRECTOR TECHNiCAL SERViCES

John Powell

POST PRODUCTiON SUPERViSOR

Eric Weyenberg

TECHNiCAL ENGiNEERiNG ASSiSTANT

Jim Leber

ADDiTiONAL POST PRODUCTiON SERViCES

Jeff Adams

Michael Petak

Mishelle Smith

PiCTURE EDiTOR

Lynn Hobson

POST PRODUCTiON SOUND

SUPERViSOR AND MiXER

Timothy J. BorQuez

SOUND FX DESiGNER AND EDiTOR

Jeffrey Hutchins

DiALOGUE EDiTOR

Daisuke Sawa

RE-RECORDiNG MiXERS

Eric Freeman

Roy Braverman

FOLEY

Andrea Anderson

Vince Guisetti

Monette Holderer

Richmond Tetzlaff

MUSiC EDiTOR

Nicolas Carr

MUSiC COMPOSED BY

The Blue Hawaiians

Sage Guyton & Jeremy Wakefield

Steven Belfer

Brad Carow

MUSiC CONTRiBUTiONS

Lovecat Music

SPONGEBOB SQUAREPANTS

THEME SONG

LYRiCS BY

Stephen Hillenburg

Derek Drymon

COMPOSED BY

Hank Smith Music

PERFORMED BY

Pat Pinney

ON-LiNE EDiTORS

Barry Cohen

Gayle Mc intyre

Faust Pierfederici

DAViNCi COLORiST

Dexter P.

POST PRODUCTiON SERViCES

Pacifica Sound Group

Encore Video

Hollywood Digital

ANiMATiON SERViCES

Rough Draft Studios, Korea

OVERSEAS SUPERViSOR

Doug Williams

LiVE ACTiON iSLAND FOOTAGE BY

Bad Clams Productions, inc.

TiTLE STiLL PHOTOGRAPHY BY

David Frapwell

DEVELOPED BY

Derek Drymon

Tim Hill

Nicholas R. Jennings

PRODUCTiON EXECUTiVE

Eric Coleman

EXECUTiVE iN CHARGE

OF PRODUCTiON

Lolee Aries

Something Smells End Credits [Closed Captioning][]

“SOMETHiNG SMELLS”

EXECUTiVE PRODUCER

Stephen Hillenburg

LiNE PRODUCER

Donna Castricone

ART DiRECTOR

Nicholas R. Jennings

SUPERViSiNG DiRECTOR

Alan Smart

STORYBOARD SUPERViSOR

Sherm Cohen

STORY EDiTOR

Merriwether Williams

WRiTERS

Mr. Lawrence

Merriwether Williams

Derek Drymon

Stephen Hillenburg

Tom Kenny                     ……………….. SpongeBob SquarePants (character), Gary the Snail (character),

                         Alternate-Universe SpongeBob (character) (debut), Incidental 118 (Officer Rob Johnson),

                                                                                               Incidental 2 (Archie), Incidental 30 (Anchovy)

Sirena irwin                                                                  ……………… Shelley (cameo), Incidental 106 (Ivy),

                                                                                            Mrs. Crossing Guard (debut) (Crossing guard),

                                                                 Marching band (single appearance) (Band Member #1), Kernel,

                                                                                                                      Incidental 7 (Nancy Suzy Fish)

Dee Bradley Baker ……… Incidental 108 (Dale), Marching band (single appearance) (Band Member #2),

              Lenny (orange), Incidental 110 (Fish #4), Incidental 118 (Ticket Fish), Incidental 27 (Jimmy Gus),

                                                   Incidental 6 (Tom), Incidental 37B (Fish #6), Incidental 41 (Nat Peterson)

Rodger Bumpass                        ………………… Incidental 107 (Frankie Billy), Didgeridoo player (debut),

                                            Incidental 37B (Martin), Incidental 31 (Clay), Squidward Tentacles (character)

Bill Fagerbakke   …………… Man inc hat (debut) (Fish #1), Incidental 42 (Dave), Patrick Star (character),

                                                       The Ugly Barnacle (mentioned), Lenny (orange), Incidental 36 (Harold)

Mr. Lawrence ……………………………………………………………… Incidental 154 (debut) (Deliver Fish)

Carlos AlazraQui                                   ……….. Incidental 154 (debut) (Norton), Smaller mailman (debut),

                 Marching band (single appearance) (Band Leader), Purple leech creature (single appearance),

                       Scooter (purple), Troutenheimer (Fish #5), Incidental 37B (Fish #2), Incidental 31 (Fish #3),

                                                                                                                                    Incidental 41 (Fish #7)

Carolyn Lawrence ………………………………………………………………………………….. Agnes (debut)

Camryn Walling                                …………………. Incidental 109 (Kid Fish #2), Incidental 144 (Kid #1),

                                                                                                                                   Incidental 143 (Kid #2)

Sara Paxton                               ………………………. Incidental 141 (Kid Fish #1), Incidental 142 (Kid #3)

Mary Jo Catlett …. Incidental 115 (Mable-Monica), Incidental 8 (Tina Fran), Incidental 48 (Abigail Marge),

                                                                                                     Unknown incidental 25 (debut) (Lady inc)

CASTiNG DiRECTOR

Donna Grillo Gonzales

CASTiNG COORDiNATOR

Alex Gordon

EXECUTiVE ASSiSTANT

Jennie Monica

SUPERViSiNG RECORDiNG ENGiNEER

Krandal Crews

2ND RECORDiNG ENGiNEER

Justin Brinsfield

[Captioning sponsored by

PRODUCTiON DiALOGUE SUPERViSOR

Tony Ostyn

ANiMATiC SUPERViSOR

Paul Finn

ANiMATiC EDiTOR

Brian Robitaille

EMR EDiTOR

Brian Arnold

ASSiSTANT STORYBOARD ARTiSTS

Zeus Cervas

Heather Martinez

Caleb Meurer

Erik Wiese

PARAMOUNT PICTURES

HOME ENTERTAINMENT]

ORiGiNAL CHARACTER DESiGN

Stephen Hillenburg

CHARACTER DESiGNER

Todd White

PROP DESiGNER

Thaddeus Paul Couldron

CLEAN-UP ARTiST

Heather Martinez

LAYOUT SUPERViSOR

Kenny Pittenger

BG LAYOUT DESiGN

John Seymore

Paula Spence

BACKGROUND PAiNTERS

Peter Bennett

Michael Chen

Andy “Spike” Clark

Calvin G. Liang

DiGiTAL BG SUPERViSOR

Andrew Brandou

DiGiTAL BG COORDiNATOR

David Wigforss

BG SCANNiNG DEPARTMENT

Stephen Christian

Steven Kellams

COLOR KEY SUPERViSOR

Teale Reon Wang

COLOR STYLiST

Dene Ann Heming

[Captioned by

The Caption Center

WGBH Educational Foundation]

PRODUCTiON COORDiNATORS

Megan Brown

June Tedesco

PRODUCTiON ASSiSTANTS

Marcy Lynn Dewey

Derek iversen

FiNAL CHECKER

Karen Shaffer

SENiOR DiRECTOR TECHNiCAL SERViCES

John Powell

POST PRODUCTiON SUPERViSOR

Wendi McNeese

TECHNiCAL ENGiNEERiNG ASSiSTANT

Jim Leber

ADDiTiONAL POST PRODUCTiON SERViCES

Jeff Adams

Matt Brown

Michael Petak

Mishelle Smith

Sean Trask

PiCTURE EDiTOR

Lynn Hobson

POST PRODUCTiON SOUND

SUPERViSOR AND MiXER

Timothy J. BorQuez

SOUND FX DESiGNER AND EDiTOR

Jeffrey Hutchins

SOUND EDiTOR

Gabriel Rosas

RE-RECORDiNG MiXERS

Timothy J. BorQuez

Eric Freeman

FOLEY

Monette Holderer

MUSiC EDiTOR

Nicolas Carr

MUSiC COMPOSED BY

The Blue Hawaiians

Sage Guyton & Jeremy Wakefield

Steven Belfer

Brad Carow

SPONGEBOB SQUAREPANTS

THEME SONG

LYRiCS BY

Stephen Hillenburg

Derek Drymon

COMPOSED BY

Hank Smith Music

PERFORMED BY

Pat Pinney

ON-LiNE EDiTORS

Dan Aguilar

Barry Cohen

DAViNCi COLORiST

Dexter P.

POST PRODUCTiON SERViCES

Todd AO - Hollywood Digital

Hacienda Post

The Post Group

Encore Video

ANiMATiON SERViCES

Rough Draft Studios, Korea

OVERSEAS SUPERViSOR

Doug Williams

LiVE ACTiON iSLAND FOOTAGE BY

Bad Clams Productions, inc.

TiTLE STiLL PHOTOGRAPHY BY

David Frapwell

STOCK FOOTAGE

Energy Film Library

DEVELOPED BY

Derek Drymon

Tim Hill

Nicholas R. Jennings

PRODUCTiON EXECUTiVE

Eric Coleman

EXECUTIVE iN CHARGE

OF PRODUCTiON

Brian A. Miller

[]

Stephen Hillenburg

[]

NICKELODEON

© 2002 Viacom International Inc. All Rights Reserved. NICKELODEON, SPONGEBOB SQUAREPANTS, and all related titles, logos and characters

are trademarks of Viacom International Inc.  Created by Stephen Hillenburg.

© 2002 Viacom International Inc. All Rights Reserved.

NICKELODEON, SPONGEBOB SQUAREPANTS and all related titles,

logos and characters are trademarks of Viacom International Inc.

Created by Stephen Hillenburg.

™, ® & Copyright © 2001 by Paramount Pictures. All Rights Reserved.

[]

Paramount

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