Tuesday, October 7, 2003
The Adventures of NICKELODEON
J i M M Y
N E U T R O N
B O Y G E N I U S
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S T E R E O
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SEA OF TROUBLE
It seems that things always go from calm to chaos when
Jimmy puts one of his new inventions to use. So watch
out, here’s at it again!
RAISE THE OOZY SCAB (9/27/2002)
Jimmy and Cindy have to team up for a science project.
They’re going to search for the sunken treasure ship, the
Oozy Scab, in a submarine Jimmy’s built. And just like on
land, when you put these two together, you’re bound to
encounter a sea of trouble!
THE PHANTOM OF RETROLAND (10/30/2002)
For his history report, Nick tells about the Phantom of
Retroland, a monster who lives at the local amusement
park. In the interest of science, Jimmy sets out to disprove
this urban tale with a little help from Carl and Sheen.
For distributor
and retailer
promotional
use only.
Not for duplication or sale.
HYPNO BIRTHDAY TO YOU (11/1/2002)
Jimmy needs some chemicals to finish an experiment.
Unfortunately, he’s got no money and his birthday is three
months away. Or is it? Jimmy uses his hypno-beam to trick
his parents into thinking his birthday is tomorrow. But
when every day’s got a tomorrow, birthdays — and Jimmy -
get old really fast!
HALL MONSTER (11/1/2002)
When Jimmy is elected the new hall monitor, he vows to
bring hall monitoring into the 21st century, inventing a host
of new gadgets for the job. Unfortunately, the only thing
Jimmy’s high-tech inventions do is ensure that his friends
do whatever it takes to end his reign of hall terror!
TRADING FACES (10/14/2002)
It’s another inventions mishap for Jimmy. But this time it’s
worse than ever — Jimmy and Cindy have switched brains!
And it’s going to take Carl, Libby and Sheen to set things
back to normal!
NICK.com For Jimmy Neutron games and more go to Nick.com
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Boy Genius and all related titles, logos and characters are trademarks of Viacom International Inc.
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NICKELODEON
The Adventures of NICKELODEON
J i M M Y
N E U T R O N
B O Y G E N I U S
SEA OF TROUBLE
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NICKELODEON
The Adventures of NICKELODEON
J i M M Y
N E U T R O N
B O Y G E N I U S
SEA OF TROUBLE
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5 INGENIOUS EPISODES
The Adventures of NICKELODEON
J i M M Y
N E U T R O N SEA OF TROUBLE Paramount
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The Adventures of Jimmy Neutron™
Sea of Trouble
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Licensed for Sale Only in U.S. and Canada.
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FOR DISTRIBUTOR PROMOTIONAL USE ONLY.
NOT FOR SALE, RENTAL, DUPLICATION
OR PUBLIC PERFORMANCE.
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NOT FOR SALE, RENTAL,
DUPLICATION OR
PUBLIC PERFORMANCE
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Not for duplication or sale.
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NICKELODEON
The Adventures of Jimmy Neutron, Boy Genius Intro [Closed Captioned][]
3
2
1
Got to blast!
♪ From here to the stars
for my candy bars ♪
♪ Rides a kid with a knack
for invention ♪
( gasps )
♪ With super-powered mind,
a mechanical canine ♪
( barks )
♪ He rescues the day
from sure destruction ♪
Help!
♪ This is the theme song ♪
( screams )
♪ For Jimmy Neutron. ♪
♪ For Jimmy Neutron. ♪
NICKELODEON
The Adventures of NICKELODEON
J i M M Y
N E U T R O N
B O Y G E N I U S
The Adventures of NICKELODEON
J i M M Y
N E U T R O N
B O Y G E N I U S
( mechanical whirring )
( barking )
( yells )
RAISE THE OOZY SCAB (9/27/2002) [Closed Captioned][]
Jimmy and Cindy have to team up for a science project.
They’re going to search for the sunken treasure ship, the
Oozy Scab, in a submarine Jimmy’s built. And just like on
land, when you put these two together, you’re bound to
encounter a sea of trouble!
R A I S E T H E
O O Z Y
S C A B
WRiTTEN BY
JED SPiNGARN
MUSiC COMPOSED BY
CHARLiE BRiSSETTE
THEME MUSiC BY
BRiAN CAUSEY
DiRECTED BY
MiKE GASAWAY
CREATED BY
JOHN A. DAViS
( birds singing )
LINDBERGH
ELEMENTARY
SCHOOL
But of all
the ocean’s mysteries…
( clucking )
…my favorite is
the haunting mating call
of the humpback whale.
H u m p b a c k
H u m p b a c k
( animalistic groaning )
( animalistic groaning )
Very good, Carl.
H u m p b a c k
Ooh. Oh, that wasn’t
a mating call, Miss Fowl.
Butch just gave me a wedgie.
I want everyone
to choose up partners
for your oceanography projects.
( all talking at once )
( all talking at once )
Hey, hey, don’t
fight over me, boys.
There’s plenty of
genius for everyone.
Actually, Jimmy,
I’m still radioactive
from last time
we were lab partners.
Yeah, and I still can’t go
near power plants.
Oh… okay.
Poor, Speutron.
What’s it like
knowing no one wants
to be your partner?
I don’t know, Cindy.
Why don’t you turn around
and find out?
( gasps )
Libby, what are you
doing with Britney?!
Nothing.
This-This isn’t
the new Mix Master P CD.
I mean, I didn’t promise
to do Britney’s entire project
in exchange for it
if that’s what you’re thinking.
Well, you two, it would seem
you’re the only ones left
without partners.
Let the record show
that Jimmy and Cindy will work
on their oceanography project
together!
( clucking )
( class gasping,
thunderous rumble )
( clucking )
Why, that new school bell
is a real waker-upper.
NO GIRLS
ALLOWED
NO GIRLS
ALLOWED
NO GIRLS
ALLOWED
NO GIRLS
ALLOWED
Ah, come on
out, Jimmy.
I’ve got
Fish Snack ‘Ems--
the great taste of
fried seafood in a bag.
Yeah, Jimmy.
Hiding from Cindy
isn’t the answer.
Not when reasonably-priced
plastic surgery is
so readily available.
JIMMY:
That won’t be necessary, boys.
May I present
my latest invention…
…the Neutron Submersible--
capable of attaining undersea
depths of 90,000 fathoms.
90,000 fathoms!
That’s more than…
60,000 fathoms.
Uh, Jimmy,
if you’re going to start
a new life
under the sea
can we have your stuff?
I’m not moving, Carl.
I’ve simply devised a project
so adventurous
that Cindy won’t go
anywhere near it.
Allow me to explain using
these info-taining visual aids.
Two centuries ago,
a pirate ship named
the Oozy Scab hit a squall
and sank to the bottom
of Retroville Bay
with a mysterious
treasure chest.
No sub could ever get
deep enough to retrieve it
until today.
I’m finding that treasure.
Listen, Neutron.
I’m not any happier
about being lab partners
than you are
so let’s just classify
some seashells
and get it over with.
Darn it all, Cindy!
I wish I could join you
in your fascinating
seashell project,
but I’ve already planned
a dangerous speech
for a shipwreck
in my extremely cramped
submarine.
Okay, I’m in.
What?!
But-But… there will be sharks
and-and minimal leg room!
I think I
can handle it.
Now, we’ll need some
quality personnel
to man the controls.
On second thought,
you guys will do.
We sail at dawn.
JIMMY:
Gentlemen-- and annoying
female interloper--
by the end of this journey,
we’ll all be rich.
This is awesome, Jimmy.
I’ve never seen
in a submarine before.
Hey, Jimmy, I found
a cool video game
starring a thin, green guy
and his friend, Mr. Bleep Bleep.
That’s the radar, Carl.
Oh. Well, my
mom doesn’t let
us have radar.
( Cindy clearing
her throat )
If you three sea slugs
are done fooling around
maybe we can get down to work.
Now, after researching
the last known coordinates
of the Oozy Scab, and accounting
for 200 years of ocean drift
I’ve been able to map out
the wreck’s probable location.
Maps are old school.
I’ve invented something
that’ll make finding
the Oozy Scab a no-brainer.
Oh, yeah,
here we go.
Time to complicate
a perfectly good plan
with one of your goofy,
unnecessary inventions.
You’re just jealous
‘cause Jimmy’s a genius.
Go ahead, Captain Jimmy.
Tell us about your goofy,
unnecessary invention.
I give you
the Gill Gab 9000--
the world’s first
fish translating device.
We just speak
into the microphone
and our words are translated
into fish sonar
allowing us
to interview the fish
and ask them
where the treasure is.
And you wanted to use a map.
Well, that is
the lamest thing
I’ve ever heard.
What dunderhead
would want to talk
to a bunch of
stupid fish?
I want to talk to fish!
I want to talk to fish!
Give me that.
Oh, hey, you little fellow.
Hi.
Do you like Fish Snack ‘Ems?
They’re made from fish like you
only cut up
into little, bite-size pieces
and deep fried in burning oil.
( screams )
Carl, you’re supposed to ask
about the treasure.
Hey, you smelly pile
of scales.
I know you know
where the Oozy Scab is
so start singing
before I go barracuda on you!
Uh, maybe I’ll just
ask the questions, huh?
So, I says to him…
You want to know
what I says to him?
Yeah, okay.
I says,
“What’s this blonde scale
doing on his dorsal fin?”
Uh-huh. Wha…?
“Have you been seeing
that angel fish again?”
( laughs )
And you know what he says?
I don’t know what he says.
Okay, okay.
Thanks a lot. Bye.
Got to go.
Well, she was
a gold mine
of information.
Ready to admit
your invention’s a
flop yet, Neutron?
Yeah, maybe Cindy’s right,
Jimmy.
We’ve been interviewing fish
for hours.
And we’ll keep interviewing them
until I say so!
Miss Fowl maybe have made Cindy
my lab partner
but it’s still my ship!
You just can’t
deal with the fact
that my plan’s
better than yours.
Is not!
Is so.
Is not.
Is so!
Is not!
Is so.
Stop it! Stop it!
Can’t you see
your constant fighting is
tearing us all apart?!
( radar beeping )
( radar beeping )
( Sheen laughing )
That was cool, Carl.
I really believed you
for a second.
( chuckling ):
Thanks.
I saw that on a soap opera once.
( yawning )
I’m tired, Jimmy.
I want to go home.
You’ve been talking to fish
all night.
Do you ever know
where we are?
Don’t worry.
I made an automatic pilot system
out of my mom’s microwave.
It’s been piloting the sub
for hours.
( bell dinging )
Whoops.
Wrong setting.
Well, we couldn’t have drifted
too far.
Hmm.
Anyone familiar
with the Sea of Japan?
Great.
Nice going, Neutron.
Not only haven’t
we found the treasure
but now we’re completely lost.
Lost?! We can’t be lost.
We only brought enough food
for two days.
And I’m not eating Carl.
Well, I’m not
eating you, either.
Okay. Maybe
a bite.
No one’s eating anybody.
Just give me time
to come up with a plan.
Too late. You
had your chance.
Now, stand down.
What?
You can’t take over my sub.
Oh, no?
BIG BOOK
OF
SUBMARINES
Miss Fowl made
us lab partners.
BIG BOOK
OF
SUBMARINES
That makes me
co-captain.
BIG BOOK
OF
SUBMARINES
According to
The Big Book
of Submarines
BIG BOOK
OF
SUBMARINES
According to
The Big Book
of Submarines
BIG BOOK
OF
SUBMARINES
That gives me the right
to relieve you of duty.
BIG BOOK
OF
SUBMARINES
Throw him in the brig!
BIG BOOK
OF
SUBMARINES
It’ll take a lot more
than ravenous hunger
to turn my men against me.
Show her, boys.
SHEEN:
I’ll get some rope.
I’ll hold him down.
Hey, hey, you can’t do this.
This is mutiny.
Turn this tub around, boys.
We’ve got an Oozy Scab to find.
CARL:
Mr. Bleep Bleep says
large object at 2:00.
SHEEN:
Hey, cool.
It’s the Oozy Scab.
Yes!
Did you hear that,
Neutron?
Beginner’s luck.
I’m taking her in close.
Steady, steady.
( crashing thud )
( screaming )
Sea monster!
No, it’s not.
It’s a giant squid.
Oh.
ALL:
Giant squid!
( rattling )
( rattling )
( rattling )
What should we do, Jimmy?
How do I know?
You’re the captain.
But I don’t want
to be captain anymore.
You be captain.
Fine. First admit
that I’m a smarter, nicer
all-around better person
than you.
Forget it!
Attention, giant squid.
We mean you no harm.
It’s all Jimmy’s fault!
( yelps )
It’s not
working, Cindy!
Uh, can’t we just
let Jimmy out?
But… I…
Oh, all right.
Say the magic words.
Jimmy Neutron is
a smarter, nicer
all-around better person
than I am.
( chuckles )
Now that wasn’t so hard,
was it?
Hurry, Jimmy.
Do something.
Hmm, the Gill Gab
seems functional.
Why isn’t it working?
Whoa! Hurry, Jimmy.
Quick, Carl, throw me
your bag of Fish Snack ‘Ems.
Just as I thought.
Freeze-dried squid.
NOW CONTAINS:
F R E E Z E-D R I E D
S Q U I D
Aha!
I don’t get it.
Don’t you see?
The squid can’t understand us
because the Gill Gab
only works on fish.
But if I put squid DNA
from Carl’s snack
on the Gill Gab’s microchip
maybe we can communicate
with him.
Aha!
I don’t get it.
JIMMY:
Attention, Squid,
we come in peace.
( British accent ):
I say, who said that?
We mean no harm.
We just came for
the treasure chest
inside the boat.
That piece of rubbish?
Why didn’t you say so?
And to think I was about
to crush your heads
and suck out your guts.
( airy laugh )
Oh, dear.
There you are.
BOTH:
You did it, Jimmy!
And don’t worry.
Despite your
mutinous behavior
you’ll all
still get a cut
of the treasure.
MISS FOWL:
This is the most
delicious salt water taffy
I’ve ever tasted, children.
Your project gets an “A-plus”!
( clucks )
You know,
Jimmy, I hear
each one of these
pieces of taffy is
worth over three cents.
I don’t want
to talk about it.
THE PHANTOM OF RETROLAND (10/30/2002) [Closed Captioned][]
For his history report, Nick tells about the Phantom of
Retroland, a monster who lives at the local amusement
park. In the interest of science, Jimmy sets out to disprove
this urban tale with a little help from Carl and Sheen.
T H E P H A N T O M
O F
R E T R O L A N D
WRiTTEN BY
ANDREW NiCHOLLS
DARRELL ViCKERS
MUSiC COMPOSED BY
CHARLiE BRiSSETTE
THEME MUSiC BY
BRiAN CAUSEY
DiRECTED BY
KEiTH ALCORN
CREATED BY
JOHN A. DAViS
JIMMY:
And so, in 1851
physicist Jean Foucault
hung a pendulum
from a 200-foot wire--
much as I’ve done here--
and proved the
Earth revolves.
Um, excuse me, Miss Fowl
might I suggest
that in the future
oral reports should be shorter
than the life of the person
they’re about?
Speed it, speed it up, Jimmy.
Because the Earth’s rotating
beneath the pendulum
any moment now the first domino
will move in front of it
and be knocked over.
Cool. When it’s
going to knock
over another one?
In exactly one hour.
( groaning )
15 seconds, Jimmy.
Uh, okay.
He was born poor…
Five, four, three, two, one.
Time’s up.
( gonging )
Nick…
your report,
please?
Yeah, Nick.
All right, Nick.
Yeah, Nick.
Can I, uh, get some
atmospheric lighting here?
In July ‘97, three normal kids
from our town
heading home
from an all-night swim meet
decided to take a shortcut
through the theme park.
So they hopped the fence.
They may have heard the rumors,
but they were all too smart
to believe in…
the Phantom of Retroland.
( kids whimpering )
Everybody knows about
the Phantom.
He wears a long,
black cape.
He has a Genoa salami
for a right leg
and he stalks the park
after dark
looking for victims to eat.
( all gasping )
Here’s an artist’s drawing
of what he looks like.
None of them
were ever seen again.
( whimpering )
That’s my history report.
Okay, in the first place
who ever heard of
an all-night swim meet?
Secondly
how do we know Billy’s
alleged last words
if no one ever saw him again?
And if Mr. Phantom’s so hungry
why doesn’t he just eat
his salami leg?
The whole thing’s a myth.
An urban legend.
How small-minded can you be
to try to ruin someone else’s
well-researched and
fascinating report?
Yeah, there you go.
Excuse me?
Isn’t a basic rule of history
supposed to be
that it’s about stuff
that, oh, I don’t know…
actually happened?
Jimmy, um, your
rambling was really
cool and everything
but are you sure you’re
not, I don’t know
maybe a little jealous
‘cause Mr. Fouc-Fouc…
Forpa never ate anybody?
( ringing )
Every thinking person
knows the Phantom’s
just a fable.
Oh, obsess,
why don’t ya?
You’re only
putting down
Nick because
despite all
your logic
you’re just as scared
of the Phantom
as everyone else.
No kid who goes to
Retroland after midnight
has ever been seen again.
Tha… that-that is
so patently ridiculous
it doesn’t even deserve…
A what?
A 600-page report
on how ridiculous it is
in French?
So, Neutron, I guess
you wouldn’t be afraid
to go to the park at midnight.
You know, say, if I was to,
uh, triple-dog dare you?
Don’t do it, Jimmy.
With you dead, I’ll be
picked last in volleyball.
Fine. I’ll go tonight.
And I’ll be in class tomorrow
completely unharmed.
How will we know you
were really there?
Because I’ll take
Sheen and Carl as witnesses.
Sheen, the Phantom
of Retroland’s
going to rip us
limb from limb
and eat us.
Say something!
You ever notice
how Jimmy’s hair
is like one of those
gum massager things?
It’s all swirly and…
What?!
Would you like some more milk
to help you get to sleep?
( yawns ):
No, thanks, Mom.
I find it more soothing
to mentally calculate
the Martin’s function
for all integers through ten
to the 30th power.
I list all the types of pie,
in alphabetical order
starting, of course,
with cherry.
Uh, what about
apple, dear?
Oh, I forgot apple!
Oh, and blueberry.
Blueberry, yes!
And boysenberry,
banana cream
banana coconut cream,
Boston cream.
Right.
Um, black forest,
chutney marmalade, um
bing cherry
black cherry…
Activate hologram projector.
( whirring )
Image select.
Image select.
Skip to Jimmy asleep.
( electrical zapping )
( electrical screeching )
( electrical screeching )
( metal clattering in distance )
( metal clattering in distance )
( dog barking )
( dog barking )
( dog barking )
( shoes squeaking )
( shoes squeaking )
( shoes squeaking )
“Dear Jimmy.
“I can’t come with you tonight,
as I have decided to join
“the French Foreign Legion.
( door creaking )
This is a decision I do not
make lightly, as I h…”
H-Hi, Jimmy.
I thought you said 11:30.
( door closing )
Well,
you’d have surely been
on a plane to Algeria
by then, Carl.
Glad you could make it,
Sheen.
How’d you sneak out?
Oh, I just told
my grandma
that I had to go to
a deserted theme park
to be eaten
by a maniac.
She told me to wear
clean underwear.
Let’s hop the fence.
Hop the…? Uh, gee,
sorry, I can’t, Jim.
You know, some people
can’t whistle
some people can’t
snap their fingers.
Well, I can’t hop.
So, darn it,
I guess I’ll have to go home.
Bye… It’s an
expression, Carl.
We’re going
through the fence
thanks to my
oxidation accelerator.
Voila.
The equivalent for 200 years
of rust.
( can rattling )
JIMMY:
Oh, Mr. Phantom!
Yoo-hoo!
Tasty children, right here.
( sputtering )
Don’t Jimmy.
It’s one minute to midnight!
( singsong ):
Where are you?
Maybe he’s on
daylight mania time.
What’s that?
My autograph book.
The Phantom’s going
right here next to my dad.
And Santa Claus.
Hey, wait a minute.
Strangest thing.
The Jimster’s in his room,
but, uh, so is his playground.
Ooh, I keep telling
him to empty his socks
before he comes home.
Uh, no, no, no,
monkey pants.
I’m talking about
his entire playground’s
in his room.
SHEEN:
I wonder what order
he’ll eat us in.
He’s kidding, Carl.
No one’s going to eat us.
Three, two, one, midnight.
Hah! We did it!
We took a hypothesis
constructed
a scientific protocol
and conclusively
proved it false.
Take that, Nick
and all of your ilk.
You know what I smell,
Jimmy?
Victorious truth
rising above the ashes
of superstition?
No.
Salami.
SALAMI
( screaming )
Stand your ground.
It’s obviously a trick.
Could you sign this,
“To Sheen.
With admiration
and affection,” please?
( growling )
( growling )
( growling )
( growls )
( whimpering )
( whimpering )
( whimpering )
JIMMY:
He’s not real.
He’s a mythical construct.
CARL:
Hey, better safe
than swallowed, Jimmy.
CARL:
Oh, he’ll
just climb on.
Not if we’re moving.
( ticking )
( diesel engine rumbling )
Ha, ha!
Try and get us now,
Mr. Deli-Item Leg.
Uh, Sheen?
What?
It’s only
a three-minute ride.
( ticking )
( ticking )
( raspy laughing )
Wow, usually when I get
on these kind of rides
I get real s…
I get real s…
( retching )
( retching )
Never mind.
( groans in frustration )
Looks like I
have to show you
how a myth fares when
it faces the withering
light of science.
How?
I’m going to repeat
Foucault’s classic experiment.
And what,
bore him to death?
Goddard, laser beams.
Cut the guardrails
off the ride’s axis.
( barks )
What is this ride
if not a giant pendulum?
Now that it’s swinging freely
the Earth will slowly rotate
beneath it.
Ah-ha!
So?
So, imagine Mr. Phantom’s
a domino.
( metal scraping )
Huh?
( grunting )
( grunting )
( Jimmy laughing )
Let’s see how scary
the Phantom is now.
( groaning )
Ew, what’s
that smell?
Shoe barf.
Sorry.
Hey, hey,
I know that voice.
Nick!
I should’ve known.
Boy, you really
showed him. Wham!
Now let’s beat it before
the real Phantom shows up.
Sheen, there is no real Phantom.
( raspy voice ):
I beg to differ.
( screams )
( sniffing ):
What’s that smell?
You mean your salami leg
his salami leg,
or Carl’s shoes?
( growling )
( growling )
( growling )
( screaming )
( screaming )
( growling )
( growling )
JIMMY:
It’s only Cindy
and Libby.
But why?
Why?
Why?
‘Cause nobody likes a smug,
smart-alecky, badly coifed
other-person’s-class-
report-ruining know-it-all!
Everybody knows the
stupid Phantom’s a myth.
Only you would ruin
everyone’s fun
by being so pedantic
about it.
( raspy voice ):
Ah, leaving so soon, huh?
( screams )
( sniffs ):
What’s that smell?
You mean your salami
leg, their salami leg
his salami leg,
or Carl’s shoes?
All right, whoever you
are, the joke’s over.
( screaming )
( screaming )
( panting ):
Jimmy, what
about science?
Science, shmience.
Run for your life!
( giggling )
Ooh, that’ll teach
that little dickens
to use his hologram projector
to sneak out after bedtime.
Let’s go, Hugh.
Coming.
Hey, booger of my eye,
I think I got ‘em all--
every single pie
between apple and cherry.
Look at my list.
What about blackberry?
Oh, blackberry, sure.
Tip of the cap, there,
Mr. Phantom-Face Terrifying Guy.
( both screaming )
( both screaming )
HYPNO BIRTHDAY TO YOU (11/1/2002) [Closed Captioned][]
Jimmy needs some chemicals to finish an experiment.
Unfortunately, he’s got no money and his birthday is three
months away. Or is it? Jimmy uses his hypno-beam to trick
his parents into thinking his birthday is tomorrow. But
when every day’s got a tomorrow, birthdays — and Jimmy -
get old really fast!
H y p n o
B i r t h d a y
t o Y o u
WRiTTEN BY
DARWiN ViCKERS
MUSiC COMPOSED BY
CHARLiE BRiSSETTE
THEME MUSiC BY
BRiAN CAUSEY
DiRECTED BY
KEiTH ALCORN
CREATED BY
JOHN A. DAViS
SHEEN ( chuckling ):
Seven!
Your llama is sucked
into a volcanic sinkhole
where flesh-eating bats
will nip at his screaming face.
Sheen!
There aren’t any
volcanic sinkholes
in Llama’s Day Out.
Maybe that explains
why I’m not having fun.
Hi, Carl.
I ran out of chemicals
mid-experiment
and I know you got a chemistry
set for your birthday.
SHEEN:
Eleven!
Hey, you can use my
chemistry set, Jim.
Oh, the potato’s
not included.
I assume
it comes with a few cc’s
of ethyl mercaptin.
Uh… no.
Well, I can work around that.
How about some
dimercural sulfonative?
Uh… yeah…? No.
Tritium nitrate?
I’ve got salt.
Oh…! Pukin’ Pluto!
How’s a guy
supposed to make
a four-dimensional
hypercube molecube
without access to
the complete spectrum
of inorganic
chemicals?!
Welcome to
my nightmare.
Here you go, Jimmy.
Check out this leaflet
from inside the box.
“Also try
our ultra-deluxe model.
Contains every element
from aluminum to zirconium.”
Now, that’s
what I’m talking about!
( sighing )
Aw, who am I kidding?
I don’t have any money
any my birthday’s
three months away.
Ah, quit procrastinating, Carl.
Ah, forget it;
I’m rolling for you.
( chortling ):
One.
And Carl’s llama falls down.
Down into the sulfurous mud pit.
How the snake god
will be pleased.
Hey, how could
you roll the one
if there are two dice?
Huh? Oh.
Yeah.
( gasping )
Someone get me
the jaws of life!
I wish I could invent something
that would chew up
three months of my life.
Summer school-- trust me.
Too bad you can’t use
your hypno-thingamajiggy
to make your parents think
your birthday’s next week.
Carl… that’s brilliant!
Really? But I said it.
Uh, think about it, Carl.
I mean, my parents enjoy
seeing me happy, don’t they?
That’s true.
It would be selfish
to make them wait
another three months
to give you a gift
when they could give
it to you next week.
Next week?
I can’t stand to make
them suffer one more day.
To the lab!
Okay,
now to set the hypno-command.
( clearing throat )
Tomorrow is Jimmy’s birthday.
♪ Here comes
Mr. Walking Man ♪
♪ Walk-walk-walking,
Walking Man… ♪
( fluttering lips
and laughing )
Mom, Dad
look over here.
It’s not polite
to point, son.
But I guess we
can let it slide
‘cause it’s your
birthday tomorrow!
Oh, my gosh!
Hugh-- presents!
Uh, Sweet Petunias, we have
to go to the mall for Jimmy.
Oh, and what
are you going to buy?
Um, uh… groceries.
Then gift wrap.
Uh, for the… groceries.
Okay. I’ll just stay here
and play
with my woefully out-of-date
chemistry set.
And don’t you dare look
when we come back.
We want the groceries
to be a surprise.
Swift one, Sugar Booger.
Don’t burn down the house, son.
Buh-bye.
THE
NEXT
DAY
( bleating )
( bleating )
CLOWN:
Hey, here’s
another one, kids.
Giggle’s special…
CLoWN
Giggle’s special…
CLoWN
Giggle’s special…
Cool party, Neutron
but, uh, aren’t you kind of old
for the clown thing?
Well, you
know parents.
They like thinking
that we’re all still
five years old.
That was amazing!
That was amazing!
Did you have to swear
a circus oath
to never reveal the source
of your clown powers?
Don’t make fun of me.
Don’t make fun of me.
BOTH:
Happy Birthday, Jimmy!
Oh, thanks, Mom and Dad.
Remember when we said we
were getting groceries?
Well, we got some, and then
we stopped and got this!
No!
Yeah.
I was utterly fooled.
You’re having
a birthday party
and you didn’t even invite us,
Neutron?
Now that we’d want to come.
Sorry.
It was kind of unexpected.
What do you mean?
Don’t you know when
your own birthday is?
Yes, of course.
In fact, I have another one
coming up
in a couple months.
Cindy, Libby--
have some cake and goody bags.
Hi, how’s it going?
So, which kid
is yours?
I’m the clown.
Oh. I didn’t, uh,
want to assume.
Well, in this house,
we never judge people
by the… multicolor
of their skin.
THAT
NIGHT
Ah, great birthday.
Great four-dimensional
hybercube.
Good night, Goddard.
( snoring )
( snoring )
BOTH:
Happy Birthday, Jimmy!
Did you say today’s my birthday?
( laughing ):
That’s right!
Your party’s
already started.
We called
all your friends.
And almost half of
them called us back.
We even hired…
A clown!
A clown!
( bleating )
( bleating )
CLoWN
That’s awesome!
No, it’s better
than awesome.
It’s clownificent!
Let me guess, Neutron.
You’ve finally driven
your parents insane.
We know something’s
going on
and we’re going
to find out what.
Cindy, Libby, have some cake
and goody bags.
You were saying?
BOTH:
Happy Birthday, Jimmy!
Hiya, Clownie!
Hiya, Clownie!
( gulping )
( gulping )
I thought you were
only going to do
this once, Jimmy.
I must have worded the
hypno-command wrong.
I’ll undo it right now.
Although
I could use a few more beakers
and test tubes.
THE
NEXT
DAY
BOTH:
Happy Birthday, Jimmy!
Three birthday parties in a row.
You’re one lucky dude, Neutron.
Jimmy’s not lucky.
He’s a genius.
Yeah. I’m going
to Jimmy’s birthday
every day for the
rest of my life.
FOUR
DAYS
LATER
Happy seventh birthday
this week, Jim.
Um, I kind of ran out
of gift ideas
so, I brought you
some meat from my refrigerator.
How about the quarter
behind the ear?
You did that yesterday.
I could make my hair
go up and down.
You did that
one Thursday.
( chanting ):
New tricks, new tricks,
new tricks…!
Cindy, Libby, have some cake
and goody bags.
( burping )
No, thanks,
Mrs. Neutron.
Do you have any
carrot sticks
or maybe some antacid?
Live a little, girls!
Jimmy’s birthday
only comes once a year.
And now I’m going to, um…
CLoWN
pull a mysterious label
out of my hat.
“Dry clean only.”
( morose chuckle )
( listless booing )
Come on.
CLoWN
No donkey is safe
from my awesome tail-
pinning abilities.
CARL:
Hey, what are you… ow!
SHEEN:
Oops, my bad, Carl.
Ow. No offense, Jimmy
but if you wanted
to skip your birthday
for a few days…
I wouldn’t mind.
Ugh. Yeah, I’m getting
a little tired
of the party bit
myself, Carl.
I guess nothing
lasts forever.
Except summer school.
Trust me.
Hypno-beam, reprogram.
Okay, here’s a new one.
I take something
from the audience
and hit it with a hammer.
That will do just fine.
Hey, hey, no!
CLoWN
No, wait, it says
put it under a hankie
and pretend to hit it.
Anyone got a hankie?
I’m stuck in my birthday.
I’m stuck in my birthday.
THE
NEXT
DAY
Mom, Dad, um, listen
is it okay if I don’t have
a birthday party today?
Well, of course
you’re not having
a birthday party
today, Jimbo.
You’re going
off to college!
College?!
BOTH:
Happy 18th birthday!
And since we seem to be
up to our chinny-chin-chins
in massive, paralyzing debt,
Mr. Giggles
will be moving
into your room.
( giggling )
( giggling )
I never get tired of that one.
Whoa, wait!
I’m not 18!
You can’t
just give my bedroom away
to some creepy circus performer.
See you downstairs
at your going-away party.
Ah, this is the life.
Say, could you teach me
how to get my hair
in that ridiculous shape?
So, you see, you were hypnotized
the whole time.
I’m still just a kid, really.
I like sugary cereals,
and, uh
I think girls are icky,
and everything.
Surprise!
Surprise!
We know it’s not really
your birthday, Jimmy.
You… you know?
Yes, we know.
When Mr. Giggles
broke your thingamajig
it undid that dark
and sinister hold you
had over our thoughts.
From now on, you’ll
just have to wait
for your birthday
like everyone else.
Oh, and Carl’s mom
wants her meat back.
I’m sorry I tricked you guys
but your parties
were so much fun… for awhile.
Jimmy, clowns and
balloons don’t
make kids happy.
Moms and dads
make kids happy.
Well, what a
lovely sentiment,
Mr. Giggles.
You’ve got a heart
as big as your shoes.
Thanks. Here’s my bill.
Holy polka dots!
Uh, if you need me
I’ll be reflecting
on how fortunate I am
to have such
forgiving parents. Bye.
Not so fast, young man.
There’s still the matter
of your punishment.
No one with
a genius IQ
should have to scrub floors
to pay off a clown.
How long does this go on for?
Forever. Trust me.
( yelling )
( bleating )
HALL MONSTER (11/1/2002) [Closed Captioned][]
When Jimmy is elected the new hall monitor, he vows to
bring hall monitoring into the 21st century, inventing a host
of new gadgets for the job. Unfortunately, the only thing
Jimmy’s high-tech inventions do is ensure that his friends
do whatever it takes to end his reign of hall terror!
H A L L
M O N S T E R
WRiTTEN BY
STEVEN BANKS
MUSiC COMPOSED BY
CHARLiE BRiSSETTE
THEME MUSiC BY
BRiAN CAUSEY
DiRECTED BY
MiKE GASAWAY
CREATED BY
JOHN A. DAViS
JIMMY:
Gentlemen, I present
monday-morning-forgotten-report
delivery system.
Better known
as man’s best friend-- Goddard!
Thanks, boy.
( barks )
Hurry up!
Let’s get to class
before the bell rings.
Yeah.
( gulps )
You don’t want
to run into…
the hall monitor!
Hey, Neutron,
you know the rules.
No dogs at school.
That’s a demerit.
And where’s
your hall pass?
I don’t need one, Chuck.
I’m not in the hall
and class hasn’t started yet.
Hey!
Hey! Hey!
( school bell ringing )
Now you need a pass.
That’s another demerit.
And you’re late to class.
Another demerit.
Have a nice day.
Class, I’m afraid I have
some very sad news.
They’re canceling
the Ultra Lord Show?!
Llamas are extinct?!
No, no, no.
Chuck Lester,
our beloved hall monitor
is moving to Greece and…
( sobbing )
will be leaving us.
( wild cheering )
We will now choose
the next hall monitor
as directed
by the Lindbergh Elementary
( squawks )... constitution
by picking a random name
from this hat.
That’s the worst, stupidest,
most boring job in the world.
( scoffs )
I would hate to be hall monitor.
I want to be hall monitor.
I want to be hall monitor…
Carl Wheezer.
I accept!
I forgot to tell you
that your mother left
an extra pair of clean
you-know-what… ( clucks )
up at the office.
Now back to the new hall monitor
announcement.
It’s Jimmy Neutron!
Jimmy
Neutron
No!!!
This is the worst thing
that’s ever happened to me.
Being a hall monitor
was the best thing
that ever happened to me.
( sighing ):
Oh, yeah.
The tight uniform,
the smell of the hall
the beautiful noise
that my shoes made
when I walked.
( imitating squeaking )
Uh-huh. That’s,
uh, great, Dad.
But there’s a danger
hidden beneath the glamour, son.
A man in the uniform is
a powerful thing.
Don’t abuse your position
or it could be really, really…
Oh, what do they call it?
…not good.
Principal Willoughby,
can’t you get someone else
to be hall monitor?
Jimmy, did you know
that the old man
you like so much
with the funny hair
and the big brain
and the “E equals MC-squared”
thingy was a hall monitor?
Albert Einstein was
a hall monitor?
Well, I’ve never read that
in the 178 biographies
I’ve read about him.
Oh, it’s a hundred
percent true.
( chuckles )
Good luck.
Einstein was a hall monitor.
You know what
they say
about a man
in uniform, Libby?
Well, it’s a lie.
Once a nerdtron,
always a nerdtron.
Careful, Cindy.
Jimmy’s “The Man” now.
He can get us
into trouble.
I can?
Oh, oh, yeah.
I can.
Cut the chitchat, ladies.
Moving it along
and remember--
I’m keeping an eye on you.
( grunts )
Hey, watch where
you’re going, punk!
You’re dead mea… ( gasps )
Oh.
Mr. Hall Monitor, sir.
NEUTRON
HALL MONITOR
R
How clumsy of me.
Uh, I have
my pass right here.
( nervous laughter )
Nice to see you. Ciao!
For once this boy genius
may have been wrong.
This is a great job.
Congratulations, Jimmy.
I’ve never seen the halls
look so… orderly.
Miss Fowl, we
might be looking
at the greatest
hall monitor ever!
Maybe even greater
than Albert Einstein.
I will bring
Lindbergh Elementary
into the new millennium
and beyond
with state-of-the-art
hall monitoring.
And you’re going to help me.
( whimpers )
The hall pass authenticator.
Able to detect
counterfeit passes.
The IDM background check
scanner.
HALL SQUAD
Hear me,
floaters of hallway law:
Jimmy Neutron is on the job.
HALL SQUAD
( wheels squeak )
( beeps )
Hi, Jimmy.
Can I touch
your uniform?
Halt! Your papers?
I-I have a pass.
I was just going
to the bathroom
‘cause I always go
at 8:47, 9:23
11:42…
Hall Monitoring System 1.1v
JIMMY:
Wheezer, Carl.
Bloodtype:
O Negative.
Card-carrying member
of the Llama Love Society.
Prior arrests: None.
Everything’s in order.
Move along.
( whimpering )
( scatting to music )
Nerdtron being hall monitor
is the worst thing
that’s happened
to this school
since they banned
extreme jump roping.
( siren blaring )
Ms. Vortex, pull over.
What’s the problem, hall moron?
I believe you’ve committed
a fashion infraction.
Goddard, obtain pants’
measurement data.
11 3/4 inches.
Too short for pants,
yet too long for shorts.
A direct violation
of the Lindbergh Elementary
Fashion Treaty of ‘97.
Why don’t you do something
useful and arrest yourself
for being a dork?
Is that music
you’re listening to?
( giggling ):
Yeah.
It’s the new song
by the cute Multi-cultural
Boys With No Attitude.
There is no pop, punk,
funkhouse, blues, rock, roll
oldies or easy listening
allowed in the halls.
Goddard, confiscate.
Uh-oh… ( gasps )
Music withdrawal!
( shrieks )
Skin… feeling… clammy.
( rattling )
Whoa, that was on
the harsh side.
Do you have
a problem, citizen?
What’s in the gym bag?
W-What?
Hey, Jimmy, it’s me--
the Sheenster.
Cut me some slack, homefly.
Goddard, X-ray.
Ultra Lord comic,
Ultra Lord action figure
Ultra Lord
athletic supporter…
Ah-hah!
And what do we have here?
( sniffs )
A colorfully wrapped
sucrose-based chewing substance.
Gum perhaps?
Uh, I wasn’t chewing it.
That’s possession, Sheen.
You are going down.
Uh, Jimmy, I’m not going
anything wrong
or b-b-bad or evil, am I?
Hall Monitoring System 1.1v
OVER LOAD
You have exceeded
the amount of
llama stickers
on your lunch box.
I know, but…
but I got a special permit.
Shh.
I think your friend’s hat
is on a little too tight.
His hats are always too tight.
Look at his head.
Maybe we should get
Principal Willoughby.
Are you conducting
a secret meeting?
Is this a conspiracy
to start a riot?
Up against the wall!
Spread ‘em!
O-Okay, Neutron,
you’re out of control.
I’m making a citizen’s arrest.
I want a public defender!
I want my music!
I want my mommy!
( whining )
And some fudge.
Red alert, Goddard!
This is not a drill.
This floor is on lockdown.
Incarcerate the troublemakers.
( blues rhythm )
♪ I miss my music ♪
♪ Na-na-na-na ♪
♪ I miss it so bad
that I could cry ♪
♪ Na-na-na-na ♪
♪ Na-na-na-na ♪
♪ If I don’t get my music… ♪
Lady, we don’t sing
the blues here.
( clinking )
No tin-cup banging,
Gum Boy.
Aw, man.
And no carving keys
to your cell out of soap.
Um… Mr. Hall Monitor, sir?
Can I got the bathroom,
please?
Yeah… Yeah, me, too!
I got to go, too.
All right.
You have 60 seconds.
Oh…
I don’t know
if I can go that fast.
58 seconds.
We got to get
out of here, Carl.
But I’m not done yet.
No, I mean get out
and get help.
Jimmy’s gone nuts.
I have an escape plan.
Check it out.
I’ll disguise himself
as a rhesus monkey
and shimmy down the fire escape
with my feet, and then you…
Goddard, retract and access
central toilet system
and flush ‘em out.
“Flushing”
Surf’s up!
( yelling )
What in the name
of all things bright
and beautiful
is going on?
These hooligans were trying
to escape.
Principal Willoughby, Jimmy’s
unleashed a reign of terror.
Terror!
( grunting )
He is the worst
hall monitor ever!
He’s still my best friend
but he’s gone mad with power!
I’m simply doing my job.
Goddard, hose
these radicals down
and put ‘em in chains.
Wait a minute.
Goddard, records everything.
He can prove how crazy
Jimmy’s been
in high definition
and Dolby THX.
Yeah. Let’s see what man’s best
friend has up his hard drive.
Hah! He won’t show you
subversive types anything.
Why not?
‘Cause you didn’t say
“Goddard,
access hall monitor tapes.”
Darn.
ACCESSING
( no audio )
DAD:
But there’s a danger
hidden beneath the glamour, son.
A man in uniform is
a powerful thing.
Hi, Ji-uh-Ji-sonny.
Just dropped by to remind you
not to overdo that whole, uh,
hall monitor thing.
I did, and darn if I didn’t lose
every friend I had.
Buh-bye!
( thud )
( gasps )
Is… Is that really me?
D-Did I become obsessed
with power in my quest
to emulate Albert Einstein
and be the greatest
hall monitor?
ALL:
Yes!
Oh, about Einstein being
a hall monitor, Jimmy--
that was my sister Eunice.
( chuckles )
I’m always getting them
confused.
Eunice
KIDS:
Eww!
Principal Willoughby,
I hereby resign.
Eunice
( cheering )
I’m afraid
that’s impossible.
According to the Lindbergh
school constitution
hall monitors can’t resign.
( squawks )
You have to be fired
for breaking the rules.
Hmm…
for breaking the rules, eh?
( singsongy ):
I’m chewing gum!
I’m playing music!
My pants are too short.
I’m putting
too many stickers
on my lunch box!
And now, let’s pick
our next hall monitor!
Carl Wheezer.
Victory is mine!
Your mother called.
She said don’t forget
to take your… ( squawks )
nose drops.
Oh.
Oh.
And the new hall monitor is…
Ultra Hall Monitor says,
None shall pass!
( school bell ringing )
( kids shouting )
( Sheen yelling )
( Sheen yelling )
( Sheen yelling )
( Sheen yelling )
TRADING FACES (10/14/2002) [Closed Captioned][]
It’s another inventions mishap for Jimmy. But this time it’s
worse than ever — Jimmy and Cindy have switched brains!
And it’s going to take Carl, Libby and Sheen to set things
back to normal!
T r a d i n g
F a c e s
WRiTTEN BY
ANDREW NiCHOLLS
DARRELL ViCKERS
MUSiC COMPOSED BY
CHARLiE BRiSSETTE
THEME MUSiC BY
BRiAN CAUSEY
DiRECTED BY
MiKE GASAWAY
CREATED BY
JOHN A. DAViS
I call it the Neutron
encephalo-synthesizer.
It isolates and amplifies
alpha brain waves
passes them through a
12-tone interpreter module
and outputs them in
an audible frequency.
Uh, what was that
first part again?
And that middle part?
And the end-y part, too.
Well, simply put
it translates
your thoughts and feelings
into notes and rhythm.
And so, without
further ado
I now present the musical
stylings of my brain.
( yodeling plays on tape )
JAMMER
( laughter )
JIMMY:
The feminine brain is a
treacherous minefield, Carl.
Thanks for coming over to
console me in my darkest hour.
Well, actually,
I was hoping you’d help me
with my geometry homework.
Now, the triangles
are the pointy ones, right?
TRIANGLES
ARE
YOUR
FRIENDS
Today was only the latest
in a long line
of humiliating pranks
Cindy’s pulled on me.
If only I knew
what she was thinking
I could catch her in
the planning stage and…
Whoa!
( lightning cracks )
( lightning cracks )
( squeaking and whirring )
( squeaking and whirring )
TRIANGLES
ARE
YOUR
FRIENDS
I’ll put out the tone generator
and substitute
a voice synthesizer…
JIMMY’S VOICE:
Come on, work, work!
It works!
CARL’S VOICE:
Hmm…
the ends of my fingers
look like
little pink plums.
If I use headphones
Cindy will never know
I’m reading
her every thought.
I wish I could
try it tonight
and see if she’s got
something sneaky planned
for tomorrow.
Nick, um, um, I-I hate
to bother you at home
but I’m stuck with these
two dumb tickets for, um…
What was that band
you liked again?
( click-beep )
TICKeTmeISTer
ADMIT ONE
Oops, um, call waiting.
Don’t go anywhere.
JIMMY:
Hi, Cindy, uh, what you doing?
Neutron!
Well, after I hang up, I’ll be
getting an unlisted number.
JIMMY:
Hmm, no brain wave response.
Goddard, recalibrate
to 3.8 Gigahertz.
( rapid beeping )
RECALIBRATING -- 3.8 GHz
CINDY:
I hope Brainzilla
isn’t on to tomorrow’s
little surprise.
Ah, jackpot!
Oh, uh, yeah, I
just phoned to see
if you had any special plans
to humiliate me tomorrow.
Oh, no, don’t tell me.
He’s found out about the--
Jimmy!
Are you okay?
If you can hear me,
tell me the answers
to 5-a through 11-c.
I mean, just so I know
that you’re okay.
CINDY’S VOICE:
Jimmy?!
Hello?
I’m Cindy, and what are you
doing in my room?
Where is my room
and what happened
to my puffy pink nail polish?
( screams )
( Jimmy’s voice screaming )
( both screaming )
( electronic hum )
VOX:
Rejected!
Girl hair! Girl hair!
Girl hair!
JIMMY’S VOICE:
Vox, it’s me! Let me in!
CINDY’S VOICE:
If you get garbage on my hair,
I’ll never forgive you!
What have you got
to say for yourself?
Or myself?
Or whoever you are?!
JIMMY’S VOICE:
Please don’t put my hands
on my hips!
Guys don’t go that!
I’ll put my hands anywhere
I want to put my hands.
I’ll skip to the doll shop,
swinging my hips, like this.
♪ Swingy, swingy,
swingy, swingy ♪
♪ Girlie, girlie, girlie… ♪
No!
Then fix this, you idiot-- now!
Absolutely!
I just need to tinker with it
for a few hours.
We don’t have a few hours.
School starts in 20 minutes.
You may have stolen
my body and my clothes
but you’re not ruining my
perfect attendance record.
Now get my butt to class!
JIMMY’S VOICE:
My ankles are freezing!
Why don’t girls just buy
pants that cover their legs?
CINDY’S VOICE:
Stop dragging my feet.
Those are new shoes.
Look, if we just act like each
other, nobody will ever know.
( imitating Jimmy’s voice ):
Look at me, everybody!
I sure am smart.
Admire my big,
show-offy brain.
You think I spent
enough hours on my
hair this morning?
Hey, everybody,
look at my ankles.
When will I get a pair
of pants the right length?
Who knows?
Here he goes.
Oh, this one’s
going to be great.
He doesn’t
suspect a thing.
Oh, yeah, uh…
today’s practical joke.
( splat )
( laughter )
CINDY’S VOICE:
Oh, so it’s war, is it?
Fine.
( imitating Jimmy’s voice ):
Look at me, everybody!
I, Jimmy Neutron, am a blue-
faced, cross-eyed nosepicker.
( laughter )
JIMMY’S VOICE:
Oh, yeah?
Listen to this.
Don’t you dare.
( farting noise )
( laughter )
( laughter )
( laughter )
( imitating Cindy’s voice ):
How very ladylike of me.
Cindy, what happened
last night?
You said something about
an extra concert ticket
and then the line went dead.
( in Cindy’s voice ):
I wouldn’t go to a concert
with you
if you were the last boy
on Earth.
That’s how stuck up I am.
( all gasp )
CINDY’S VOICE:
Nick!
( faking Jimmy’s voice ):
I mean, Nick,
she doesn’t mean that.
MISS FOWL:
Quiet, children.
Pop quiz.
( class groaning )
Pop Quiz
NAME:
1. The Ant is a member of which family?
2. What are the names of the planets?
( class groaning )
CINDY’S VOICE:
I hope you enjoyed your
straight A’s, Neutron,
‘cause they’re a
thing of the past.
“The ant is a member
of the vegetable family.”
JIMMY’S VOICE:
“Name the planets:”
Farkle… Gub-Gub…
I would like
an explanation
for these two
disgraceful papers.
( imitating Jimmy’s voice ):
There’s a simple explanation,
Miss Fowl.
I, Jimmy Neutron, am a complete
gabble-headed dipstick.
Huh?
( as Cindy ):
But not as big a dipstick
as you are, Miss Fowl.
and if I don’t get
a month’s worth of detention
for that, you’re even
dumber than you look.
( faking Jimmy’s voice ):
Oh, yeah?
Well, how many detentions
is this worth, Miss Fowl breath?
( distressed clucking )
( snoring )
( snoring )
( metallic squeaking )
You think you could
figure this out
sometime before
I need to shave?
Hey, I want out of
this badly dressed body
just as much as you do.
CINDY’S VOICE:
Badly dressed?!
Do you know how long
it took me to floss
your big, old beaver teeth
last night?
JIMMY’S VOICE:
And, uh, by the way
you start tomorrow
at Hank’s Weenie Barn.
Here’s your weenie.
Hank’s
W e e n I e
B a R n
( laughter )
( laughter )
( as Jimmy ):
It’s something I’ve wanted to do
all my life, Miss Fowl.
( clears throat )
Attention!
Here’s a list
of all the boys in school
who make me, Cindy Vortex
feel all fuzzy inside.
Abraham “Mud-Face” Adler…
SHARKOS
( imitating Jimmy’s voice ):
And I want more chores
around the house…
…Oleander…
And I want a meat log
for Christmas…
Butch.
Okay, maybe not Butch.
And I’d like you to sell my bed
forcing me to sleep in the crawl
space under the house
with the rats.
Are you sure
about this, Cindy?
( faking Cindy’s voice ):
Yes, Cindy’s Mother.
I’m glad
the expensive outfits
I used to be
so foolishly proud of
will now be
clothing the needy.
THE
SALVATION
NAVY
JIMMY’S VOICE:
Do we have to
hide behind here?
Well, sorry, Jim
but we don’t have to been
talking to a girl.
Yeah, that’s a mandatory
five months
of people
pointing at you going:
♪ Nyah-nyah nyah-nyah-nyah ♪
without the possibility
of parole.
JIMMY’S VOICE:
I’ve got to reverse this effect
before…
CINDY’S VOICE:
Do these shoes make me look…
JIMMY’S VOICE:
Oh, no, I’m starting
to think like her.
CINDY’S VOICE:
At least you’re thinking.
Ooh, conflict-- got to go.
CINDY’S VOICE:
Look, we’ve spent all our
time sniping at each other
and hardly any time finding
a solution to our problem.
JIMMY’S VOICE:
But I don’t know
how to generate enough power
to affect a simultaneous
brain transference.
Unless…
unless I dump both our minds
into a virtual brain pod.
“Dump our minds”?
Yeah, yeah-- while our bodies
are lying useless
we get the most trustworthy
people we know
to sort our respective memories
and abilities
into the correct heads.
Don’t worry,
Jimmy and Cindy
I’ll put your minds
back in the right places.
CINDY’S VOICE:
You can’t even keep the gravy
inside your mashed potato
volcano at lunch.
You expect me to let
you put my brain back?
Cindy, don’t worry.
I know your brain,
and I won’t let them
put any stupid
boy stuff in it.
JIMMY’S VOICE:
Okay, listen up, here.
When our brains are uploaded
all our memories
will appear on that screen.
You three have to decide
what belongs to who.
Don’t give Cindy
my astounding ability
to create and build
pioneering technologies, okay?
CINDY’S VOICE:
Oh, yeah, like I’d want to
invent a toilet in a briefcase.
Hey, hey, that could have been
an invaluable accessory
for the traveling businessman.
Carl, throw the switch
and shut them up.
( whimpering )
( whimpering )
( zapping )
( zapping )
Look, there’s Jimmy’s entire
memory of the third grade.
SHEEN:
And we drag that
to the jimmy side.
“Supreme dislike
of show-offy boys.”
That’s Cindy.
Oh, yeah.
“Ability to whistle.”
Can Cindy whistle?
I don’t know.
We gave Jimmy’s rapturous
enjoyment of mustard.
Let’s give Cindy whistling.
“Extreme dislike of girls who
dislike boys
“who dislike girls who dislike
show-offy boys who dislike…”
It’s so confusing!
Just throw that one away!
( beeping )
( bell dings )
SHEEN:
And… download.
( flushing )
DOWNLOADING
LIBBY:
Jimmy? Cindy?
Are you back
in your heads?
JIMMY’S VOICE:
I… I can’t see my ankles.
Oh, no! He’s blind!
No, Carl,
I’ve got my own pants back.
I warn you, Neutron, if anything
at all is wrong with my brain…
You mean other than
what was wrong with it before?
…I’ll hit you
so hard in the mouth
it’ll wake up your dentist.
( bell dings, gears whir )
Did you, um, notice
when your brains
were floating inside
that thing together--
which was disgusting,
by the way--
one of us
was imaging us
walking down a country lane
holding hands and, um, kissing?
Okay, I remember that, but
it wasn’t my brain thinking it.
Well, it sure as heck
wasn’t mine!
It must have been yours, Vortex,
because it was not mine!
No, you just said…
The Adventures of Jimmy Neutron, Boy Genius Website Promo[]
NICK.com For Jimmy Neutron games and more go to Nick.com
End Credits To The Adventures of Jimmy Neutron, Boy Genius: Sea of Trouble Video[]
R A I S E T H E
O O Z Y
S C A B
Executive Producer
STEVE OEDEKERK
Producers
KEITH ALCORN
JOHN A. DAVIS
PAUL MARSHAL
Supervising Producer
JED SPINGARN
Co-Producer
GRANT MORAN
Creative Consultant to Nicktoons
TUCK TUCKER
Line Producer
BENJAMIN GILBERG
Story Editors
STEVEN BANKS
Production Managers
KIM BENZINE-ROWELL
KIM SAXON
Cast
ANDREA MARTIN ………………………. Ms. Fowl
ROB PAULSEN …………………………….. Carl Wheezer (character) /
Butch Pakovski (character) / Squid
DEBI DERRYBERRY ………………….. Anya /
Jimmy Neutron (character)
JEFFREY GARCIA ……………………………. Sheen Estevez (character)
Fish
CAROLYN LAWRENCE ……………………… Cindy Vortex
CRYSTAL SCALES …………………………. Libby Folfax
CANDI MILO ………………………… Britney Tenelli /
Female Fish
Casting By
SARAH NOONAN
Casting Supervisor
JENNIE MONICA
Storyboard Artists
PAUL CLAERHOUT
JASON DORF
Designers
KEITH ALCORN
PAUL CLAERHOUT
JOE RILEY
Modeling and Setup Department Head
SEAN JENSEN
Supervising Modeling and Setup Artist
BEAU HAWKINS
Modeling and Setup Artists
LANCE ADCOCK
JOHN CHASTAIN
MICHAEL DUFFY
TOM JORDAN
AARON STEADMAN
CHRIS TRAN
Texture Department Head
RYAN MICHERO
Texture Artists
TODD HARPER
CHRIS NAKATA
JOSH SMELTZER
AARON THEDFORD
Layout Department Head
STEVEN KOLBE
Layout Artists
DAVID BREHM
JOE JOHNSTON
CHRIS SHERROD
SHAWN WAPSKINEH
Supervising Animators
MATTHEW RUSSELL
TOM GREVERA
Animators
PAUL ALLEN
KIRBY ATKINS
BRIAN CAPSHAW
RAY CHASE
ANDREA DAVIS
RYAN DAVIS
MIKE GARGIULO
TIM HATCHER
RENA MINTZA
DEANNA MOLINARO
TOM SAVILLE
CARL SCHEMBRI
MARK THIELEN
MICHAEL C. WALLING
AARON WERNTZ
Lip-Sync Animation
NICK GIBBONS
Lighting and Special Effects Department Head
CONNON CAREY
Supervising Lighting and Effects Artists
TROY GRIFFIN
IAN MEGIBBEN
Special FX and Environment Lead Artists
GREG REYNOLDS
JEREMY TOTEL
Lighting and Effects Artists
CHAD CAREY
ANN HASSELER-DeCARRASCO
JASON JOHNSTON
AUGUSTO SCHILLACI
DAVID SHAVERS
Recording Engineers
KRANDAL CREWS
JUSTIN BRINSFIELD
First Assistant
MISHELLE SMITH
Voice Direction By
GINNY MCSWAIN
Dialogue Editor
MICHAEL PETAK
Audio Post Production
MENZA PRODUCTION GROUP
Sound Effects Editing
DEBORAH CORNISH
Re-Recording Mixer
GARY FRENCH, C.A.S.
Editor
JON MICHAEL PRICE
First Assistant Editor
JAKE PATTON
Second Assistant Editor
BRENT HUTCHINS
Script Coordinators
FINBAR O’RIORDAN
BRIAN STUART
Production Coordinators
RENA ARCHER
ELLYN KLEIN
Pre-Production Coordinators
PAM KOLBE
ANGIE PARKS
Post-Production Coordinator
SHANNA BASSINGER
Systems Administration
KEENAN KOCHISS
RICH HIRNEISE
Production Software Engineers
BRETT HESTER
MICHAEL DUFFY
Render Wranglers
BRETT HESTER
RICH HIRNEISE
Production Bookeeper
LINDA BRATTAIN
Production Bookeeper
AMY HUDSON
Studio Coordinator
TIFFANY BROWER
Production Assistants
JOHN RICHARD CARLSON
KATHRYN WAGGONER
NALER WILLIAMS
Production Services
DNA PRODUCTIONS, INC.
Special Thanks To
MARGIE COHN
ALBIE HECHT
KEVIN KAY
MARK TAYLOR
Production Executive
RICO HILL
T H E P H A N T O M
O F
R E T R O L A N D
Executive Producer
STEVE OEDEKERK
Producers
KEITH ALCORN
JOHN A. DAVIS
PAUL MARSHAL
Supervising Producer
JED SPINGARN
Co-Producer
GRANT MORAN
Creative Consultant to Nicktoons
TUCK TUCKER
Line Producer
BENJAMIN GILBERG
Story Editors
STEVEN BANKS
Production Managers
KIM BENZINE-ROWELL
KIM SAXON
Cast
DEBI DERRYBERRY ………………. Jimmy Neutron (character)
CAROLYN LAWRENCE …………. Cindy Vortex / Phantom #2
ANDREA MARTIN …………………… Ms. Fowl
JEFFREY GARCIA ………………………… Sheen Estevez (character)
CANDI MILO ………………… Nick Dean (character) / Phantom #1
ROB PAULSEN …………………………. Carl Wheezer (character)
MEGAN CAVANAGH …………. Judy Neutron (character) /
Phantom #3
MARK DECARLO ………… Hugh Neutron (character)
FRANK WELKER ………… Goddard / Phantom #4
CRYSTAL SCALES ……………. Phantom #2 / Libby Folfax
Casting By
SARAH NOONAN
Casting Supervisor
JENNIE MONICA
Storyboard Artists
PAUL CLAERHOUT
JOE RILEY
Designers
KEITH ALCORN
PAUL CLAERHOUT
JOE RILEY
Modeling and Setup Department Head
SEAN JENSEN
Supervising Modeling and Setup Artist
BEAU HAWKINS
Modeling and Setup Artists
LANCE ADCOCK
JOHN CHASTAIN
MICHAEL DUFFY
TOM JORDAN
AARON STEADMAN
CHRIS TRAN
Texture Department Head
RYAN MICHERO
Texture Artists
TODD HARPER
JOSH SMELTZER
Layout Department Head
STEVEN KOLBE
Layout Artists
DAVID BREHM
JOE JOHNSTON
CHRIS SHERROD
SHANE WAPSKINEH
Supervising Animators
MATTHEW RUSSELL
TOM GREVERA
Animators
PAUL ALLEN
KIRBY ATKINS
BRIAN CAPSHAW
RAY CHASE
ANDREA DAVIS
RYAN DAVIS
MIKE GARGIULO
TIM HATCHER
RENA MINTZA
DEANNA MOLINARO
TOM SAVILLE
CARL SCHEMBRI
MARK THIELEN
MICHAEL C. WALLING
AARON WERNTZ
Lip-Sync Animation
NICK GIBBONS
Lighting and Special Effects Department Head
CONNON CAREY
Supervising Lighting and Effects Artists
TROY GRIFFIN
IAN MEGIBBEN
Special FX and Environment Lead Artists
GREG REYNOLDS
JEREMY TOTEL
Lighting and Effects Artists
CHAD CAREY
ANN HASSELER-DeCARRASCO
JASON JOHNSTON
AUGUSTO SCHILLACI
DAVID SHAVERS
Recording Engineers
KRANDAL CREWS
JUSTIN BRINSFIELD
First Assistant
MISHELLE SMITH
Voice Direction By
GINNY MCSWAIN
Dialogue Editor
MICHAEL PETAK
Audio Post Production
MENZA PRODUCTION GROUP
Sound Effects Editing
DELL LITTLE
DEBORAH CORNISH
Re-Recording Mixer
GARY FRENCH, C.A.S.
Editor
JON MICHAEL PRICE
First Assistant Editor
JAKE PATTON
Second Assistant Editor
BRENT HUTCHINS
Script Coordinators
FINBAR O’RIORDAN
MAUREEN PITZ
BRIAN STUART
Production Coordinators
RENA ARCHER
ELLYN KLEIN
Pre-Production Coordinators
PAM KOLBE
ANGIE PARKS
Post-Production Coordinator
SHANNA BASSINGER
Systems Administration
KEENAN KOCHISS
RICH HIRNEISE
Production Software Engineers
BRETT HESTER
MICHAEL DUFFY
Render Wranglers
BETT HESTER
RICH HIRNEISE
Production Accountant
LINDA BRATTAIN
Production Bookeeper
AMY HUDSON
Studio Coordinator
TIFFANY BROWER
Production Assistants
JOHN RICHARD CARLSON
KATHRYN WAGGONER
Production Services
DNA PRODUCTIONS, INC.
Special Thanks To
MARGIE COHN
ALBIE HECHT
KEVIN KAY
MARK TAYLOR
Production Executive
RICO HILL
H y p n o
B i r t h d a y
t o Y o u
Executive Producer
STEVE OEDEKERK
Producers
KEITH ALCORN
JOHN A. DAVIS
PAUL MARSHAL
Supervising Producer
JED SPINGARN
Co-Producer
GRANT MORAN
Creative Consultant to Nicktoons
TUCK TUCKER
Line Producer
BENJAMIN GILBERG
Story Editors
STEVEN BANKS
Production Managers
KIM BENZINE-ROWELL
KIM SAXON
Cast/Special Guest
JEFFREY GARCIA …………………………. Sheen Estevez (character)
ROB PAULSEN …………………….. Carl Wheezer (character) / Oleander Svalsbord
DEBI DERRYBERRY …………. Jimmy Neutron (character) / Amber
MARK DECARLO ……………… Hugh Neutron (character)
MEGAN CAVANAGH ………….. Judy Neutron (character)
BEN STEIN as Mr. Giggles
CANDI MILO ………………………….. Nick Dean (character)
CAROLYN LAWRENCE …………………… Cindy Vortex
CRYSTAL SCALES ………………… Libby Folfax
Casting By
SARAH NOONAN
Casting Supervisor
JENNIE MONICA
Storyboard Artists
PAUL CLAERHOUT
BRYAN BREWER
Designers
KEITH ALCORN
PAUL CLAERHOUT
JOE RILEY
Modeling and Setup Department Head
SEAN JENSEN
Supervising Modeling and Setup Artist
BEAU HAWKINS
Modeling and Setup Artists
LANCE ADCOCK
JOHN CHASTAIN
KWESI A. DAVIS
MICHAEL DUFFY
TOM JORDAN
AARON STEADMAN
CHRIS TRAN
Texture Department Head
RYAN MICHERO
Texture Artists
TODD HARPER
JOSH SMELTZER
Layout Department Head
STEVEN KOLBE
Layout Artists
DAVID BREHM
JOE JOHNSTON
CHRIS SHERROD
SHANE WAPSKINEH
Supervising Animators
MATTHEW RUSSELL
TOM GREVERA
Animators
PAUL ALLEN
KIRBY ATKINS
BRIAN CAPSHAW
RAY CHASE
ANDREA DAVIS
RYAN DAVIS
MIKE GARGIULO
TIM HATCHER
RENA MINTZA
DEANNA MOLINARO
TOM SAVILLE
CARL SCHEMBRI
MARK THIELEN
MICHAEL C. WALLING
AARON WERNTZ
Lip-Sync Animation
NICK GIBBONS
Lighting and Special Effects Department Head
CONNON CAREY
Supervising Lighting and Effects Artists
TROY GRIFFIN
IAN MEGIBBEN
Special FX and Environment Lead Artists
GREG REYNOLDS
JEREMY TOTEL
Lighting and Effects Artists
CHAD CAREY
ANN HASSELER-DeCARRASCO
JASON JOHNSTON
CHRIS NAKATA
DAVID SHAVERS
Recording Engineers
KRANDAL CREWS
JUSTIN BRINSFIELD
First Assistant
MISHELLE SMITH
Voice Direction By
GINNY MCSWAIN
Dialogue Editor
MICHAEL PETAK
Audio Post Production
MENZA PRODUCTION GROUP
Sound Effects Editing
DELL LITTLE
DEBORAH CORNISH
Re-Recording Mixer
GARY FRENCH, C.A.S.
Editor
JON MICHAEL PRICE
First Assistant Editor
JAKE PATTON
Second Assistant Editor
BRENT HUTCHINS
Script Coordinators
MAUREEN PITZ
BRIAN STUART
Production Coordinators
RENA ARCHER
ELLYN KLEIN
Pre-Production Coordinators
PAM KOLBE
ANGIE PARKS
Post-Production Coordinator
SHANNA BASSINGER
Systems Administration
RICH HIRNEISE
GREG GLASER
Production Software Engineers
BRETT HESTER
MICHAEL DUFFY
Render Wranglers
BRETT HESTER
GREG GLASER
Production Accountant
LINDA BRATTAIN
Production Bookeeper
AMY HUDSON
Studio Coordinator
TIFFANY BROWER
Production Assistants
JOHN RICHARD CARLSON
KATHRYN WAGGONER
NALER WILLIAMS
Production Services
DNA PRODUCTIONS, INC.
Special Thanks To
MARGIE COHN
ALBIE HECHT
KEVIN KAY
MARK TAYLOR
Production Executive
RICO HILL
H A L L
M O N S T E R
Executive Producer
STEVE OEDEKERK
Producers
KEITH ALCORN
JOHN A. DAVIS
PAUL MARSHAL
Supervising Producer
JED SPINGARN
Co-Producer
GRANT MORAN
Creative Consultant to Nicktoons
TUCK TUCKER
Line Producer
BENJAMIN GILBERG
Story Editors
STEVEN BANKS
Production Managers
KIM BENZINE-ROWELL
KIM SAXON
Cast
DEBI DERRYBERRY …………. Jimmy Neutron (character)
FRANK WELKER ……………… Goddard
JEFFREY GARCIA …………………………. Sheen Estevez (character)
ROB PAULSEN …………………….. Carl Wheezer (character) /
Principal Willoughby / Butch Pakovski (character)
CRYSTAL SCALES ………………… Chuck Lester / Libby Folfax
ANDREA MARTIN ……………………. Ms. Fowl
MARK DECARLO ……………… Hugh Neutron (character)
CAROLYN LAWRENCE …………………… Cindy Vortex
Casting By
SARAH NOONAN
Casting Supervisor
JENNIE MONICA
Storyboard Artists
PAUL CLAERHOUT
BRYAN BREWER
Designers
KEITH ALCORN
PAUL CLAERHOUT
JOE RILEY
Modeling and Setup Department Head
SEAN JENSEN
Supervising Modeling and Setup Artist
BEAU HAWKINS
Modeling and Setup Artists
LANCE ADCOCK
JOHN CHASTAIN
KWESI A. DAVIS
MICHAEL DUFFY
TOM JORDAN
AARON STEADMAN
CHRIS TRAN
Texture Department Head
RYAN MICHERO
Texture Artists
TODD HARPER
JOSH SMELTZER
Layout Department Head
STEVEN KOLBE
Layout Artists
DAVID BREHM
JOE JOHNSTON
CHRIS SHERROD
SHANE WAPSKINEH
Supervising Animators
MATTHEW RUSSELL
TOM GREVERA
Animators
PAUL ALLEN
KIRBY ATKINS
BRIAN CAPSHAW
RAY CHASE
ANDREA DAVIS
RYAN DAVIS
MIKE GARGIULO
TIM HATCHER
RENA MINTZA
DEANNA MOLINARO
TOM SAVILLE
CARL SCHEMBRI
MARK THIELEN
MICHAEL C. WALLING
AARON WERNTZ
Lip-Sync Animation
NICK GIBBONS
Lighting and Special Effects Department Head
CONNON CAREY
Supervising Lighting and Effects Artists
TROY GRIFFIN
IAN MEGIBBEN
Special FX and Environment Lead Artists
GREG REYNOLDS
JEREMY TOTEL
Lighting and Effects Artists
CHAD CAREY
ANN HASSELER-DeCARRASCO
JASON JOHNSTON
CHRIS NAKATA
DAVID SHAVERS
Recording Engineers
KRANDAL CREWS
JUSTIN BRINSFIELD
First Assistant
MISHELLE SMITH
Voice Direction By
GINNY MCSWAIN
Dialogue Editor
MICHAEL PETAK
Audio Post Production
MENZA PRODUCTION GROUP
Sound Effects Editing
DELL LITTLE
DEBORAH CORNISH
Re-Recording Mixer
GARY FRENCH, C.A.S.
Editor
JON MICHAEL PRICE
First Assistant Editor
JAKE PATTON
Second Assistant Editor
BRENT HUTCHINS
Script Coordinators
MAUREEN PITZ
BRIAN STUART
Production Coordinators
RENA ARCHER
ELLYN KLEIN
Pre-Production Coordinators
PAM KOLBE
ANGIE PARKS
Post-Production Coordinator
SHANNA BASSINGER
Systems Administration
RICH HIRNEISE
GREG GLASER
Production Software Engineers
BRETT HESTER
MICHAEL DUFFY
Render Wranglers
BRETT HESTER
GREG GLASER
Production Accountant
LINDA BRATTAIN
Production Bookeeper
AMY HUDSON
Studio Coordinator
TIFFANY BROWER
Production Assistants
JOHN RICHARD CARLSON
KATHRYN WAGGONER
NALER WILLIAMS
Production Services
DNA PRODUCTIONS, INC.
Special Thanks To
MARGIE COHN
ALBIE HECHT
KEVIN KAY
MARK TAYLOR
Production Executive
RICO HILL
T r a d i n g
F a c e s
Executive Producer
STEVE OEDEKERK
Producers
KEITH ALCORN
JOHN A. DAVIS
PAUL MARSHAL
Supervising Producer
JED SPINGARN
Co-Producer
GRANT MORAN
Creative Consultant to Nicktoons
TUCK TUCKER
Line Producer
BENJAMIN GILBERG
Story Editors
STEVEN BANKS
Production Managers
KIM BENZINE-ROWELL
KIM SAXON
Cast
DEBI DERRYBERRY …………. Jimmy Neutron (character) / Jimmy’s Voice /
Cindy Vortex
ROB PAULSEN …………………………. Carl Wheezer (character) /
Carl’s Voice
JEFFREY GARCIA ………………………… Sheen Estevez (character)
CAROLYN LAWRENCE ………………….. Cindy Vortex /
Jimmy Neutron (character)
FRANK WELKER …………….. Goddard
MEGAN CAVANAGH …………. VOX (character) / Mrs. Vortex (character)
CRYSTAL SCALES ……………………… Libby Folfax
CANDI MILO …………………… Nick Dean (character)
ANDREA MARTIN …………………… Ms. Fowl
Casting By
SARAH NOONAN
Casting Supervisor
JENNIE MONICA
Storyboard Artists
PAUL CLAERHOUT
BRYAN BREWER
Designers
KEITH ALCORN
PAUL CLAERHOUT
JOE RILEY
Modeling and Setup Department Head
SEAN JENSEN
Supervising Modeling and Setup Artist
BEAU HAWKINS
Modeling and Setup Artists
LANCE ACOCK
JOHN CHASTAIN
KWESI A. DAVIS
MICHAEL DUFFY
TOM JORDAN
AARON STEADMAN
CHRIS TRAN
Texture Department Head
RYAN MICHERO
Texture Artists
TODD HARPER
JOSH SMELTZER
Layout Department Head
STEVEN KOLBE
Layout Artists
DAVID BREHM
JOE JOHNSTON
CHRIS SHERROD
SHANE WAPSKINEH
Supervising Animators
MATTHEW RUSSELL
TOM GREVERA
Animators
PAUL ALLEN
KIRBY ATKINS
BRIAN CAPSHAW
RAY CHASE
ANDREA DAVIS
RYAN DAVIS
MIKE GARGIULO
TIM HATCHER
RENA MINTZA
DEANNA MOLINARO
TOM SAVILLE
CARL SCHEMBRI
MARK THIELEN
MICHAEL C. WALLING
AARON WERNTZ
Lip-Sync Animation
NICK GIBBONS
Lighting and Special Effects Department Head
CONNON CAREY
Supervising Lighting and Effects Artists
TROY GRIFFIN
IAN MEGIBBEN
Special FX and Environment Lead Artists
GREG REYNOLDS
JEREMY TOTEL
Lighting and Effects Artists
CHAD CAREY
ANN HASSELER-DeCARRASCO
JASON JOHNSTON
AUGUSTO SCHILLACI
DAVID SHAVERS
Recording Engineers
KRANDAL CREWS
JUSTIN BRINSFIELD
First Assistant
MISHELLE SMITH
Voice Direction By
GINNY MCSWAIN
Dialogue Editor
MICHAEL PETAK
Audio Post Production
MENZA PRODUCTION GROUP
Sound Effects Editing
DELL LITTLE
DEBORAH CORNISH
Re-Recording Mixer
GARY FRENCH, C.A.S.
Editor
JON MICHAEL PRICE
First Assistant Editor
JAKE PATTON
Second Assistant Editor
BRENT HUTCHINS
Script Coordinators
MAUREEN PITZ
BRIAN STUART
Production Coordinators
RENA ARCHER
ELLYN KLEIN
Pre-Production Coordinators
PAM KOLBE
ANGIE PARKS
Post-Production Coordinator
SHANNA BASSINGER
Systems Administration
KEENAN KOCHISS
RICH HIRNEISE
Production Software Engineers
BRETT HESTER
MICHAEL DUFFY
Render Wranglers
BRETT HESTER
RICH HIRNEISE
Production Accountant
LINDA BRATTAIN
Production Bookeeper
AMY HUDSON
Studio Coordinator
TIFFANY BROWER
Production Assistants
JOHN RICHARD CARLSON
KATHRYN WAGGONER
Production Services
DNA PRODUCTIONS, INC.
Special Thanks To
MARGIE COHN
ALBIE HECHT
KEVIN KAY
MARK TAYLOR
Production Executive
RICO HILL
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NICKELODEON
© 2003 Viacom International Inc. All Rights Reserved. Nickelodeon , The Adventures of Jimmy Neutron,
Boy Genius and all related titles, logos and characters are trademarks of Viacom International Inc.
™, ® & Copyright © 2003 by Paramount Pictures.
All Rights Reserved.
© 2003 Viacom International Inc. All Rights Reserved. Nickelodeon, The Adventures of Jimmy Neutron, Boy
Genius and all related titles, logos and characters are trademarks of Viacom International Inc.
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Paramount
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